Un magicien de cirque frustré du Kansas est transporté dans un pays magique appelé Oz, où il devra accomplir une prophétie pour devenir roi, et libérer le pays de vilaines sorcières en utili... Tout lireUn magicien de cirque frustré du Kansas est transporté dans un pays magique appelé Oz, où il devra accomplir une prophétie pour devenir roi, et libérer le pays de vilaines sorcières en utilisant ses formidables (mais faux) pouvoirs.Un magicien de cirque frustré du Kansas est transporté dans un pays magique appelé Oz, où il devra accomplir une prophétie pour devenir roi, et libérer le pays de vilaines sorcières en utilisant ses formidables (mais faux) pouvoirs.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 6 victoires et 31 nominations au total
Abigail Spencer
- May
- (as Abigail Leigh Spencer)
Avis à la une
Oz the Great and Powerful .. or maybe not so great, but still highly watchable.
Franco plays the little man behind the curtain, while Kunis, normally a favourite of mine, appears to be stuck in that tornado. Neither manage to defy gravity but the rest of the cast were pleasant, especially Weisz - even with her Emperor-like green force lightning.
It would have been a more visually stunning Oz had the effects been simplified. Conversely, the story lacked depth and with some rather clumsy dialogue (especially for Kunis), it was all perhaps a little too light and "Disney".
Doesn't quite get the ruby slipper, but maybe 3 out of 5 wands.
Franco plays the little man behind the curtain, while Kunis, normally a favourite of mine, appears to be stuck in that tornado. Neither manage to defy gravity but the rest of the cast were pleasant, especially Weisz - even with her Emperor-like green force lightning.
It would have been a more visually stunning Oz had the effects been simplified. Conversely, the story lacked depth and with some rather clumsy dialogue (especially for Kunis), it was all perhaps a little too light and "Disney".
Doesn't quite get the ruby slipper, but maybe 3 out of 5 wands.
Sometimes you hear about how bad a movie is, how the critics hated it, how it failed at the box office, etc. etc. etc. And then you find it in the bargain bin and you decide to see how bad it really is. This was the case with a number of movies (like COWBOYS V ALIENS and that one about the civil war guy sent to Mars) and in some cases (like the two mentioned) they turn out not as bad as people make out. This is the same as OZ THE GREAT AND THE POWERFUL. I watched it with my daughter and we both thoroughly enjoyed it. There was just enough humour, action and a little bit of scary o keep you entertained for the however long it took to watch it. It just goes to prove that you never judge a whatever by its thingy. Now the reverse can also be true (as in the case of AVATAR) as a movie everyone loved can be a piece of crap. So if you are wondering what you are in for if you decide to watch it, I think you are in for a good action adventure. It is not THE WIZARD OF OZ but rather a cross between THE HOBBIT and a Jim Carey movie
..errr
..I think. There are a few scary bits but nothing that would frighten kid over 8. So overall not as bad as it was made out to be and, yep, I would be up for a sequel.
A magician finds himself transported to the magical land of Oz, where witches, flying monkeys and yellow brick roads exist. He is mistaken for the saviour of Oz and must decide whether or not to stay and be king, or leave and find his way home.
I love Sam Raimi, the man and his invented work with a camera are what made me want to get into filmmaking in the first place. So to see him handling big projects like this (and Spiderman) was a joy for me to see. Oz the Great & Powerful is a CGI heavy film that demands a creative eye behind the lens. After his work on big budget films like Spiderman, it seemed like an easy choice for Raimi to be the one behind Oz and for the most part, it works. The films shortcomings keep it from being really magical and memorable, like the original from 39, but Oz has enough whimsy to keep the kids entertained and the adults smiling.
The land of Oz is indeed magical, with vibrant colours around every corner, memorable spots like the poppy fields and the dark forest for us older viewers, but even in saying all that I can't help but feel how fake it all is. This film suffers from the same troubles that plagued Burton's Alice in Wonderland, the visuals, although great for the story, add no sense of realism to the image. I hate overly used CGI in films to the point of noticing the awkward placement of actors in front of the green screen. The first major offender of this is Star Wars: Attack of the Clones, none of the actors made me believe they were in the settings they were. Both Wonderland and Oz have this same feeling.
While I'm getting the negatives out of the way, I must say that what everyone is saying about Mila Kunis is true, she was miscast in this role. I think she was chosen more for her beauty and star power than her acting abilities, which is sad cause it looks like she really is trying here. The story for her character here is a sad one and the second half I think suffers a bit because the threat from her is not really present. I don't really know why I'm tip-toeing around the issue because those who know The Wizard of Oz, know that Dorothy kills one witch with her house and the other with water, leaving Glinda the good witch in a bubble as the saviour. Seeing the Kunis character go in the direction she does didn't really effect me as much as I wanted it to. Consider that the failure of the script more so than the actors. Not enough time is really given to her for her transformation to affect the viewer.
The film opens in black & white and and the transformation to colour had a smile on my face. Despite the "fakeness" of some of the scenes (not all) Raimi does a decent job of not letting the effects overpower the film. Raimi steers the film in the right direction, but it is James Franco's shoulders it has to rest on. He is the type of actor that comes off as not really caring. It works in some films like Pineapple Express and he does manage to turn in some great performances, look at 127 days or Freaks & Geeks for that. Unfortunately I don't know if he has enough charisma and power to command a film like this. At times it looked like he was in the role, other times it felt like he couldn't care. Maybe it's his acting style, I can't really put my finger on it, but clearly Raimi sees something in him because he has worked with him previously on the Spiderman films.
Where the acting does work, marvellously and in every scene is Rachel Weisz and Michelle Williams. Two polar opposites that look like they actually enjoy the characters and the movie they are in. They elevate the material a bit to make the drama more tangible. Whereas without them I think the film would have fallen more flat. The drama and character choices didn't really bring me into the story. The film didn't feel like it took chances, or tried to have complex situations for the characters. It had mapped out beats, hit them and marched on.
It was nice seeing some nice Raimi touches in the final product. More than 25 years later and I still smile when I see Bruce Campbell getting hit in the face, knowing full well that it is Sam Raimi on the other end of the camera hitting him. Surprisingly, moments did indeed feel Evil Deadish to me, with the flying witches holding out their hands in a deadite possession form. But I digress. Oz is a good film, with weaknesses that bring it down. Raimi and two witches try their best to elevate some bland material and in the end we are left with a film that is neither great, nor memorable....just satisfactory enough.
I love Sam Raimi, the man and his invented work with a camera are what made me want to get into filmmaking in the first place. So to see him handling big projects like this (and Spiderman) was a joy for me to see. Oz the Great & Powerful is a CGI heavy film that demands a creative eye behind the lens. After his work on big budget films like Spiderman, it seemed like an easy choice for Raimi to be the one behind Oz and for the most part, it works. The films shortcomings keep it from being really magical and memorable, like the original from 39, but Oz has enough whimsy to keep the kids entertained and the adults smiling.
The land of Oz is indeed magical, with vibrant colours around every corner, memorable spots like the poppy fields and the dark forest for us older viewers, but even in saying all that I can't help but feel how fake it all is. This film suffers from the same troubles that plagued Burton's Alice in Wonderland, the visuals, although great for the story, add no sense of realism to the image. I hate overly used CGI in films to the point of noticing the awkward placement of actors in front of the green screen. The first major offender of this is Star Wars: Attack of the Clones, none of the actors made me believe they were in the settings they were. Both Wonderland and Oz have this same feeling.
While I'm getting the negatives out of the way, I must say that what everyone is saying about Mila Kunis is true, she was miscast in this role. I think she was chosen more for her beauty and star power than her acting abilities, which is sad cause it looks like she really is trying here. The story for her character here is a sad one and the second half I think suffers a bit because the threat from her is not really present. I don't really know why I'm tip-toeing around the issue because those who know The Wizard of Oz, know that Dorothy kills one witch with her house and the other with water, leaving Glinda the good witch in a bubble as the saviour. Seeing the Kunis character go in the direction she does didn't really effect me as much as I wanted it to. Consider that the failure of the script more so than the actors. Not enough time is really given to her for her transformation to affect the viewer.
The film opens in black & white and and the transformation to colour had a smile on my face. Despite the "fakeness" of some of the scenes (not all) Raimi does a decent job of not letting the effects overpower the film. Raimi steers the film in the right direction, but it is James Franco's shoulders it has to rest on. He is the type of actor that comes off as not really caring. It works in some films like Pineapple Express and he does manage to turn in some great performances, look at 127 days or Freaks & Geeks for that. Unfortunately I don't know if he has enough charisma and power to command a film like this. At times it looked like he was in the role, other times it felt like he couldn't care. Maybe it's his acting style, I can't really put my finger on it, but clearly Raimi sees something in him because he has worked with him previously on the Spiderman films.
Where the acting does work, marvellously and in every scene is Rachel Weisz and Michelle Williams. Two polar opposites that look like they actually enjoy the characters and the movie they are in. They elevate the material a bit to make the drama more tangible. Whereas without them I think the film would have fallen more flat. The drama and character choices didn't really bring me into the story. The film didn't feel like it took chances, or tried to have complex situations for the characters. It had mapped out beats, hit them and marched on.
It was nice seeing some nice Raimi touches in the final product. More than 25 years later and I still smile when I see Bruce Campbell getting hit in the face, knowing full well that it is Sam Raimi on the other end of the camera hitting him. Surprisingly, moments did indeed feel Evil Deadish to me, with the flying witches holding out their hands in a deadite possession form. But I digress. Oz is a good film, with weaknesses that bring it down. Raimi and two witches try their best to elevate some bland material and in the end we are left with a film that is neither great, nor memorable....just satisfactory enough.
A Fresh Take on the World of Oz - 8/10
I've often wondered why Oz the Great and Powerful receives such mixed reviews. Going into it, I understood it wasn't meant to rival the timeless charm of the 1939 classic The Wizard of Oz or the beloved Broadway phenomenon Wicked. Instead, I approached it with an open mind, and I was pleasantly surprised by how much I enjoyed this visually stunning and emotionally engaging prequel.
This film offers a fascinating origin story of how the Wizard arrived in Oz and laid the foundation for the events we know so well from the classic movie. While it may not be considered "true canon," it feels far closer to the spirit of the 1939 film than Wicked, especially with its creative use of book-inspired characters like the China Girl.
Speaking of the China Girl, she absolutely stole the show for me. Her character was not only visually remarkable but also emotionally impactful, bringing out a softer, more vulnerable side of the Wizard. Her story added depth and warmth, turning what could have been a simple CGI companion into one of the movie's standout elements.
What I loved most was the film's respectful nods to its source material. From subtle homages to the original film to clever integration of book references, there are countless details that fans of the Oz universe will appreciate. It also provides a unique take on the relationships and rivalries between the witches, offering another layer of intrigue to Oz's complex history.
If you're looking for a vibrant, imaginative return to the land of Oz, this movie is definitely worth your time. It's not a musical, aside from one brief moment that feels like a loving tribute to the 1939 classic, but it doesn't need to be. The dazzling visuals, engaging story, and well-placed Easter eggs make it a delightful experience for both new and longtime fans of Oz.
Currently streaming on Disney+, Oz the Great and Powerful is a magical adventure that deserves a second look. Give it a watch-you won't be disappointed!
I've often wondered why Oz the Great and Powerful receives such mixed reviews. Going into it, I understood it wasn't meant to rival the timeless charm of the 1939 classic The Wizard of Oz or the beloved Broadway phenomenon Wicked. Instead, I approached it with an open mind, and I was pleasantly surprised by how much I enjoyed this visually stunning and emotionally engaging prequel.
This film offers a fascinating origin story of how the Wizard arrived in Oz and laid the foundation for the events we know so well from the classic movie. While it may not be considered "true canon," it feels far closer to the spirit of the 1939 film than Wicked, especially with its creative use of book-inspired characters like the China Girl.
Speaking of the China Girl, she absolutely stole the show for me. Her character was not only visually remarkable but also emotionally impactful, bringing out a softer, more vulnerable side of the Wizard. Her story added depth and warmth, turning what could have been a simple CGI companion into one of the movie's standout elements.
What I loved most was the film's respectful nods to its source material. From subtle homages to the original film to clever integration of book references, there are countless details that fans of the Oz universe will appreciate. It also provides a unique take on the relationships and rivalries between the witches, offering another layer of intrigue to Oz's complex history.
If you're looking for a vibrant, imaginative return to the land of Oz, this movie is definitely worth your time. It's not a musical, aside from one brief moment that feels like a loving tribute to the 1939 classic, but it doesn't need to be. The dazzling visuals, engaging story, and well-placed Easter eggs make it a delightful experience for both new and longtime fans of Oz.
Currently streaming on Disney+, Oz the Great and Powerful is a magical adventure that deserves a second look. Give it a watch-you won't be disappointed!
In 1905, in Kansas, the small-time circus magician Oscar "Oz" Diggs (James Franco) is a weak, greedy, selfish and womanizer conman without character. He gives music box to the women that he seduces, and when a strong artist finds that his wife has a box in her belongings, he chases Oz through the circus. Oz flees in a balloon, but a tornado strikes his balloon and he lands on the Land of Oz.
Oscar meets the gorgeous Theodora (Mila Kunis) and she believes that he is the powerful magician from an ancient prophecy that will release her land from the Wicked Witch. Theodora tells that her sister and she are good witches, but the Wicked Witch had killed the king. Now the people are waiting for the magician to be their new king after defeating the witch. Theodora is seduced by Oz and brings him to the City of Emerald. When he sees the king's treasure, he decides to seek out the Wicked Witch and destroy her magic wand to get rid off her and become the king. Oz meets Glinda (Michelle Williams), who is supposed to be the Wicked witch, and soon he learns that Theodora's sister Evanora (Rachel Weisz) is the evil one indeed.
Meanwhile Evanora lures he sister that is jealous and uses a spell to turn her into a wicked witch. Oscar learns that he is the only hope for the inhabitants of Oz that believe that he is a powerful magician and his only chance to defeat Evanora and Theodora is using illusion since he has no magic power.
"Oz the Great and Powerful" is an entertaining fantasy movie, with beautiful special effects and great cast. The beginning in black and white turns to bright colors when Oz reaches the magic kingdom and the images are wonderful. It takes too long for the unethical lead character to redeem and become a good man. For viewers that enjoy fantasy movies, "Oz the Great and Powerful" is a highly recommended movie. My vote is seven.
Title (Brazil): "Oz: Mágico e Poderoso" ("Oz: Magic and Powerful")
Oscar meets the gorgeous Theodora (Mila Kunis) and she believes that he is the powerful magician from an ancient prophecy that will release her land from the Wicked Witch. Theodora tells that her sister and she are good witches, but the Wicked Witch had killed the king. Now the people are waiting for the magician to be their new king after defeating the witch. Theodora is seduced by Oz and brings him to the City of Emerald. When he sees the king's treasure, he decides to seek out the Wicked Witch and destroy her magic wand to get rid off her and become the king. Oz meets Glinda (Michelle Williams), who is supposed to be the Wicked witch, and soon he learns that Theodora's sister Evanora (Rachel Weisz) is the evil one indeed.
Meanwhile Evanora lures he sister that is jealous and uses a spell to turn her into a wicked witch. Oscar learns that he is the only hope for the inhabitants of Oz that believe that he is a powerful magician and his only chance to defeat Evanora and Theodora is using illusion since he has no magic power.
"Oz the Great and Powerful" is an entertaining fantasy movie, with beautiful special effects and great cast. The beginning in black and white turns to bright colors when Oz reaches the magic kingdom and the images are wonderful. It takes too long for the unethical lead character to redeem and become a good man. For viewers that enjoy fantasy movies, "Oz the Great and Powerful" is a highly recommended movie. My vote is seven.
Title (Brazil): "Oz: Mágico e Poderoso" ("Oz: Magic and Powerful")
Le saviez-vous
- AnecdotesThe Tin Man is the only one of Dorothy's three companions in Le Magicien d'Oz (1939) not to be directly referenced in this film. The Tinkers are a loose reference to the Tin Man, written in for this adaptation. A Quadling also says that he can work with iron.
- GaffesWhen Oz and Theodora flee from the crash site, Theodora's boots are flat; moments later, when he boosts her into the cave, the boots have high heels.
- Crédits fousThe opening credits are seen in a 1930s nickelodeon, with certain credits having their own qualities:
- James Franco's credit appears in a puff of smoke
- Mila Kunis' credit appears alongside a couple dancing (whose shadow turns into that of the Wicked Witch)
- Rachel Weisz's credit is held by monkeys
- Michelle Williams' credit is contained within a bubble
- Zach Braff's credit appears with a puppet of Finley
- the make-up credits Greg Nicotero and Howard Bergman are seen with an eye mask
- VFX supervisor Scott Stokdyk's credit is seen within an optical illusion
- composer Danny Elfman's credit is seen with a trumpet
- the costume designers' credits are seen fitting clothes on an elephant
- production designer Robert Stromberg's credit is seen in China Town
- cinematographer Peter Deming's credit is seen with the projector
- the screenwriters' credit is seen within a tornado
- and director Sam Raimi's credit is seen within a crystal ball.
- Versions alternativesThe film was also shown in 3D. Some shots displaying 3D effects are exclusive to the 3D version, being altered or removed in the 2D cut.
- ConnexionsFeatured in Fantástico: Épisode datant du 17 février 2013 (2013)
- Bandes originalesAlmost Home
Performed by Mariah Carey
Written by Simone Porter, Justin Gray, Lindsey Ray, Tor Erik Hermansen, Mikkel Storleer Eriksen (as Mikkel Eriksen), and Mariah Carey
Produced by Mariah Carey and Stargate for 45th & 3rd Music LLC
Courtesy of Island Records
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Oz, el poderoso
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 215 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 234 911 825 $US
- Week-end de sortie aux États-Unis et au Canada
- 79 110 453 $US
- 10 mars 2013
- Montant brut mondial
- 493 311 825 $US
- Durée
- 2h 10min(130 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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