Peace, Love & Misunderstanding

Kudos to Bruce Beresford for making a really great film with heart and soul. All the cast are amazing - especially Jane Fonda as the grandmother, she really pops in this one. Chase Crawford is hot and homegrown, as is the Javier Bardem - look a like - Jeffrey Dean Morgan. We'd like to see more of him. Catherine Keener is believable as the uptight attorney. I felt a little cheated that Patricia Arquette was not in more scenes, one can only surmise she hit the cutting room floor. Loved seeing the Woodstock locals and the location used as characters. I was in the story for the complete ride. Timeless story. A must see. Why is it only in one theater here in New York?

Funny comment in the last user review. The bus in the movie was not a prop. It just happened to be there on the property where they were filming already. If you go to Woodstock, indeed in many towns in the Hudson Valley, you will still see quite a few psychedelic painted vehicles. Many of the extras used in the film live in the area. They all just dressed and acted normally. Woodstock is Woodstock! The writing and acting may have seemed exaggerated, but if anything, it was downplayed. Check out the motorcycle gang - they are really members of the local motorcycle club. I viewed the movie at the Woodstock film festival and it was fun to watch everyone that was in the film enjoy seeing themselves on the big screen.

Three talented actresses (Jane Fonda, Catherine Keener and Elizabeth Olsen) provided the drive for this over-simplistic view of intergenerational differences and the search for happiness. While clichés abound, the plots twists can be seen miles away but yet occur in the blink-of-an-eye without any rationalization, and the characters border on being one- dimensional, this movie is a guilty pleasure. I would probably credit the ability to overcome this movie's weaknesses to the acting skills and the on-screen charisma of Ms. Fonda and Ms. Keener.

The male characters are even more one-dimensional than the female leads. The only person to get less to do than the abandoning husband (Kyle MacLachlan) is the talented Patricia Arquette who may have only 1 or 2 lines in the movie which require a double take to confirm her presence. I suspect that post-production was not kind to whatever other dialog must have been originally written for her.

While the movie has many weaknesses, the stellar soundtrack and magnificent cinematography are not among them.

Clocking in at barely over 90 minutes, I would recommend this movie to those who do not mind a little fluff every now and then.

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It is not often that a film appears that looks like it may just be background noise for a lazy evening and turns our to be a jewel of a movie. But that is what happens when discovering PEACE, LOVE AND MISUNDERSTANDING. Written by first timers Christina Mengert and Joseph Muszynski who also are the film's producers, and directed with splendid sensitivity for character and detail by Bruce Beresford (Driving Miss Daisy, Breaker Morant, Tender Mercies, Bride of the Wind, Mao's Last Dance, etc), this is a story that so easily could have dropped of the edge of the cliff as a flop but instead becomes a transporting study of family, of coming of age, of second chances, and of fining self in this often absurd world in which we live. The cast, down to the most minuscule bit player, is outstanding: this film is likely to be a career boost for all involved.

Uptight obsessive compulsive lawyer Diane (Catherine Keener) lives in New York and at film's opening is told by her husband Mark that he wants a divorce. Diane decides to escape the disorganized trauma of that announcement by taking her two teenagers - geeky video camera addict and virginal Jake (Nat Wolff) and vegan daughter Zoe (Elizabeth Olsen) - to visit Diane's hippy mother Grace (Jane Fonda, in a brilliant performance) whom she hasn't seen for 20 years (Grace sold Marijuana to Diane's friends at Diane's wedding and has never been forgiven): Grace lives in Woodstock, a town that has retained its hippie flavor since the 1960s. Thinking they will only stay for a couple of days the visiting fractured family ends up staying on while Diane slowly appreciates the strange and wacky but intensely felt life her mother has embraced. Diane meets Jude (Jeffrey Dean Morgan) who slowly breaks down Diane's carefully controlled existence, Zoe is attracted to the local butcher Cole (Chace Crawford, definitely a talent to watch) and despite her loathing of slaughtering animals for food she gradually discovers similarities in the tow of them, and Jake falls for Tara (Marissa O'Donnell) - his first physical experience. Stir all those ingredients, add some hilarious evening of women howling at the full moon, some surprises in character development, and town full of retro-flowerchild status and the film just soars.

One of the many reasons this film works so well is the outstanding performance by the always beautiful and gifted Jane Fonda, but Keener, Morgan, Olsen, Crawford and Wolff are also in top form. For an American comedy that leaves the viewer feeling on top of the world, this movie has it all.

Grady Harp

Yes, comedy! It's a refreshing look at the culture of the 60's and the cynicism of those who look back and try to make sense of all the facets of American society that were called into question during the period. The facets still exist! Out of it comes a funny portrayal of what the confusion/clarity looked like (looks like) as people worked it out, tried to love one another, and made mistakes, as only humans can...with great intentions all firing at once. Congratulations to the director, the cast, the writers, for this delightful romp. I laughed, learned humility, and relished the human comedy that we are, now, as we try to still (once again) Love over generational lines - adult to child, etc. God Bless you for the effort - I hope those who can relax, let go, without a toke, or with, can enjoy your message for what it is - human - very funny, sometimes just plain dumb. Please do not over intellectualize it, just enjoy the darn thing! This movie actually had a kind of "Doris Day" feel to it. Delightful and simple on the surface, but underneath, lots of some good messages about healing one another. I've read what some critics have said, and I wanna say, go to church, get over yourself, calm down, just enjoy the silliness of life, be reverent - be still. Kids do it and so should we, then we will hear each other!!!!