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Mars et Avril

  • 2012
  • Not Rated
  • 1h 30min
NOTE IMDb
5,8/10
897
MA NOTE
Paul Ahmarani, Benoît Charest, Caroline Dhavernas, Jacques Languirand, Robert Lepage, François Schuiten, and Martin Villeneuve in Mars et Avril (2012)
"Mars et Avril" is a Canadian science fiction film starring Jacques Languirand, Caroline Dhavernas, Paul Ahmarani and Robert Lepage. The feature film, based on the graphic novels of the same name published by Sid Lee and la Pasteque, is written, produced and directed by Martin Villeneuve. Almost entirely shot on green screen, Villeneuve's striking feature film debut has a significant amount of visual effects. Belgian comic book artist Francois Schuiten ("The Golden Compass", "Mr. Nobody") is the production designer, former ILM Senior Compositor Carlos Monzon ("Avatar", "Transformers", "Star Trek") worked as VFX supervisor, and Oscar-nominated Benoit Charest ("The Triplets of Belleville") composed the original score. The film was financed by Telefilm Canada, SODEC, Les Productions du 8e Art and the Harold Greenberg Fund, and is distributed in Canada by Alliance Vivafilm. "Mars et Avril" is produced by Martin Villeneuve, Benoit Beaulieu and Anne-Marie Gelinas for Mars et Avril Inc. Executive producers are Robert Lepage and Lynda Beaulieu for Les Productions du 8e Art, as well as Pierre Even and Marie-Claude Poulin for Item 7.

"A trippy science fiction fable about the musicality of the universe that's set in Montreal and on the Red Planet, the sumptuously designed 'Mars et Avril' is certainly one of a kind." - Boyd van Hoeij, Variety
Lire trailer2:06
6 Videos
71 photos
DrameFantaisieScience-fiction

Ajouter une intrigue dans votre langueBased on an acclaimed graphic novel, Mars & Avril is set in Montreal of the future, at the dawn of the first human landing on Mars, and tells the story of a musician who becomes obsessed wit... Tout lireBased on an acclaimed graphic novel, Mars & Avril is set in Montreal of the future, at the dawn of the first human landing on Mars, and tells the story of a musician who becomes obsessed with his muse.Based on an acclaimed graphic novel, Mars & Avril is set in Montreal of the future, at the dawn of the first human landing on Mars, and tells the story of a musician who becomes obsessed with his muse.

  • Réalisation
    • Martin Villeneuve
  • Scénario
    • Martin Villeneuve
  • Casting principal
    • Jacques Languirand
    • Caroline Dhavernas
    • Paul Ahmarani
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,8/10
    897
    MA NOTE
    • Réalisation
      • Martin Villeneuve
    • Scénario
      • Martin Villeneuve
    • Casting principal
      • Jacques Languirand
      • Caroline Dhavernas
      • Paul Ahmarani
    • 12avis d'utilisateurs
    • 70avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 10 nominations au total

    Vidéos6

    MARS ET AVRIL - Making of (English subtitled)
    Full Movie 22:11
    MARS ET AVRIL - Making of (English subtitled)
    Mars et Avril - Trailer (English subtitled)
    Trailer 2:06
    Mars et Avril - Trailer (English subtitled)
    Mars et Avril - Trailer (English subtitled)
    Trailer 2:06
    Mars et Avril - Trailer (English subtitled)
    Mars & Avril
    Trailer 2:06
    Mars & Avril
    Deux immortels : Prélude à Mars et Avril (English subtitled)
    Clip 1:17
    Deux immortels : Prélude à Mars et Avril (English subtitled)
    MARS ET AVRIL - Creating the Visual Effects
    Clip 2:52
    MARS ET AVRIL - Creating the Visual Effects
    Martin Villeneuve: How I made an impossible film (TED2013) - French subtitled
    Clip 10:53
    Martin Villeneuve: How I made an impossible film (TED2013) - French subtitled

    Photos71

    Voir l'affiche
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    Voir l'affiche
    Voir l'affiche
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    + 65
    Voir l'affiche

    Rôles principaux19

    Modifier
    Jacques Languirand
    Jacques Languirand
    • Jacob Obus
    Caroline Dhavernas
    Caroline Dhavernas
    • Avril
    Paul Ahmarani
    Paul Ahmarani
    • Arthur
    Robert Lepage
    Robert Lepage
    • Eugène Spaak - tête
    Jean Asselin
    • Eugène Spaak - corps…
    Stéphane Demers
    Stéphane Demers
    • Bernard Brel
    Jean Marchand
    Jean Marchand
    • Pneumatologue
    Kathleen Fortin
    Kathleen Fortin
    • Modèle d'Arthur
    Marcel Sabourin
    Marcel Sabourin
    • Capucin
    André Montmorency
    André Montmorency
    • Pierrot
    Gabriel Gascon
    Gabriel Gascon
    • Arlequin
    Emanuel Hoss-Desmarais
    Emanuel Hoss-Desmarais
    • Marsonaute no. 1
    Pierre Leblanc
    Pierre Leblanc
    • Marsonaute no. 2
    Richard Robitaille
    Richard Robitaille
    • Marsonaute no. 3
    Khanh Hua
    Khanh Hua
    • Serveur automate
    Michèle Deslauriers
    Michèle Deslauriers
    • Standardiste
    • (voix)
    Émilie Blake
    • Secrétaire du Pneumatologue
    Denis Gravereaux
    Denis Gravereaux
    • Cosmologue no. 1
    • Réalisation
      • Martin Villeneuve
    • Scénario
      • Martin Villeneuve
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs12

    5,8897
    1
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    5
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    9
    10

    Avis à la une

    4schorschi100

    post-futuristic aesthetics combined with Flash-Gordon retro style, but incoherent story...

    Perhaps my biggest problem with this movie were my high expectations due to a few reviews I read which highly appraised it. In my opinion the story, the core of which exhibits some potential, is its main flaw. Shallow, non-developing characters, missing plausibility, incoherent dialogs and confusing plots are disguised behind artsy (admittedly quite nice) sceneries, wonderful music and post-futuristic-combined-with-retro aesthetics. Which per se is not a problem, but it cannot substitute for the missing parts of the whole product. I understand that a low-budget sci-fi movie is a great challenge, but then again not every challenge must be taken. I have seen a fair amount of other low-budget sci-fi productions (e.g., from eastern Asia) with amazing performances, non-existing props, but excellent stories (notably with a philosophical extension). At least there the movie makers did not constantly flood the scenes with blue color, lit-up close-ups à la "It is time for my close up mr DeMill" and floor smoke like discos back in the 80's...

    All in all, it is a waste of time unless you happen to be a huge fan of the Flash-Gordon or "a trip to the moon"-by-Georges-Melies type of movies and if you don't care about script coherence. The generous four stars are just for the atmosphere and the music.
    9wildandmild

    So imaginative!!! Excellent Sci-Fi !!!

    I saw this movie a few days ago and the strange and lyric atmosphere of it still haunts me! The music composed by Benoit Charest (Les Triplettes de Belleville) plays a very important part in it; the filmmaker asked him to compose brilliant music and well yes, he really is a genius!

    Jacques Languirand has created a magnificent character, and the rest of the cast is as excellent. They are filmed in such an intimate way, we dive into their souls. The story is very intelligent, moving and unusual! I was deeply touched by it.

    Of course this is not what we call a "commercial" movie and will not appeal to the vast majority. Don't expect big action and fights and tons of visual effects. Although it is visually superb, with some effects simply magnificent! The decors were created with such beauty by an established and very skilled comic strip artist. All the little details in costumes, hair add to this incredible vision of a futuristic Montreal.

    This is all just indescribable! it is for those who like creativity, originality, strangeness and sci-fi, who liked such movies as "Moon", "Immortel (ad vitam)" and "The Man Who Fell to Earth", as well as "Blade Runner" probably, you might like this one very much!
    10dutom44

    I wish there were more films like that

    I saw this sci-fi film at the Mill Valley Festival when it came out, watched it again recently on Amazon and thought it was refreshing, poetic, inspiring, intelligent and highly imaginative. A living comic book that doesn't take itself too seriously, or a modern Georges Méliès' film, a futuristic, steam-punk audiovisual feast! It's an amazing accomplishment and you can see that the filmmaker put a whole lot of love in every frame. Everything about it is different from the regular type of films that are out there and it has some rather unusual ideas about the soul and person that completes us. At its core, it's a love story, a poetic tale, a dream on celluloid. To me, this film is of the same genre as those of two favourite filmmakers of mine: Terry Gilliam and Luc Besson.

    I can't say enough what an incredible feat in filmmaking I think "Mars & Avril" is. It's stunningly beautiful and haunting, and like nothing I've ever seen. I grew up reading Carl Sagan so I'm an easy target for themes of spiritualism and space. His point was always that humanism and astrophysics aren't mutually exclusive, and this film says this in a very unique way. I'm really amazed at how completely the filmmaker realized this future culture, down to the architecture, fashion and music. The way he conceived the idea of music in the future, informed by and informing physics and science as we know it; the evolution of musical instruments and sounds; the cosmic, almost religious implications of music that have taken hold in this future society; it was all so beautifully imagined. The way he took science fiction and used it not to create wild action sequences and wars, but an emotional love story, really changed the way I now think about the genre.

    Heavily relying on green screens, "Mars & Avril" is set in a futuristic Montreal, a place that greatly resembles "Blade Runner"'s Los Angeles or "The Fifth Element"'s NYC, a dreamy future city reminiscent of comics anthology 'Metal Hurlant', yet with something new. On a purely aural and visual level, I wouldn't hesitate to call this film visionary. Some of the images made me feel transported to the furthest depths of an alien realm. It's a mirror, a tilted cheval glass, a digital reflection of a damaged dimension, surreal and moving. For English-speaking audiences, I found watching the film with subtitles actually enhanced the French and Belgian-inspired "bande dessinée" aspect of it, so it didn't bug me at all. Worth watching more than once to catch all the subtleties of the plot and visual details.

    What's most incredible is that the director, Martin Villeneuve (yes, Denis Villeneuve's younger brother), managed to achieve such a quality with a budget of only 2 million... and it was his first feature! It took him seven years. "How I made an impossible film" is a TED Talk by Martin, also worth watching. His talk details the walls he hit with budget and other creative constraints. But he survived, and so did "Mars & Avril", thankfully. I can't wait to see his next films! In my opinion, this one deserves a wider distribution (including a Blu-Ray, please!) and to score above 8 on IMDb. This little gem of a film will be rediscovered once the director has made his first Hollywood hit.

    For the record, it's worth mentioning that Martin did "violence-free, philosophical sci-fi" with "Mars & Avril" four years before his older brother Denis did with "Arrival", and for 25 times less money, stretching each dollar to unbelievable heights. And for all those wowed by Denis' "Blade Runner 2049", I highly recommend his younger brother's equally mind-blowing sci-fi epic "Mars & Avril".
    10oragex

    Best of Quebec's cinema

    Yes, this is not a perfect movie, I didn't give 10 stars for achievement. I gave it for pure directing talent. You need to understand Quebec's movie industry. The mainstream movies here benefit heavily from financial government support. Mainstream movies here have average scenarios at best, and most of the time the acting is theatrical when it's not sub par. Even with some of the best paid actors here in the french province. Probably it's all under the influence of a group of people who don't really care about passion and quality.

    Not so with this particular picture. Compared with the rest of the local productions, this film is pure bliss. Actually, without being partisan, this picture reminds of one of the best Quebec's directors, Robert Lepage. He also has a role in the film. Actually, Lepage is a genius born at the wrong place where he doesn't receive the deserved recognition. Will Martin Villeneuve be luckier?
    8Aurora2025

    A very nice effort in displaying the journey through imagination and beyond consciousness

    I extremely enjoyed this movie. I personally do not like slow rhythm movies but I confess I didn't even forward a second. The actors were great the concepts and symbolism all over the movie scenes challenged my mind to think more deeper. The story connected love,music and infinity together. The only lame part was that elevator. it could be sth else. It was more cooler that that girl only existed in Jacob's dream and he could bring her back to reality. It is one of the few movies that show consciousness as a whole new world yet not fully discovered by human. I strongly recommend this movie. I am not an expert to criticize the movie but in general it was a really nice effort and i don't get why its ranking is not over7.

    that view from the top of the stairs that looked like an infinite spiral was amazing. The ending can be interpreted in many ways. I want to accept that Avril stays alive in real world but there is also the possibility that the real reality was that one Jacob traveled to at the end so he dies and leaves the virtual reality.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Michèle Deslauriers, who's the actual voice of the Montreal Transportation Service which can be heard in the metro, provided the Montreal Teleportation Service's voice in the film. Michele Deslauriers is also Caroline Dhavernas' mother.
    • Citations

      Avril: It takes an old medium to appreciate a new language.

    • Bandes originales
      L'harmonie du monde
      (3:43)

      Composed by Benoît Charest

      Courtesy of Simone Records (available on iTunes and in vinyl record)

      Under license from EMA Films & Mars et Avril Inc.

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    Détails

    Modifier
    • Date de sortie
      • 25 janvier 2014 (États-Unis)
    • Pays d’origine
      • Canada
    • Sites officiels
      • BULB page - Official USA site
      • Full movie in HD on Vimeo
    • Langue
      • Français
    • Aussi connu sous le nom de
      • Mars and April
    • Lieux de tournage
      • Montréal, Québec, Canada
    • Sociétés de production
      • Imelda Films
      • Productions du 8e art
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 2 300 000 $CA (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 30min(90 min)
    • Couleur
      • Color
    • Rapport de forme
      • 2.35 : 1

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