Jeune femme née à l'aube du vingtième siècle est rendu 'sans âge' lors d'un accident de voiture. Après beaucoup d'années esseulée, elle rencontre un homme qui lui complique la vie éternelle ... Tout lireJeune femme née à l'aube du vingtième siècle est rendu 'sans âge' lors d'un accident de voiture. Après beaucoup d'années esseulée, elle rencontre un homme qui lui complique la vie éternelle dont elle a l'habitude.Jeune femme née à l'aube du vingtième siècle est rendu 'sans âge' lors d'un accident de voiture. Après beaucoup d'années esseulée, elle rencontre un homme qui lui complique la vie éternelle dont elle a l'habitude.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 10 nominations au total
Lynda Boyd
- Regan
- (as Linda Boyd)
Peter J. Gray
- Clarence James Prescott
- (as Peter James Grey)
Izabel Pearce
- Flemming (Age 5)
- (as Izabel A. Pearce)
Avis à la une
Excellent performances, a truly poignant story. See it, you won't be disappointed.
Director Lee Toland Krieger wisely speeds through the scientific mumbo-jumbo, treating it as the least-interesting aspect of this tale. Instead, he focuses on the relationship fallout of Adaline's predicament. It's a disarmingly affecting film, and very sad at points. A rumination on loneliness. Cinematically, Krieger serves up numerous arching, overhead shots and slow-motion sequences. This coupled with the various time periods tackled gives the picture a buoyant sense of scope.
Particularly memorable in this is Harrison Ford. After stiff and stagey efforts in movies such as "42," Ford delivers a beautifully conflicted performance as a man trying to reconcile his past.
Highly recommended.
Director Lee Toland Krieger wisely speeds through the scientific mumbo-jumbo, treating it as the least-interesting aspect of this tale. Instead, he focuses on the relationship fallout of Adaline's predicament. It's a disarmingly affecting film, and very sad at points. A rumination on loneliness. Cinematically, Krieger serves up numerous arching, overhead shots and slow-motion sequences. This coupled with the various time periods tackled gives the picture a buoyant sense of scope.
Particularly memorable in this is Harrison Ford. After stiff and stagey efforts in movies such as "42," Ford delivers a beautifully conflicted performance as a man trying to reconcile his past.
Highly recommended.
I have been looking forward to this film because of the story line. There are so many things to like about it - the flashbacks are well done and so believable. The costumes are so fun to watch. I do not think I have seen Blake Lively act before and I was clearly entranced by her performance. She carries the film so well and is so quiet and well done. I liked the actors - Michaeil Haisman is gorgeous and believable. Harrison Ford - so happy to see him in a movie again - and he is also believable as the father of Ellis. Elen Burnstyn is delightful. This story could have been presented in such a different manner - director Lee Toland Kreiger got it, and it is beautiful story-telling. I love the last scene.
If you can have Harrison Ford in your movie and you just introduce him almost an hour into the movie and it still works: You know you have a winner. Generally speaking the actors involved are phenomenal. It's a joy to watch them. Even if some situations seem a bit sugar coated (not too much though) and there is the occasional cliché in it, the science fiction element of it, still makes this very interesting.
You have a lot of things that are being "told" by looks. Which again is a big part of the acting talent at hand. You may be able to see where this is going (a few indicators early on, but even without them), but it's still a fun ride to have
You have a lot of things that are being "told" by looks. Which again is a big part of the acting talent at hand. You may be able to see where this is going (a few indicators early on, but even without them), but it's still a fun ride to have
The acting in this I cannot fault, though Adeline has a very low range of emotions given the material, her demure persona is a sign of the times in which she was raised. Perhaps it was the stiff upper lip if the early 20th century? I have never seen the male lead and he suited his part well.
I watched this with my mother and daughters ( sobbing continued on both sides with both generations for different reasons, but both centred around loss). I felt torn, suitably watching this with both generations, as to what part of the film affected me most. Those with children and aging parents will understand when viewing this.
The soundtrack was beautiful and the song played during the most emotive scenes is both beautiful and haunting enough for me to seek it out.
A beautiful movie, which is a little in the fantasy realm in its explanation behind the mortality/immortality aspect which makes it almost fairy tale like, but beautifully executed, and gorgeously told. See it with your mother or daughter, or like I did, both! Take your tissues!
I watched this with my mother and daughters ( sobbing continued on both sides with both generations for different reasons, but both centred around loss). I felt torn, suitably watching this with both generations, as to what part of the film affected me most. Those with children and aging parents will understand when viewing this.
The soundtrack was beautiful and the song played during the most emotive scenes is both beautiful and haunting enough for me to seek it out.
A beautiful movie, which is a little in the fantasy realm in its explanation behind the mortality/immortality aspect which makes it almost fairy tale like, but beautifully executed, and gorgeously told. See it with your mother or daughter, or like I did, both! Take your tissues!
As I'm the romantic type, it would be hard for me to keep being objective. I will also avoid peeling some onions to not make this any harder.
Of course it's not the first time a movie is focused on the forever young theme. It's actually becoming redundant and to be frank not always beautifully used as it should be.
But Adaline is a good exception and this beautiful story will let you shed some tears and give you a warm feeling that life has many beautiful things to offer so we have to enjoy every opportunity given to our eyes. Of course it's not as powerful as Titanic or Gone with the Wind but it is without a doubt one of the best movies I've seen this year.
The main reason is probably Blake Lively. She is illuminating in this movie and we could feel that she owns Adaline throughout the story. She's always in the right tone, the right emotion and she transported me throughout the movie. The rest of the cast is doing great too especially Harrison Ford who I was surprised to see in that kind of movie. This is proving me how great and talented this actor is. He gave to this old man haunted by his past a real deal of emotions.
So here it is. Now let me empty that brand new tissue box next to me and wish you a nice ride in Adaline Land.
Of course it's not the first time a movie is focused on the forever young theme. It's actually becoming redundant and to be frank not always beautifully used as it should be.
But Adaline is a good exception and this beautiful story will let you shed some tears and give you a warm feeling that life has many beautiful things to offer so we have to enjoy every opportunity given to our eyes. Of course it's not as powerful as Titanic or Gone with the Wind but it is without a doubt one of the best movies I've seen this year.
The main reason is probably Blake Lively. She is illuminating in this movie and we could feel that she owns Adaline throughout the story. She's always in the right tone, the right emotion and she transported me throughout the movie. The rest of the cast is doing great too especially Harrison Ford who I was surprised to see in that kind of movie. This is proving me how great and talented this actor is. He gave to this old man haunted by his past a real deal of emotions.
So here it is. Now let me empty that brand new tissue box next to me and wish you a nice ride in Adaline Land.
Le saviez-vous
- AnecdotesThe story about the ships beneath San Francisco is true. Hundreds of ships were abandoned by hopeful gold miners. One fellow set up a salvage company, hauling some of them ashore and leaving some afloat to be used as storage units, boarding houses and even a jail and a church. The city needed to expand its acreage so that they could expand the harbor so they sold water lots. People would take an abandoned boat, scuttle it, and then claim the lot. To keep it they had to fill in the water by dumping rock, sand, and dirt. As it settled, much of it served to support the ships and many of the hulls were preserved largely intact. Decades later as underground utilities were being installed the ships were discovered. So far they have found some 500 of them. Much of downtown San Francisco was built on top of them,
- GaffesWhen she is pulled over near the beginning of the film, her driver's permit as a ZIP code on it, even though she was born in 1908 and the cop says she's 45, making it 1953. ZIP codes were not introduced until 1963.
- Citations
Adaline Bowman: Tell me something I can hold on to forever and never let go.
Ellis Jones: Let go.
- Bandes originalesSince I Don't Have You
Written by Jimmy Beaumont (as James Beaumont), Wally Lester (as Walter Lester), Joseph Rock, Jack Taylor (as John Taylor), Joe Verscharen (as Joseph Verscharen), and Janet Vogel
Performed by The Skyliners
Courtesy of The Bicycle Music Company
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- El secreto de Adaline
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 42 629 776 $US
- Week-end de sortie aux États-Unis et au Canada
- 13 203 458 $US
- 26 avr. 2015
- Montant brut mondial
- 65 663 276 $US
- Durée1 heure 52 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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