Forces spéciales

If you like war stories, if you like survival, if you like army movies...

Look no further.

This wonderful movie is about a group of 6 special forces, lost somewhere in the Middle East, without communications or vehicles.

They have to walk through the mountains to reach Afghanistan and their base.

The whole movie is not based on the travel, but it takes a big place.

This is an action and emotional film.

There are some good real action scenes and a lot of feelings during the long and hard travel.

You get what you pay for and - when compared to Black Hawk Down - the budget for this movie would get you an Oyster card for Zone 1-2 for a month. This isn't Hollywood dollars and it shows.

Some of the scenes are a tribute (or plagiarism) to the Ridley Scott masterpiece. There is a decent opening sequence and the acting is reasonable, but you just feel that you're being dragged into B-movie territory despite wanting it to work.

Weirdly, what really lets down the move is the music. Its all low-end production music and has nothing to do with the supposed location, making it harder to believe it was shot on location.

Had there been more zeros on the production bill, this could have been an eight but it'll need to be a low six I'm afraid.

While a tad overlong and light on character development, SPECIAL FORCES nevertheless delivers a fairly solid entry in the modern warfare genre. The plot is rather simple: a French special forces unit (the movie is French/French-produced) is sent in to rescue a journalist from Afghanistan who has been captured by a Taliban warlord. Right off the bat, you are introduced to the principal characters, but not much is given in the way of character development or making the audience care, aside from some small character moments interspersed throughout the latter half of the film. The performances are adequate, with the best being given by Diane Kruger (as the journalist) and Djimon Hounsou (one of the special forces guys). The actor who portrays the Taliban warlord also does a good job, probably adding some depth to his character by having him be Western-educated and somewhat caught between Western culture and his own culture and beliefs, but not much attention is paid to his character either. It also doesn't help that his demise later in the film is done so haphazardly and unceremoniously. As far as the combat sequences go, they were fine and done in current "en vogue" style of somewhat shaky "cinema verite" realism to give a sense of the chaos of battle. The violence was effective and not gratuitous in any way. However, towards the end the movie drags a little bit as we're shown day after day passing of the core group trying to get away from their pursuers and safely back into Afghanistan (they've been wandering around in the Pakistani desert for most of the movie). Overall, the movie is effective in the combat sequences and showing how the special forces team bond with the people they try to rescue. Over the course of the film, you do grow to care a little bit more about the characters but not because you feel like you really know them, just because you empathize with the sticky situation they're in. The movie aspires to be SAVING PRIVATE RYAN (made by the French, and set during the Afghan war), but it falls short of the mark. Still, it makes for a somewhat entertaining, slightly taxing, viewing experience.

In the intro a French special forces team is in Kosovo to get a notorious war criminal. Unlike a US mission that would send maybe 1 chopper and 3 or 4 guys, the French send 5 or 6 choppers and countless guys. For some reason all these choppers don't seem to get noticed by the bad guys. Of course our team gets the guy no problem.

Next in Afghanistan, a French reporter interviews an Afghan girl. She's interviewed her before. The girl tells her the story of how she was sold into marriage. Her husband--the big bad local Taliban leader. I guess the Taliban discover that the girl is spilling her guts and when she leaves she's grabbed by dozens of Taliban. Our intrepid reporter decides she's going to rescue the girl with her two local helpers. Of course they immediately are grabbed as well and we meet the Taliban boss who wants her to to recite one of those confessions for the camera. She refuses and one of her helpers gets his throat slashed.

Back in Paris, the French government immediately launches a rescue mission--it's our team from the intro. The courageous French president of course doesn't think twice about agreeing to the risky mission to rescue a single reporter. When the team arrives in Pakistan where the captives are being held they witness the Taliban killing the Afghan girl. The team finds the reporter, Elsa, and her local assistant, Amen and rescue them. But the Taliban are on their tail. So they miss the rendezvous with the chopper and are on their own now with hordes of Taliban chasing them.

Several firefights and injuries ensue. The team leader decides they will walk to Pakistan!?! Crossing the Hindu Kush mountain range no less!?! Before the border they stop at a village. But soon the Taliban arrive. Amen decides to stay back because he knows the Taliban will wipe out the villagers. So Elsa also decides to help Amen and that forces the entire team to become "humanitarians" as the team leader complaints. Eventually they leave for the snowy mountains and everything that can go wrong, does go wrong. Of course there will be a final confrontation with the Taliban leader.

Special Forces is a rather odd French action survival drama propaganda movie. Odd because the action is realistic and great, but then the story is so unbelievable and the heroics so forced and some of the behaviors so nonsensical. We learn very little about our team. At some point before the Afghan mission they are at a party and one of them is presented as a main character, but he's also one of the less likable guys. The team is a strange mishmash of people, most of which don't look the part. The more interesting character is that of the young sniper. Initially, he's got issues killing people it seems, but what choice does he have. I guess French snipers work in solitary not as a team, so he's always off by himself to flank the bad guys.

Now, is it fair to ask for realism from a propaganda film? And as far as I could tell from the end credits there was some French government involvement aside from the usual financing. The way this movie was filmed you almost expect them to tell you that it was inspired by real events. And the movie does go beyond just presenting Western heroics versus the evil guys. The Taliban leader does get to complain about Western imposition of democracy at gun point. He does seek consultation with some higher ups and he's made to appear like a loose cannon. Our team also avoids stating political opinions but leave that to the politicians. The movie portrays the Western armed forces' habit of witnessing horrors and not intervening. Then it does a nice job of showing the Afghan village tradition of giving hospitality to all who ask for it, whether friend or foe.

It's a bit surprising that this movie precedes the American war propaganda films and unlike these, it's not afraid to harm its characters. Overall, Special Forces has strong first and second acts. But these are short. The long final act/journey gets tedious.

I couldn't be bothered to look if this is based on a true story. Nor will I compare this to heroism as seen in American movies of similar genre fair. But I can tell you that with all it's faults and flaws (and there are quite a few), this still manages to grip you, if you have a good surround sound system and a neat television set. Of course that shouldn't be the argument to rate a movie (Bruckheimer would be happy though), but the action is well choreographed, you always know where you are and the actors are not too bad either.

Having said that, I do understand if you feel like you've been cheated when you watch the movie. But don't start asking yourself, why this, why that, it'll spoil your movie experience. And after all, this is just a movie, so don't start comparing it to the real thing! If you do, it'll fail on a major scale!