Le Monde fantastique d'Oz

Oz the Great and Powerful .. or maybe not so great, but still highly watchable.

Franco plays the little man behind the curtain, while Kunis, normally a favourite of mine, appears to be stuck in that tornado. Neither manage to defy gravity but the rest of the cast were pleasant, especially Weisz - even with her Emperor-like green force lightning.

It would have been a more visually stunning Oz had the effects been simplified. Conversely, the story lacked depth and with some rather clumsy dialogue (especially for Kunis), it was all perhaps a little too light and "Disney".

Doesn't quite get the ruby slipper, but maybe 3 out of 5 wands.

A Fresh Take on the World of Oz - 8/10

I've often wondered why Oz the Great and Powerful receives such mixed reviews. Going into it, I understood it wasn't meant to rival the timeless charm of the 1939 classic The Wizard of Oz or the beloved Broadway phenomenon Wicked. Instead, I approached it with an open mind, and I was pleasantly surprised by how much I enjoyed this visually stunning and emotionally engaging prequel.

This film offers a fascinating origin story of how the Wizard arrived in Oz and laid the foundation for the events we know so well from the classic movie. While it may not be considered "true canon," it feels far closer to the spirit of the 1939 film than Wicked, especially with its creative use of book-inspired characters like the China Girl.

Speaking of the China Girl, she absolutely stole the show for me. Her character was not only visually remarkable but also emotionally impactful, bringing out a softer, more vulnerable side of the Wizard. Her story added depth and warmth, turning what could have been a simple CGI companion into one of the movie's standout elements.

What I loved most was the film's respectful nods to its source material. From subtle homages to the original film to clever integration of book references, there are countless details that fans of the Oz universe will appreciate. It also provides a unique take on the relationships and rivalries between the witches, offering another layer of intrigue to Oz's complex history.

If you're looking for a vibrant, imaginative return to the land of Oz, this movie is definitely worth your time. It's not a musical, aside from one brief moment that feels like a loving tribute to the 1939 classic, but it doesn't need to be. The dazzling visuals, engaging story, and well-placed Easter eggs make it a delightful experience for both new and longtime fans of Oz.

Currently streaming on Disney+, Oz the Great and Powerful is a magical adventure that deserves a second look. Give it a watch-you won't be disappointed!

if You didn't Know that this Movie was Directed by Sam Raimi, You wouldn't Know that it was Directed by Sam Raimi. All of the Style is in the CGI. It has a Certain Eye Candy Appeal that also Lacks Warmth, Depth, and Anything Resembling a Soul.

But here it is. A Mega-Million Dollar Spewing of the Plasticized, Industrial Art that has become the Standard for This Type of Thing. The Other Worldliness of the Superhero and other Fantasies. It can Work Very Well in Limited Quantities but when that's All there is, that's All there is.

James Franco is a Movie Star (and some may question why) and Not an Actor, so He can by No Stretch of the Imagination Pull off the Charm Needed for the Wizard. He Grins and Smirks and All the Women On Screen, and in the Audience, are Supposed to be Charmed Out of Their Pants. Right.

The Prequel has its Moments of Appeal, but Hardly Awe Inspiring. The Witches are Interchangeable Bores. The Flying Monkey is OK and the China Doll is the Most Memorable. There are a lot of Explosions and Fireballs to Pump the Sub-Woofers and Danny Elfman's Recognizable Style is Noticeable from the First Few Notes (did someone say repetition).

Overall, the Movie can be Recommended in a Gaudy kind of Display with Enough Color to Capture the Eye, but the Movie is Not that Captivating. It is such a Mediocre Movie that Slightly Betrays the Source Material and is Another Expensive Extravaganza that is by Most Accounts Disappointing and Adequate at Best. That's not much for Disney and the Pile of Gold it put out for this Thing.

Oz the Great and Powerful tells the story of how the great wizard Oz from the Wizard of Oz came to be. It follows the young Oz (James Franco) as he is swept away to an enchanted land ending up in the middle of a power struggle between three witches. The young Oz is a trickster who deceives those he wants and/or needs for his own ends. This attitude has consequences and those consequences are what drives the story forward.

James Franco plays the young Oz brilliantly. The character is a shallow small time magician and the story shows how he comes full circle to be the Great and Powerful Oz from the Wizard of Oz. Unfortunately, his change happens after taking a grievous toll. The three witches who Oz comes to affect are Theodora (Mila Kunis), Rachel Weisz (Evanora), and Glinda (Michelle Williams). The three play their parts and give great performances to add to their resumes.

For those who watched and loved the Wizard of Oz in their childhood, this movie is the perfect prequel. Watching it as an adult was a treat. The writers did well to adapt the script to make it a worthy prequel. In addition, the movie does well to entertain both children and adults. It slots in perfectly as the precursor to the Wizard of Oz.

The film didn't have the best reception but I encourage you to ignore this. The directing is probably the weakest link in this movie, but the story and actors more than makeup for this. The character development is amazing and shows exactly why things were they way they are in the Wizard of Oz. Simply stated Oz the Great and Powerful is truly a prefect prequel.

Oz the Great and Powerful is, although admittedly very imperfect, a grand, colourful and often immersive adventure.

As usual, Sam Raimi's energy shines in the action and horror, with the Dutch tilts and sudden zoom ins bringing a sense of camp and unease into the tension. The flying monkeys brought back the trauma from the original in such an overkill fashion where their terror is mostly concealed and portrayed in silhouette until around the halfway mark. James Franco as Oz was a surprisingly good fit, with him able to pull off portraying a sympathetic con-man. Although portrayed mostly through CGI, the land of Oz looks dazzling most of the time, and then there are a few times where it looks distractingly too glamorous and over-polished. Make-up and costumes are mostly on point, harkening back to the aesthetic of the original with more modern capabilities, although the same could be said with a lot of other aspects of the film.

Although the CGI is used to great effect in many ways throughout the movie, it eventually ends up feeling a bit overused, especially in the final battle between two of the witches. The story revolving around how certain characters from the original film behaved before the events of that film ranged from feeling plausible to almost downright silly. Oz as the con-man was a good connection to the deceptive yet humble wizard in the original, yet the portrayal of the wicked Witch of the West as a heartbroken, temper-tamtrum-a-minute villain with an obsessive relationship to the wizard just doesn't feel like it matches up with the purely maniacal and unhinged character from the original. Each of the romantic aspects of the movie come off as weird fan-fiction where I feel like it just doesn't work. Sometimes a few of the actors looked like their heart wasn't really in it either.

Overall, though not particularly an amazing prequel, it's a technically impressive one with a good cast, decent story and great direction.