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Funny with a twist of relatability and drama.

Justin Timberlake and Mila Kunos come to the table with a stellar performance for this cliche and comical movie.

Great job cast and crew.

2011 will probably go down as the year Hollywood tells us having F* buddies is OK and encouraged, with no less than three films this year set around the premise of pure sex without strings or emotions attached, with Love and Other Drugs and No Strings Attached setting the precedence earlier with an incredibly good looking cast in all sorts of undress - Anne Hathaway, Jake Gyllenhaal, Natalie Portman and Ashton Kutcher - and added to the list will be current IT guy and girl Justin Timberlake and Mila Kunis rolling beneath the sheets in a typical love story between the emotionally unavailable and the emotionally damaged.

Mila Kunis stars as Jamie, a headhunter in New York who persuades her target Dylan played by Justin Timberlake to ditch his young, upstart blogging team to join GQ (how's that for a little bit of subtle advertising) in revamping its website and to infuse new content ideas. A night out prior to the offer seals the LA based Dylan to relocate and take up the offer, with plenty of activities thrown in that if it's not Jamie being his only friend in a new, big city, they would serve as activities that would fit in for an awesome date night out. Before long they become firm friends, and made a pact to keep things physical since they each have their wants, and with the other party game to get down and dirty, so begins their game of tennis (though personally I prefer analogy with, and the term "bedminton" - it involves cocks after all). After all, why complicate what would be a beautiful friendship, if sex can be treated just as sex without the emotions thrown in to mess things up?

You know the clichéd drill by now, with things moving along fine and dandy, the hint of emotions coming into play to really turn things upside down, the narrative montage to show how frequent they mate like jackrabbits, before some large, needy episode or statements uttered that will probably reveal the true state of affairs, and the list goes on. Deny all you want, but one cannot help but to agree that the fairer sex will have things rough if pacts of this nature turn sour, and expectedly in a movie they always do, otherwise everyone will be happy without adversary, frustration and challenges to overcome and provide that change in strength of character.

And it is this power of the cliché that absolutely calls the shots in films like these. You know what will happen, but want to see them happen anyway even though you're multiple steps ahead of every character. And it is precisely these expectations that anyone would want to see covered, and try as the filmmakers want it is the clichés that they find hard to break away from, even if characters here proclaim very early on that romance in their world shouldn't be like an unbelievable Hollywood film, but in what would be art imitating art, look who's talking to begin with. And what's with the fixation about consistently taking the shine off the captain of US Airways Flight 1549 in its emergency landing onto the Hudson River?

Justin Timberlake is fast becoming the busy bona fide movie star since The Social Network, and continues his run with this film and In Time which will hit the screens here soon. He has that boyish charm that the camera just loves, and being a real life singer meant covering a number of songs here, from Stereophonics to Kris Kross made it look all too easy. Mila Kunis plays her role as the emotionally damaged girl with aplomb, and shares an effective chemistry with Timberlake that makes this film a delight to sit through, even if as mentioned the story's cliché and we know just about how these two nice looking people will likely get together.

The supporting characters while one dimensional almost always threaten to steal the show, from Patricia Clarkson as Jamie's sex crazed mom extending the lifespan of a running joke involving the nationality of Jamie's unseen dad, Woody Harrelson as the gay colleague of Dylan who always have innuendos offhand to share, Jenna Elfman who plays Dylan's sister and Richard Jenkins starring as Dylan's dad who's suffering from advancing Alzheimer's disease, which is especially poignant as it deals with the subplot of how a family copes with a loved one who's behaviour develops erratically, and holding the key to a pivotal personal experience to share and turn things around.

With Andy Samberg and Emma Stone making cameos (the latter being extremely crazy as a fanatical John Meyer fan), Friends With Benefits has its main leads to thank for in milking quite the cliché story for the masses, who are likely to make a beeline just to see those two in some down and dirty action, not that you get to see a lot to begin with anyway. Recommended, and stay tuned until after the end credits roll for more commentary when the two are sitting at a couch watching the outtakes of a DVD movie.

This movie was all things cliché and predictable. Even though you know what is coming, the honesty with life's little quirks and human behavior was incredibly well done.

Timberlake is an okay actor. I found him to be a fresh breath in this movie. The dialogue and scenario fit his charm quite well.

I found Mila Kunis to be quite funny, and she pulled off that cute, charming, awkwardly damaged woman, perfectly. She was chic, yet easy to relate too. Down to earth, but an air of success and confidence, hidden in all the girly dreams and fairy-tales.

If you want something original and never done before, this is the wrong movie to watch. If you wish to appreciate a good spin on an old concept with stellar humor and humanity, it is worth the watch..

I want this New York and LA life, I'm tired of North Carolina! Strange concept that seems to work or at least it seems that way. I absolutely love the soundtrack, it makes for such a feel good movie! Friends with Benefits is really funny and has a bunch of really good points throughout! Justin Timberlake and Mila Kunis are a blast as close friends.

I was unsure what to expect going into Friends with Benefits at an advanced screening a few weeks ago. It always seemed a bit too close in plot to No Strings Attached (made extra odd as the female leads Mila Kunis and Natalie Portman had literally just starred together in Black Swan), a film that came out less than six months ago, and while the trailers looked amusing, they seemed to look a little too close to an atypical romantic comedy. But the film actually ended up surprising me. Well, the first half at least.

Jamie (Kunis) is a headhunter in New York City who helps aspiring graphic design artist Dylan (Justin Timberlake) land a prestigious job at GQ. They become good friends, and after a discussion about their relationship failures, decide to start having sex without the relationship schmaltz (hence the titular phrase). But the good times cannot stay uncomplicated for long.

Rather surprisingly, the first half of Friends with Benefits is a ridiculously raunchy sex comedy that is sweeter than it is crude. The dialogue and one-liners drop at a steady pace, and there is plenty of laugh out loud moments. I was genuinely surprised at just how much I was enjoying the film, and how well co-writer/director Will Gluck (who knocked Easy A out of the park last year) helped capture the tropes and stereotypes of romantic comedies, and went entirely against them. The scene that starts the initial sexual antics is a complete dissection of the genre, and seeing the film twist and turn around the familiar plot devices was wonderful to see. It made the film feel hilarious, but also made it feel like it was attempting to do something different at the same time. Adding in a couple of random cameos from notable actors was a bit wacky (which the trailers have ruined slightly), but helped add to the humour.

Except the film comes to a screeching halt just about halfway in when Jamie and Dylan come to the all too obvious realization that they may want something more. The film then becomes drastically more dramatic, a lot less sweet, and significantly more ordinary. Even the laughs suffer, landing less with a snicker and more with a groan. Everything it does to shift itself away from the romantic comedy genre feels wasted because it falls into all of the stereotypes quicker than it poked fun at them. It almost feels like they wanted to desperately feel different, and then decided to just go the safer route as opposed to sticking with its offbeat early tactics. I was really enjoying the film significantly more than I imagined, but suddenly felt bored and totally thrown off by the drastic tonal shift.

While sketch comedy has proved to be one of his strong suits, Timberlake seems to have a lot of trouble carrying the film. We know he has the chops to command the screen and be absolutely magnetic (we have David Fincher and The Social Network to thank for that), but here he seems to be struggling with every other scene. He lands most of his jokes well, does decently with the dramatic bits and has plenty of chemistry with Kunis, but he lacks the spark I think most people will expect him to have in this role. He comes off as just okay, and more amateur than anything else. He would have been better suited in the film as a key supporting player, as opposed to the lead.

Kunis on the other hand, is significantly stronger and proves that her turn in Forgetting Sarah Marshall may have been an early suggestion of the formidable comedic talent she may quickly become. Gluck is not able to achieve the same level of breakthrough that he got from Emma Stone in Easy A from Kunis, but she manages to carry the film almost single handedly. Even at the script's weakest moments, she grins and pushes forward, never once appearing to be struggling as much as Timberlake does. I think my only complaint against her is that she spends a good portion of the film completely nude, yet ends up wearing all too obvious pasties under a white shirt in one scene. It seems more like a complaint against a horrendously bad editing and lighting decision than against her, but it was a scene that made her seemingly-realistic character feel a whole lot less believable.

Patricia Clarkson and Richard Jenkins both deliver good performances, but sadly feel like they are just plagiarizing from characters they have played better in the past. Jenna Elfman (who I did not realize was still acting) does a little better in a warm and significantly low-key role as Dylan's sister Annie. But it is Woody Harrelson who steals the entire show as gay sports writer Tommy. He plays the character ridiculously over-the-top, but never feels like he is encroaching on any stereotypes. He makes it his own, and is almost too good in the role. He gets all of the film's best dialogue quips, and runs circles around everyone on screen. In more than one instance, Timberlake looks legitimately shocked at some of the things Harrelson says and gets away with. I think the film could have only benefited from including more of him.

In the end, Friends with Benefits is both surprisingly well done and unsurprisingly ordinary. It tries so hard initially to be the anti- romantic comedy, and then just ends up falling into the same predictable elements that every other film in the genre has already done countless times before. The film is genuinely hilarious when it wants to be however, and this does save it from being a total waste. But it could have been so much more.

7/10.