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Rampart

  • 2011
  • Tous publics
  • 1h 48min
NOTE IMDb
5,8/10
26 k
MA NOTE
Woody Harrelson in Rampart (2011)
Set in early 1990s Los Angeles, veteran police officer Dave Brown, the last of the renegade cops, works to take care of his family, and struggles for his own survival.
Lire trailer2:16
11 Videos
99+ photos
CriminalitéDrame

En 1999 à Los Angeles, l'ancien agent de police Dave Brown, dernier des flics renégats, travaille pour prendre soin de sa famille et se bat pour sa propre survie.En 1999 à Los Angeles, l'ancien agent de police Dave Brown, dernier des flics renégats, travaille pour prendre soin de sa famille et se bat pour sa propre survie.En 1999 à Los Angeles, l'ancien agent de police Dave Brown, dernier des flics renégats, travaille pour prendre soin de sa famille et se bat pour sa propre survie.

  • Réalisation
    • Oren Moverman
  • Scénario
    • James Ellroy
    • Oren Moverman
  • Casting principal
    • Woody Harrelson
    • Ben Foster
    • Sigourney Weaver
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,8/10
    26 k
    MA NOTE
    • Réalisation
      • Oren Moverman
    • Scénario
      • James Ellroy
      • Oren Moverman
    • Casting principal
      • Woody Harrelson
      • Ben Foster
      • Sigourney Weaver
    • 150avis d'utilisateurs
    • 204avis des critiques
    • 70Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 6 nominations au total

    Vidéos11

    No. 1
    Trailer 2:16
    No. 1
    Rampart
    Trailer 2:11
    Rampart
    Rampart
    Trailer 2:11
    Rampart
    Rampart
    Trailer 2:12
    Rampart
    "Tell Me You Are Not a Lawyer"
    Clip 1:05
    "Tell Me You Are Not a Lawyer"
    Rampart: Therapy
    Clip 1:35
    Rampart: Therapy
    Rampart: I Learnt That Serving My Country (Uk)
    Clip 1:24
    Rampart: I Learnt That Serving My Country (Uk)

    Photos109

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    Voir l'affiche
    Voir l'affiche
    + 103
    Voir l'affiche

    Rôles principaux51

    Modifier
    Woody Harrelson
    Woody Harrelson
    • David Douglas Brown
    Ben Foster
    Ben Foster
    • General Terry
    Sigourney Weaver
    Sigourney Weaver
    • Joan Confrey
    Jon Bernthal
    Jon Bernthal
    • Dan Morone
    Stella Schnabel
    • Jane
    Jon Foster
    Jon Foster
    • Michael Whittaker
    Ruben Garfias
    Ruben Garfias
    • Pharmacy Security Guard
    Deadlee
    • Pharmacy Punk
    Dominic Flores
    Dominic Flores
    • Latino Detective
    Matt McTighe
    Matt McTighe
    • 30-Year-Old Cop
    Cynthia Nixon
    Cynthia Nixon
    • Barbara
    Anne Heche
    Anne Heche
    • Catherine
    Brie Larson
    Brie Larson
    • Helen
    Sammy Boyarsky
    • Margaret
    Billy Hough
    • Piano Player
    Audra McDonald
    Audra McDonald
    • Sarah
    Keith Woulard
    Keith Woulard
    • Shondell Parmallee
    Steve Buscemi
    Steve Buscemi
    • Bill Blago
    • Réalisation
      • Oren Moverman
    • Scénario
      • James Ellroy
      • Oren Moverman
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs150

    5,825.8K
    1
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    10

    Avis à la une

    7cosmo_tiger

    Part "Dirty Harry" part "Training Day". Not a bad movie at all but nothing really original either. Worth seeing though. I say B+

    "I was under attack, I went after the suspect. End of story." Dave Brown (Harrelson) is an LAPD officer that who does things his own way. After he is caught on tape brutally beating someone after they hit his car his career is in jeopardy. While trying to defend himself against the charge an old alleged crime of his comes back up. This is a really good movie. The big problem is that it is again nothing really original. He acts the way "Dirty Harry" acts but has the morals of Denzel Washington in "Training Day". The movie has an all-star cast and the acting is fantastic. Harrelson especially is great in this in a very layered performance. He covers everything in this role; brutality, being a smart-ass, father in a very dysfunctional family as well as womanizer. This is a great role for him and the movie is very much worth watching. Again, though the only problem is that it seems like this movie has been done to death. Overall, nothing new but still good. I recommend this. I give it a B+.
    6tmp93828

    Was expecting more

    Regarded in the trailer as "one of the most corrupt cops ever on screen," Woody Harrelson's character was honestly underwhelming. The actor did an exceptional job portraying a dirty cop, but was no where near the capacity of evil as Denzel in Training Day or Damon in The Departed. His portrayal was very real which is a characteristic that Oren Moverman appears to gravitate to in his films and while Moverman, in his second theatrical film, does a good job, it is no where near what he achieved in his amazing debut The Messenger. Harrelson did a fine job but he also failed to achieve the same greatness that he displayed in The Messanger as well. Some of the talented character actors in the film like Ben Foster and Sigourney Weaver deliver solid performances but aren't on screen enough make any impact overall to the film. It's a film that due to it's original limited release will likely struggle at the box office and moviegoers aren't missing too much in the process. I enjoy dramatic movies more than any other genre, but I found this film bland and the characters for the most part only OK at best. The actors did a good job but not good enough to make the film a success. There was just no wow factor in this film, which anticipated the wow factor being Harrelson's villainous performance. I'd give it a C in large part due to a broad and bland plot which could've been much better.
    4jwhimster

    Good Start To a TV Drama - Waste Of Time As a Film

    All four stars are for the cast. It's not their fault this movie is awful.

    Harrelson is great. He's an engaging actor, totally believable. It's a shame the script isn't.

    Harrelson plays a brutal, murderous cop who is caught beating down a black guy in the street. Yet his home life is ultra liberal, he lives with two sisters, with whom he's had two kids during separate relationships. One of his daughters is pushing boundaries yet Woody doesn't seem to challenge this, one of the sisters is an artist, again not exactly fitting in with the hard-line discipline Harrelson is dishing out on the street. He's immediately defined as a sexist, racist homophobe, yet we're asked to believe that he's knocked up two intelligent, lefty sisters, who are still willing to accommodate him in their lives, and indeed home, despite his lifetime of indiscretions and violence and that he's managed to split this work and home life without a significant issue developing through the life of the girls (the eldest of who is mid teens at least). The family dynamic could have been interesting but it wasn't explored at all really, it just got crammed in and thus didn't fit with the character at all.

    The supporting cast is really strong and the acting is solid throughout but not one of the plots get developed and not one aspect reaches a conclusion. Obviously, this was done on purpose but if I pay to see a film, I want to see the whole ****ing film, not just half a story! Buscemi has about three lines. Ice Cube, who I rate highly, has a handful of scenes as an internal investigator, all of which are well enough constructed but end without any resolution. Robin Wright is great, foxy as ****, but again, other than to identify Harrelson as a paranoid womaniser, we get nothing back. Anne Henche and Cynthia Nixon play his former partners and both are well played again but they're just sketches of characters, as is Sigourney Weaver, also restricted to about 3 minutes of screen time.

    Basically, it feels like the first, long, episode in a made for TV series. If that was the case, I'd certainly watch more because there is a lot there and the on screen talent is superb but as a stand alone film it's a massive let down and it goes absolutely nowhere at the end of 2 hours.

    Oh, and the sex club scene is particularly pointless, if any such scene can be. It just seems like a random bit of editing that has shoved a half idea into an already over-stretched concept.
    5gradyharp

    'Bear in mind that I am not a racist. Fact is, I hate all people equally.'

    This film would be almost intolerable were it not for the fact that it is based on incidents that happened in 1999 in the Rampart Division of the LAPD, incidents still unresolved. Writer James Ellroy examined the corruption of the police force and came up with this quasi-true story. According to Ellroy, 'I am a master of fiction. I am also the greatest crime writer who ever lived. I am to the crime novel in specific what Leo Tolstoy is to the Russian novel and what Ludwig van Beethoven is to music.' What happens on the screen in this film is best viewed with a bit of Xanax on board along with an anti-nausea medication. Oren Moverman co-wrote the screenplay and directs.

    David Douglas Brown (Woody Harrelson in a one man powerhouse of a performance) is a veteran Los Angeles police officer, one of the last of the renegade cops who works out of the Rampart Division. Dave is misogynistic, racist, brutally violent, egotistical womanizer, yet he defends himself against many of these accusations as he says that his hate is equal opportunity. Though unlawful, he uses intimidation and brutal force to defend his worldview. The most notorious of his actions is his purportedly murdering a suspected serial date rapist, which is why he has been given the nickname "Date Rape Dave". He lives with two of his ex- wives - sisters Barbara (Cynthia Nixon) and Catherine (Anne Heche) - in an effort to keep family together, namely his two daughters, Helen and Margaret, who each have a different sister as their mother. Dave still maintains a sexual relationship with both sisters - whenever the mood suits any of them - while he openly has other sexual relationships with the likes of Sarah (Audra McDonald) and Linda (Robin Wright). His informer is retired officer Hartshorn (Ned Beatty) and street person General Terry (Ben Foster). His boss is Joan Confrey (Sigourney Weaver) who attempts to cover Dave's past deeds but ultimately must face the true rascallion he is. When Dave is caught on video brutally beating a man who accidentally ran into his police car he is faced with decisions that uncover not only his misdeeds but those of his fellow workers.

    The cast is filled with fine support (Jon Foster, Ice Cube, Steve Buscemi, et al) who have very little to do, but Harrelson is in every frame obnoxiously smoking cigarettes in a chain smoker fashion. There is not real storyline to follow; we just are forced to watch the wretched life of a disgustingly bad cop with just enough slightly good virtues to keep us with him. As Catherine states, 'You know what I think? I think you were a dirty cop from day one. You were a dirty cop with a dirty mind and you dirtied all of us up by default.' And that includes the audience.

    Grady Harp
    7KineticSeoul

    Sympathy for a dirty cop?

    Usually when it comes to dirty cops, most people end up detesting them. But this goes in another direction where it sorta builds a slight sympathy for the dirty cop named Dave Brown(Woody Harrelson). Maybe because he only tries to hurt the bad guys and isn't in it for the dirty money nor does he physically hurts women. Even if he is a "power tripping, racist, sexist, arrogant schemer, and chauvinistic cop". He even probably cheated on his wife and he cheats on his taxes. In fact he is such a prick that even the LAPD force wants nothing to do with him and wants him buried. The thing is the whole direction and dialogue is mesmerizing, especially seeing how a dirty cop that isn't all sadistic and evil struggle to keep his family and his badge. Woody Harrelson is just great in this and his performance is captivating to watch. He does a great job of playing the detestable and hypocritical cop that is also methodical and yet his acting makes me have slight sympathy for his character. When he starts to fall apart after his brutality is caught on tape. If you enjoy dirty cop movies this is one of the good ones.

    7.8/10

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    Centres d’intérêt connexes

    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in Les Soprano (1999)
    Criminalité
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drame

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Dave Brown (Woody Harrelson) appears in every scene in the film.
    • Gaffes
      At the beginning of the film, the screen is black and a graphic states "Los Angeles 1999" As the film fades into a wide shot overview of the hamburger stand, a 2005 Cadillac CTS drives through the intersection.
    • Citations

      Dave Brown: [to Kyle Timkins] Bear in mind that I am not a racist. Fact is, I hate all people equally. And if it helps, I've slept with some of your people. You wanna be mad at someone, try J. Edgar Hoover. He was a racist. Or the Founding Fathers, all slave-owners.

    • Connexions
      Edited into Rampart - Behind the Scenes (2012)
    • Bandes originales
      Control Machete
      Written by Toy Selectah (as Antonio Hernandez), Fermin Caballero and Raul Chapa

      Performed by Control Machete

      Courtesy of Universal Music Mexico S.A. de C.V.

      Under license from Universal Music Enterprises

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    FAQ21

    • How long is Rampart?Alimenté par Alexa
    • Is this film based on a true story?

    Détails

    Modifier
    • Date de sortie
      • 3 juillet 2013 (France)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Official site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Tranh Đấu
    • Lieux de tournage
      • Pacific Dining Car - 1310 W. 6th. St, Los Angeles, Californie, États-Unis(Restaurant)
    • Sociétés de production
      • Lightstream Entertainment
      • Waypoint Entertainment
      • The Third Mind Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 12 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 972 512 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 60 446 $US
      • 12 févr. 2012
    • Montant brut mondial
      • 1 567 905 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 48min(108 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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