Don't Tell Larry

This film is like a throwback to great scrren comedies like The Jerk, Airplane, Caddyshack, or Planes Trains and Automobiles... but it is entirely unique. It really is THAT good. I saw it in a crowded theater, and I think the whole audience was pleasantly surprised at the quality of the writing, the acting, the way it all unfolds at a mad level... and the surprises that kept building up to absurd levels. The crowd was literally roaring with laughter. By the end of it, I was nearly crying from having laughed so much. The screwball pacing is just so, so perfect.

Much of the cast are members of The Groundlings, who gave us talents like Pee Wee Herman, Phil Hartman, Larraine Newman, and more members of the SNL cast than I can count. These people are the cream of the crop of the next great comedy stars.

Kiel Kennedy, as the title character, needs to be watched. He's the next Will Ferrell. Patty Gugenheim, Dot-Marie Jones, Tina Parker, Kenneth Mosely... every single one of them is A-level, top of their game FUNNY.

I can't wait to see what Writer/ Directors Greg Porper and John Schimke do next. I think these guys are like The Zucker Brothers meet The Coen Brothers meet Irving Thalberg, Frank Capra and John Waters on steroids. SEE THIS MOVIE.

A hidden gem that takes you along on a wild and crazy (and cringy!) journey. Once you are strapped in, the movie takes a sharp turn or 2, or 3, that makes you fall out of your chair! Had to grip my seat to hold on!

The plot thickens scene by scene as a white lie, followed by an injustice gets blown out of proportion. Again and again and again. How far will the maligned Susan (the believable Patty Guggenheim), and her in-too-deep co-worker Patrick (Kenneth Mosley, master of facial expressions), go to get that carrot at the end of the stick? Or should I say, "raisin?" as they try to navigate their bizarre co-worker, Larry (Kiel Kennedy.)

Solid writing with a lot of hidden gems, and excellent performances by the stellar cast including Ed Begley, Jr, and Dot Marie Jones, who take you along for the ride, makes this a "ya gotta watch" film.

Funny, dark...I laughed, I cringed. The story builds and builds - you just can't wait to see what's going to happen next! Screwball scenarios and antics. Loved the characters especially Larry who is wildly sweet/scary.

This is an "indie" film that has the production value of a mainstream, major studio-backed film. Kudos to the writers, director and producers. The score adds to the enjoyment and suspense, driving the action forward. One of our watch party actually had an ear worm of the itty-bitty raisin song the next day -- how weird is that?.

This film is quite enjoyable. I'm recommending it to all my friends and random people that want to have a good time.

This film is so much fun, and awesomely creepy, I watched it twice. Don't Tell Larry, written and directed by Greg Porper and John Schimke, is a hilarious ride that's also surprisingly tense. Each scene pops because it's built on constant "but" and "therefore" moments, keeping the story moving and, at times, pushing me to the edge of my seat.

If you're interested in screenwriting, study this film. It's not just the witty dialogue or the well-drawn characters, it's the constant setups, payoffs, and unexpected twists that make it work so well. Something is always happening that shifts the stakes, and that's brilliant.

The cast is spot-on. Ed Begley Jr. Is a delightfully clueless CEO whose delivery makes him a lovable idiot. Kiel Kennedy as the creepy Larry is an unhinged maniac, his smile alone is unsettling, adding a psychological thriller edge to the comedy. Patty Guggenheim as Susan and Kenneth Mosley as Patrick shine as coworkers who keep landing in the most absurd, hilarious situations.

With a sharp script and a cast that fully commits, Don't Tell Larry is a must-see. It's polished, fast-paced, and endlessly entertaining.

Don't Tell Larry is a charming, offbeat comedy that strikes the right balance between chaos and heart. The chemistry between the actors is spot-on, making their relationships feel both hilarious and genuine. The premise is fun and keeps things entertaining throughout, even if a few scenes run a bit long. Still, the humor and warmth carry the film through its slower moments. Solid production, clever writing, and a playful tone make it an enjoyable watch from start to finish. It's not trying to reinvent the genre, but it knows exactly what it is-a feel-good, comedic break that doesn't take itself too seriously.