L'étrange pouvoir de Norman

In Blithe Hollow, the outcast boy Norman Babcock lives with his father Perry, his mother Sandra and his teenage sister Courtney. Norman is considered a freak by his schoolmates since he speaks to the dead, including his grandmother that watches horror movies on television with him. However nobody believes that Norman has this ability besides his fat friend Neil.

Norman's deranged uncle Mr. Prenderghast meets Norman and tells that he must protect Blithe Hollow from the witch curse. Soon Mr. Prenderghast dies and his ghost explains to Norman that he should get his book and perform a ritual in the witch's grave. Norman finds the book that is a fairytale and then he goes to the seven graves where the men that condemned the witch are buried. However, Norman is interrupted by the school bully Alvin and the dead arise and invade the town. Soon Norman has a dream and finds that the witch is the girl Agatha that was sentenced to death in 1712 due to her medium ability. Now Norman wants to convince Agatha that her revenge is turning her equal to those who killed her.

"Paranorman" is a stop-motion animation with a very funny supernatural story. Norman speaking with his grandma in the beginning and Mitch telling to Courtney that he has a boyfriend in the end are hilarious. The story has also a great message against the prejudice and ignorance. My vote is eight.

Title (Brazil): "Paranorman"

Stop motion movies always have a certain endearing quality and ParaNorman is no different. Norman is a unique, instantly likeable protagonist who earns a lot of sympathy for his struggles. This is the basic layout for the story, which isn't super deep, but is cute enough to compensate. I loved the horror aspect of the film and the comedy is pretty on point. There are some good twists on classic tropes that subvert expectations too. Laika has a strong track record and ParaNorman is another hit for the little studio that could.

Laika Entertainment, the stop-motion studio behind the modern classics Corpse Bride and Coraline, are back with their latest spooky tale, ParaNorman. Like its predecessors, ParaNorman is a beautiful claymation wonder. Every single frame is filled with such a vast amount of detail it would take several repeat views to catch all the hidden gems.

ParaNorman is also filled with humor. The talented voice actors that bring the clay characters to life provide most of the laughs. From Anna Kendrick's (Up In The Air, 50/50) ditzy cheerleader, to Casey Affleck's (Gone Baby Gone, Ocean's Eleven) dumb jock, to Christopher Mintz-Plasse (Superbad, Kick-Ass) getting to play against his 'McLovin' typecast as the angry school bully. But the biggest laughs by far are dished out by child actor Tucker Albrizzi who is perfectly cast as the voice of Norman's chubby best friend, Neil.

ParaNorman is a visual and comedic force. Despite the tedious and demanding workload and easier computer rendering technology, Laika Entertainment continues the tradition of making stop-motion movies the hard way. With films as stunning as ParaNorman hopefully the technique will live on forever.

I recently watched again, and reviewed here, MONSTER HOUSE, which is, like PARANORMAN, an animated horror movie for kids (actually, both feature as main character a boy who has a fat-and-funny friend). I'm not sure if MONSTER HOUSE appeared in the great Fangoria magazine, but PARANORMAN did. I was already interested in watching it on the big screen when I found out the Fangoria coverage, which was just the plus. I was interested for the obvious reason: stop-motion material from the people responsible of CORALINE (not Henry Selick tough). This is clearly the sort-of little stop-motion film of year (and I said sort-of little since it had a pretty big publicity campaign here in Mexico City) while Tim Burton's upcoming FRANKENWEENIE is like the big and long-awaited one.

There is some good news. While we wait to found out if Burton finally does something great after almost 10 years, here we have a film that will give movie geeks really cool stuff. Needless to say, kids won't enjoy some of the elements that most likely you will, fellow reader. Well, you will if you're into very cool horror tributes, in the way Quentin Tarantino would be proud, and nice takes on witch-hunt… and into zombies, of course. Talking about the zombies here, well, I recalled what Guillermo Del Toro's said about CRONOS; he said basically that the vampire from his film is like the saddest vampire ever. I won't say much, only that here we can think in the zombies as sad and confused human beings. The main character Norman is not the classic happy kid as well; you'll love him by just seeing his liking for horror – actually, not every day we have an animated movie that opens like something out of a Grindhouse. And there's good humor (and McLovin as a bully with stretched piercing – I watched the 2D Spanish dubbed version tough), so yes, it's worth watching!

*Watched it on 08 August, 2012

I came into ParaNorman with a sense of cautious optimism. I absolutely adore stop motion animation, and I genuinely fell in love with Coraline, LAIKA's previous effort, but the trailers for the film didn't capture my interest in the story in the way I hoped they would and this film also didn't have the benefit of being helmed by the brilliant Henry Selick (Nightmare Before Christmas, James and the Giant Peach, Coraline). That being said, I am extremely happy to report that ParaNorman absolutely delivers on every level you could hope for.

ParaNorman tells a story about a young boy named Norman who has the unusual ability to see and talk to the dead, an ability which has led him to be ostracized by the other members of his community, including his own family. The New England town in which he lives is famous for a historic witch execution, along with the legend of a curse that the witch put upon those who sentenced her to death. It turns out that the legend of the curse is true, and that Norman, with his ability to talk to the dead, is the only one who can prevent the curse from raising the dead. Unfortunately, Norman is unable to act fast enough and the Witch's curse begins to wreak havoc on the town.

ParaNorman is a film with many strengths. Stop motion animation is always a beautiful and fascinating process, and with new technological advances the filmmakers have been able to bring it to a level of detail and expression that are simply astounding. While the scope of the story may be smaller than something like Coraline or Nightmare Before Christmas, the scale of the stop motion sets for this town are truly incredible. The film absolutely immerses you in this world that feels like a living, breathing, place. As beautiful as the animation in Brave was, ParaNorman is easily the most visually impressive film I have seen this year.

As beautiful as the film is, it never falls into the trap of so many other animated films by simply being visual spectacle with no narrative soul. The story of the film is fun, intelligent, and heartfelt, and is supported by a great cast of characters. The odd kid who is misunderstood is a common trope in kids' movies, but what makes Norman stand out is that he's never mopey about it. He is ostracized, bullied, and rejected, but he's come to a kind of acceptance about the whole thing. He's certainly not happy about it, but at this point he's not trying to fit in, he's really just trying to keep his head down and get through the daily grind. This is part of what makes his relationship with the other characters in the film work so well. For instance Neil genuinely accepts Norman for who he is and it's obvious that this throws Norman for a loop and he doesn't really know how to interact with someone who "gets him." This is never spoken, but it plays out naturally through the performances of the characters.

As the narrative progresses it takes some really interesting turns, and at times is genuinely surprising and emotional. Without spoiling anything, I'll just say that a large part of the narrative revolves around assumptions and misunderstanding, and it brilliantly uses the audience's assumptions and expectations about the genre and its conventions against them.

It's also worth mentioning that this is one of the rare films which decidedly benefits from the addition of 3D. There's some fun play with perspective, and being able to see the dimension that exists in these sets adds a lot to the experience.

I genuinely loved ParaNorman and it's easily one of my favorite films this year. It's not a movie for everyone, but if any of the trailers gave you even a glimmer of interest I would definitely recommend checking this one out. LAIKA is certainly beginning to make a name for themselves in the animation scene and I'm really looking forward to whatever their next project will be. I think I still prefer Coraline which definitely benefited from the combination of Neil Gaiman's fantastic story and Henry Selick's experienced hand, but ParaNorman is a truly fantastic film and it's definitely worth a look.

A-