Secret Identity

The fascination for depicting the criminal minds is an endless source of inspiration for studios trying to rise above the cliché that is usually present in most thrillers. And if you choose to unmask the villain at the beginning of the story, something else must hold the viewer's curiosity until the end.

"The Double" goes for the second choice and although I may have spent the rest of the movie trying to figure out what else could make up for the fact that the villain was already exposed, I must say the final surprise didn't quite do the trick. Richard Gere may still have his charm, but I'm not sure he was the best choice for the character he played. There are some action involved, but in the end this movie feels like a meal that doesn't taste as good as it looks.

for a lower budget, almost straight to DVD movie i can't really complain. I avoid a lot of straight to DVD titles, but with richard and topher on the cover at my local redbox, i thought i would give it a chance. The movie is actually put together pretty well, and looks like it could have been released in theaters fully. about 1/4 through the movie, i couldn't believe they would give the story away, but surprisingly there are a few twists that i completely did not see coming. The cast was pretty good, and the acting was not bad at all. I definitely recommend this movie if you need to kill 90 mins Story - 7.5 Acting -8 look and feel of the movie - 7.5-8 Ending - 7.5-8

A retired CIA operative (Richard Gere) is paired with a young FBI agent (Topher Grace) to unravel the mystery of a senator's murder, with all signs pointing to a Soviet assassin.

On top of the great casting of the leads, you also have Martin Sheen being as dignified as ever and Odette Yustman having a smaller, but important role. All around, the casting was just spot on.

What is great about this film is that the words "action star" rarely come up when talking about Grace or Gere, but both have a high level of anger, energy and violence in this flick. I think it marks a great expansion in both of their ranges.

I saw a review that said the film should allow us to "think" more. And yes, one of the key twists is given away far too early in the film. But I think this exposition is warranted, given the bigger twist that comes up later on... and ultimately leads to a chilling ending if you think about what will happen after the credits roll (I am being vague here to not give anything away). I hear (but do not know) that the first twist was even revealed in the trailer. Okay, that was a little too early.

Ebert is surprisingly nice to this movie compared to the average viewer. He says, "Here is a movie constructed from basic parts at the Used Screenplay Store, with a character plugged in whenever one is required." But then he goes and gives the film two stars out of four -- not a terrible rating. He also says the writers had a better film when they wrote "3:10 to Yuma", and that is certainly true.

I want to give this film a second viewing... I did not understand at first about the Russians in Mexico. And now that I do, I want to see the scene again... hmmm. Looks like the film hooked me.

Typical action movie lovers will find this film very satisfying. It's got attractive lead characters, guns, car chases, lots of cold-blooded murder and a supposedly world-class villain with a twist.

The truth is, it's not really my cup of tea -- I look for more emotional drama or educational/meaningful content ideally -- but my three action-loving companions all gave this one thumbs-up, and that's all the average action-lover will need to know.

Having said that, the screenplay gives the impression of a plot that could have been executed with more depth but for the time considerations of a movie, which force producers to gloss over too many interesting issues. Thus the whole production became superficial, with Richard Gere delivering a disappointing performance. I didn't feel the depth of the character that would have raised Gere's performance to a level I think we always hope for from him but never really get. In addition, Topher Grace and Odette Annable are the too-perfect, too-pretty, 2-dimensional couple that are a bit hard to swallow.

Although there were a couple of interesting twists in the plot, they weren't developed enough to raise the level of this film to a must-see, and pretty much every other part of the screenplay was as superficial as your run-of-the-mill action movie.

"The Double," is a taut spy-thriller with echoes of the Cold War and "The Day of the Jackal." It's not easy to speak about the plot without pooping the film's surprises but let's just say that everything's different from what it appears and no one is who he seems to be (that's where the film's title comes from). I've read reviews describing the film as confusing and too complicated but in my opinion these comments are ungenerous. "The Double" shows an instantaneous reassessment of what the viewer has seen. In that sense there's a mind-twisting satisfaction in the plot. Gere is great as an entertainingly minimal actor but he's always very convincing. Here he gives weariness to a character who had seen and done too much. "The Double" is one of those dark stories where every turn seems to be a turn for the worse. To sum up it's definitely worth a look.