The Dictator
- 2012
- Tous publics
- 1h 23min
L'histoire héroïque d'un dictateur qui a risqué sa vie afin d'assurer que la démocratie ne viendrait jamais dans le pays qu'il oppressait avec tant d'amour.L'histoire héroïque d'un dictateur qui a risqué sa vie afin d'assurer que la démocratie ne viendrait jamais dans le pays qu'il oppressait avec tant d'amour.L'histoire héroïque d'un dictateur qui a risqué sa vie afin d'assurer que la démocratie ne viendrait jamais dans le pays qu'il oppressait avec tant d'amour.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
John C. Reilly
- Clayton
- (non crédité)
Nazanin Homa
- Virgin Guard
- (as Naz Homa)
Dawn Jackson
- Virgin Guard
- (as Dawn Zimniak)
Avis à la une
I'm revisiting various comedies from the 2000s and 2010s to answer one question: why do American comedies taken such a nosedive as of late?
The Dictator may not be one of the decade's greatest comedies and was widely viewed as - to use a contemporary term - quite mid. Not too bad, nothing amazing. Yes, Baron Cohen has made better films and more enduring, interesting characters. Oddly, General Aladeen (the titular Dictator) comes off as a relic of a time past: we really don't have dictators quite like Muammar Gaddafi or Saddam Hussein - two men who are obvious inspirations to Cohen's eclectic, offensive, and frankly, hilarious character - anymore, do we?
There's also this tongue-in-cheek, "we can be offensive as we want" energy that I kind of love about this movie. Nowadays, even Cohen himself seems mindful of causing too much offense to the wrong groups. But back then, it really didn't matter: anyone was fair game. That, along with the film's anti-authoritarian leanings, makes it a celebration of free speech and expression. So much so that the film (intelligently) manages to criticize the democratic world and the United States in particular quite mercilessly.
There are some truly hilarious gags involving bodily humour to, as per Cohen's style. He can be very sophisticated and satirical, but go for a good masturbation or body hair or...um...phone inside a woman giving birth joke as well. This is not a movie that "elevates" itself from the things we all know are really funny, deep down.
The supporting cast is also really good here. Ben Kingsley was the perfect choice, Anna Faris has that face that conveys well meaning stupidity unlike any other actress in Hollywood, and Jason Mantzoukas...man, you could've told me he was an Iranian nuclear scientist and I'd believe you. I cannot accept that he's of "100% Greek heritage" (although, apparently he's long has an interest in the Middle East and has lived and studied there).
The movie isn't perfect. It gets a little silly at times and the jokes sometimes overstay their welcome. Its brand of humour isn't for everyone either. It also lacks the staying power of Cohen's other films and I think part of that has to do with the - likely studio - insistence that it be a romantic comedy. It doesn't really work, even if it is really funny.
Lesson Learned: Even a "mid" comedy from America's Comedic Golden Age is better than most comedies today. The Dictator is willing to piss everyone off and it ages like fine wine.
The Dictator may not be one of the decade's greatest comedies and was widely viewed as - to use a contemporary term - quite mid. Not too bad, nothing amazing. Yes, Baron Cohen has made better films and more enduring, interesting characters. Oddly, General Aladeen (the titular Dictator) comes off as a relic of a time past: we really don't have dictators quite like Muammar Gaddafi or Saddam Hussein - two men who are obvious inspirations to Cohen's eclectic, offensive, and frankly, hilarious character - anymore, do we?
There's also this tongue-in-cheek, "we can be offensive as we want" energy that I kind of love about this movie. Nowadays, even Cohen himself seems mindful of causing too much offense to the wrong groups. But back then, it really didn't matter: anyone was fair game. That, along with the film's anti-authoritarian leanings, makes it a celebration of free speech and expression. So much so that the film (intelligently) manages to criticize the democratic world and the United States in particular quite mercilessly.
There are some truly hilarious gags involving bodily humour to, as per Cohen's style. He can be very sophisticated and satirical, but go for a good masturbation or body hair or...um...phone inside a woman giving birth joke as well. This is not a movie that "elevates" itself from the things we all know are really funny, deep down.
The supporting cast is also really good here. Ben Kingsley was the perfect choice, Anna Faris has that face that conveys well meaning stupidity unlike any other actress in Hollywood, and Jason Mantzoukas...man, you could've told me he was an Iranian nuclear scientist and I'd believe you. I cannot accept that he's of "100% Greek heritage" (although, apparently he's long has an interest in the Middle East and has lived and studied there).
The movie isn't perfect. It gets a little silly at times and the jokes sometimes overstay their welcome. Its brand of humour isn't for everyone either. It also lacks the staying power of Cohen's other films and I think part of that has to do with the - likely studio - insistence that it be a romantic comedy. It doesn't really work, even if it is really funny.
Lesson Learned: Even a "mid" comedy from America's Comedic Golden Age is better than most comedies today. The Dictator is willing to piss everyone off and it ages like fine wine.
I usually avoid movies I know will be explicit and include crude humor because it's just not my cup of tea. So, right off the bat I was expecting this movie to be absolutely horrible... I do not know if it was my low expectations before the screening, but I actually enjoyed this movie very much. In order to enjoy this movie, however, you do have to somewhat detach yourself from thinking too much into the wealth of racist and crude humor contained in the movie. Nevertheless, The Dictator is satire, it is a movie making fun of the real world, and if you let it be, it makes you aware (while laughing) at the racist thoughts and stereotypes ordinary people have everyday. Yes, it has its strange and explicit scenes, but overall, I think it has substance and it was very funny. Put your "Victorian" influences aside for a night and have a good laugh. Watch it.
Most of the movie is pretty witty. The satire is crude and unfiltered, but most of it is pretty spot on. A bit like South Park stories but with bigger children.
The gross out humor however could have been way shorter. Some low hanging fruit lowest common denominator jokes were drawn out unnecessarily. I had to skip several 10 minute parts, but I missed none of the story anyway.
The love story part was forced. The suspension of disbelief was stretched so far it was almost painful.
Overall it was a reasonable story and I did laugh several times.
It could have used some extra editing and other extra care, then it would be a really good movie.
The gross out humor however could have been way shorter. Some low hanging fruit lowest common denominator jokes were drawn out unnecessarily. I had to skip several 10 minute parts, but I missed none of the story anyway.
The love story part was forced. The suspension of disbelief was stretched so far it was almost painful.
Overall it was a reasonable story and I did laugh several times.
It could have used some extra editing and other extra care, then it would be a really good movie.
I went to see this movie with my friend. I would consider that we both have a good sense of humor and are open to all sorts of jokes. I have seen other movies by Sacha Baron Cohen, like Bruno and Borat. I found Borat to be hilarious, but Bruno was a bit over the top for me. This movie strikes a balance between the two, but leans more towards (my personally favored) Borat side.
The comedy in this movie is both hilarious and uncomfortable at times. It has the same LOL- quality as it did in Borat, but there are scenes where the comedy is so crude that it is almost uncomfortable watching/listening to it. The movie is definitely funny, but you will not enjoy it if you do not find jokes about racism and stereotypes funny.
The plot is your typical Sacha Baron Cohen plot; a person from an entirely different culture travels to America and you watch how incompatible the two cultures are. Also, just like most of Sacha Baron Cohen movies, there is a love story intertwined. It's not the dramatic and sensitive kind of love story though. The plot itself is not very immersive, and I believe that its only purpose is to lead you to the funny parts.
I will say this though, the ending speech of this movie given by 'The Dictator' really impressed me. It made me realize how well Sacha Baron Cohen understands politics and stereotypes. You have to hear it for yourself.
If you're looking for a movie with consistent but crude laugh-out-loud comedy, but do not look for a serious and powerful plot, then you will enjoy this film. On the other hand, if you cringe at racist and stereotype jokes, you will be covering your ears virtually the entire movie.
Approach with an open mind.
The comedy in this movie is both hilarious and uncomfortable at times. It has the same LOL- quality as it did in Borat, but there are scenes where the comedy is so crude that it is almost uncomfortable watching/listening to it. The movie is definitely funny, but you will not enjoy it if you do not find jokes about racism and stereotypes funny.
The plot is your typical Sacha Baron Cohen plot; a person from an entirely different culture travels to America and you watch how incompatible the two cultures are. Also, just like most of Sacha Baron Cohen movies, there is a love story intertwined. It's not the dramatic and sensitive kind of love story though. The plot itself is not very immersive, and I believe that its only purpose is to lead you to the funny parts.
I will say this though, the ending speech of this movie given by 'The Dictator' really impressed me. It made me realize how well Sacha Baron Cohen understands politics and stereotypes. You have to hear it for yourself.
If you're looking for a movie with consistent but crude laugh-out-loud comedy, but do not look for a serious and powerful plot, then you will enjoy this film. On the other hand, if you cringe at racist and stereotype jokes, you will be covering your ears virtually the entire movie.
Approach with an open mind.
I'm a little perplexed having read a couple of user reviews - one of them said this was movie was unbelievable and unconvincing due to the fact that it had a love theme going on? huh? I suppose the film 'A Nightmare on Elm Street' is unbelievable too? In fact, how many movies are believable? 'The Dictator' is a comedy, nothing less and nothing more than that, and that was the intention. Whether it's believable or not is irrelevant. The movie had plenty of laugh out loud moments.
I'm glad this movie headed in a different direction from his previous efforts. Had the film continued in the same fashion as the reality TV way, then I don't think it would have stood any chance of working, not with this new character anyway. So to those who are expecting and hoping for something similar to Bruno and Borat you may be left a little disappointed, but for those who wouldn't mind seeing something slightly different, and can take a movie for what it is, then you should enjoy this, as I did.
I'm glad this movie headed in a different direction from his previous efforts. Had the film continued in the same fashion as the reality TV way, then I don't think it would have stood any chance of working, not with this new character anyway. So to those who are expecting and hoping for something similar to Bruno and Borat you may be left a little disappointed, but for those who wouldn't mind seeing something slightly different, and can take a movie for what it is, then you should enjoy this, as I did.
Le saviez-vous
- AnecdotesThe mock-Arabic language that Aladeen (Sacha Baron Cohen) and Nadal (Jason Mantzoukas) speak on the helicopter tour is actually Hebrew.
- GaffesAt 09:40 (After leaving the nuclear research campsite), A Waving Spanish Flag can be found on the top of the palace instead of Wadiyan Flag.
- Citations
General Aladeen: [to his pregnant wife] Are you having a boy or an abortion?
- Crédits fousIn loving memory of Kim Jong-il
- Versions alternativesUnrated version - 99mins
- ConnexionsFeatured in The Tonight Show with Jay Leno: Épisode #20.126 (2012)
- Bandes originalesWala Ala Baloh
Written by Khaled Ezz, Mohamed Refahy & Mohamed Rahem
Performed by Amr Diab (as Amir Diab)
Courtesy of EMI Music Arabia
Under License from EMI Film & Television Music
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- El dictador
- Lieux de tournage
- Plaza de España, Seville, Andalucía, Espagne(Palace of Wadiya exterior scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 65 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 59 650 222 $US
- Week-end de sortie aux États-Unis et au Canada
- 17 435 092 $US
- 20 mai 2012
- Montant brut mondial
- 179 379 533 $US
- Durée1 heure 23 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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