NOTE IMDb
7,0/10
33 k
MA NOTE
Après le décès de son maître, le jeune Ip Man continue à apprendre les arts martiaux sous les ordres d'un disciple. Il revient dans sa ville de Foshan où il tombe amoureux de Wing Shing, mal... Tout lireAprès le décès de son maître, le jeune Ip Man continue à apprendre les arts martiaux sous les ordres d'un disciple. Il revient dans sa ville de Foshan où il tombe amoureux de Wing Shing, malheureusement de rang différent de lui.Après le décès de son maître, le jeune Ip Man continue à apprendre les arts martiaux sous les ordres d'un disciple. Il revient dans sa ville de Foshan où il tombe amoureux de Wing Shing, malheureusement de rang différent de lui.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 2 nominations au total
Huang Yi
- Cheung Wing Shing
- (as Yi Huang)
Wen Junhui
- Young Yip Man
- (as Wen Jun Hui)
Kenya Sawada
- Kitano Yukio
- (as Kenya)
Avis à la une
I watched this in two sittings. It's a complex story and a bit to read. I felt a bit tired so I stopped watching and returned to it a couple of days later. Yeah there's a lot going on in this film. The skill of these guys is astounding. Even if you're not really into Martial Arts films it's still a good watch as it was a nice story that weaves and bobs it's way along. It's got action, a love story, intrigue and more action. Recommended viewing in an anti-Hollywood way if you know what I mean. Sometimes it's nice to sit through something with subtitles for once and experience different cultural elements. Good movie.
Like some critics are saying I have to agree this isn't as entertaining as the previous Ip Man movies that feature Donnie Yen so far. But this isn't a bad movie, in fact it turned out to be much better than I expected. Maybe it's because I had such low expectations after finding out the person that will be playing Ip Man won't be Donnie Yen. This movie isn't really a prequel to the previous Ip Man movie although it shows the beginning of Ip Man's legend. But a alternative telling of the Ip Man story or a origin story. What I also found funny is how some of the cast from the previous Ip Man movies is in this but are entirely different characters. The plot isn't entirely believable but the fight sequences are at least compared to the previous two Ip Man movies. The story for a origin movie isn't all that interesting and not that entertaining and a bit slow paced for this style and type of movie. But the twist near the end makes it slightly bit better than it would have been. Not that the twist is all that great but it's still not that predictable and makes sense although a bit far-fetched. It's a worthy installment in the Ip Man franchise but it's not better than the previous two that has Donnie Yen. Although Dennis To does a great job playing Ip Man as Donnie Yen, in fact I find them both to be almost equals.
6.1
6.1
I had heard positive things about the Ip Man films and I generally have found Donnie Yen to be an enjoyable and engaging martial arts star so, sight-unseen I decided to check out the sequel when the chance came up on an airplane recently. That it turned out to be a prequel to the original film didn't really bother me, since I didn't really have any expectations on the film in this regard and the lack of Donnie Yen didn't really bother me either (albeit this was because I expected the film to transition to him as the film progressed in time!).
Anyway, the story here sees the rise of Man as he is trained up from a child, adapts his style thanks to input from the brother of his former master before returning to his original school to find shadowy plans from a Japanese influence moving into the area and making deadly political power moves. The plot generally does enough to provide a structure for the action sequences, but there is really nothing more to it than that. It had the potential to build character development and thus character tensions as well as making the most of the local political machinations and deceptions to add to the tension, but it doesn't really do either of these because it doesn't seem interested in making this more than a frame. It is still a semi-decent frame, but it is only a frame.
In terms of fight sequences the film is also decent enough without being thrilling. The individual fights are well choreographed and are filmed without the frantic editing that western films often use to cover up that the cast are only able to do one move at a time – here the performers are the ones with the skill, not just the editors. This isn't to say that they are thrilling though, but at least they are impressive in terms of technical skill. It isn't till the final fight where a bit of passion and danger gets into the film, prior to this it is noticeably lacking and it did mean I was "watching" the action rather than getting into it. Although a lot of this feeling is from the film as a whole, a good chunk of it has to rest with Yu-Hang because he is frankly dull. In the same way Seagal tends to have the same expression in all manner of scenes, so Yu-Hang tends to have a slightly simple bland expression whether he is fighting off sideshow bullies or talking with a girl he likes. I imagine if I'd seen Yen in the first film, this comparison would be unbearable because, even on its own merits he is a remarkably bland presence in the lead. Sammo shows up so briefly you wonder why he bothered apart from being a known name to help sell the film. The rest of the younger cast are pretty average as well – skilled for sure, but mostly bland or limited; the only performance that really stuck in my mind was the girl who played the Japanese general's daughter) as she showed some colour and heart in the (albeit one-note) character she had.
Overall Ip Man Legend is a solid martial arts film which delivers solid fight sequences in a so-so plot populated by mostly bland or limited performances. It carries itself with a rather worthy air that doesn't help escape the feeling of being a bit of a trudge, but it is still an "OK" film although nothing more than that.
Anyway, the story here sees the rise of Man as he is trained up from a child, adapts his style thanks to input from the brother of his former master before returning to his original school to find shadowy plans from a Japanese influence moving into the area and making deadly political power moves. The plot generally does enough to provide a structure for the action sequences, but there is really nothing more to it than that. It had the potential to build character development and thus character tensions as well as making the most of the local political machinations and deceptions to add to the tension, but it doesn't really do either of these because it doesn't seem interested in making this more than a frame. It is still a semi-decent frame, but it is only a frame.
In terms of fight sequences the film is also decent enough without being thrilling. The individual fights are well choreographed and are filmed without the frantic editing that western films often use to cover up that the cast are only able to do one move at a time – here the performers are the ones with the skill, not just the editors. This isn't to say that they are thrilling though, but at least they are impressive in terms of technical skill. It isn't till the final fight where a bit of passion and danger gets into the film, prior to this it is noticeably lacking and it did mean I was "watching" the action rather than getting into it. Although a lot of this feeling is from the film as a whole, a good chunk of it has to rest with Yu-Hang because he is frankly dull. In the same way Seagal tends to have the same expression in all manner of scenes, so Yu-Hang tends to have a slightly simple bland expression whether he is fighting off sideshow bullies or talking with a girl he likes. I imagine if I'd seen Yen in the first film, this comparison would be unbearable because, even on its own merits he is a remarkably bland presence in the lead. Sammo shows up so briefly you wonder why he bothered apart from being a known name to help sell the film. The rest of the younger cast are pretty average as well – skilled for sure, but mostly bland or limited; the only performance that really stuck in my mind was the girl who played the Japanese general's daughter) as she showed some colour and heart in the (albeit one-note) character she had.
Overall Ip Man Legend is a solid martial arts film which delivers solid fight sequences in a so-so plot populated by mostly bland or limited performances. It carries itself with a rather worthy air that doesn't help escape the feeling of being a bit of a trudge, but it is still an "OK" film although nothing more than that.
There has been a heap of movies about legendary Kung Fu master Ip Man in recent years, and each does portray a slightly different character.
With that said, then this 2010 version portrays the early years of Ip Man. And while being a newcomer to a lead role, then Yu-Huang To did manage to put on a persuasive and good performance of a young Ip Man. And his performance was good in martial arts and acting alike.
The story was good and captivating, and it does offer a good variety of drama, action, intrigue and romance, all mixed together in a manner that worked out quite well.
Being a martial arts movie, then the martial arts is crucial, and it needs to be impressive, well-choreographed and most importantly well-executed. The martial arts in this movie was good and varied; from street fights, playful sparring and deadly brawls. It was well-performed and looked impressive. And the movie was relatively free of 'Wire Fu'. There were some disappointing transitions into 'Wire Fu' though, which was a shame.
"The Legend Is Born: Ip Man" (aka "Yip Man chin chyun") has some good names on the cast list, including Yu-Huang To, Sammo Hung and Biao Yuen, to name but a few. Most impressive, though, is the fact that they got Ip Chun to be in the movie.
If you like Hong Kong martial arts movies, then "The Legend Is Born: Ip Man" is definitely well-worth watching.
With that said, then this 2010 version portrays the early years of Ip Man. And while being a newcomer to a lead role, then Yu-Huang To did manage to put on a persuasive and good performance of a young Ip Man. And his performance was good in martial arts and acting alike.
The story was good and captivating, and it does offer a good variety of drama, action, intrigue and romance, all mixed together in a manner that worked out quite well.
Being a martial arts movie, then the martial arts is crucial, and it needs to be impressive, well-choreographed and most importantly well-executed. The martial arts in this movie was good and varied; from street fights, playful sparring and deadly brawls. It was well-performed and looked impressive. And the movie was relatively free of 'Wire Fu'. There were some disappointing transitions into 'Wire Fu' though, which was a shame.
"The Legend Is Born: Ip Man" (aka "Yip Man chin chyun") has some good names on the cast list, including Yu-Huang To, Sammo Hung and Biao Yuen, to name but a few. Most impressive, though, is the fact that they got Ip Chun to be in the movie.
If you like Hong Kong martial arts movies, then "The Legend Is Born: Ip Man" is definitely well-worth watching.
Being this is a time based prequel to the first film it sets the tone of how Kung Fu Sifu became the legend he is IP MAN. The plot and story were enticing as it brought the viewer into the life he led prior to becoming a master. It was a action filled film with very well choreographed fight scenes.
The strength of the film lies within the story of the political ties to the school and how the Japanese tried to infiltrate to have double agents learn the art. Ip Man would not stand for this and took on the Japanese agents and became a direct link to his mastery. If you have an affinity to the martial arts and how Wing Chun became the style of Ip Man the you will enjoy the format of this film. I give it a solid 8/10
The strength of the film lies within the story of the political ties to the school and how the Japanese tried to infiltrate to have double agents learn the art. Ip Man would not stand for this and took on the Japanese agents and became a direct link to his mastery. If you have an affinity to the martial arts and how Wing Chun became the style of Ip Man the you will enjoy the format of this film. I give it a solid 8/10
Le saviez-vous
- AnecdotesThe role of Leung Bik was played by Ip Man's son Ip Chun.
- GaffesIn a scene set in a cinema in 1919, Ip Man and his future wife (Huang Yi) are supposed to be watching Nosferatu, F.W. Murnau's 1922 horror classic. This is clearly impossible, yet the film shown is not Nosferatu anyway.
- ConnexionsFeatured in WatchMojo: Top 10 Sensei Masters in Movies and TV (2015)
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- How long is The Legend Is Born: Ip Man?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- The Legend Is Born: Ip Man
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 2 708 867 $US
- Durée
- 1h 40min(100 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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