Les survivants de l'effondrement d'un pont suspendu apprennent qu'il est impossible de tromper la mort.Les survivants de l'effondrement d'un pont suspendu apprennent qu'il est impossible de tromper la mort.Les survivants de l'effondrement d'un pont suspendu apprennent qu'il est impossible de tromper la mort.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 6 nominations au total
Résumé
Avis à la une
Otherwise the death scenes were so intense and sudden that I shrieked at first but then found myself and the people around me laughing in relief and self-awareness.
FD fans will get a huge kick out of the final scene, as well as the ending montage of past FD death scenes.
The acting starts a little rough and then everyone generally gets better fairly quickly thankfully. It definitely helps that all the victims here are older than the teenagers who usually frequent this series since they feel a little bit smarter and more mature in comparison. Even a few of their dumbest actions are better once the twist adds a greater context. The glorious return of Tony Todd and his effortlessly sinister screen presence certainly doesn't hurt either.
Steven Quale's direction almost exclusively plays to the strengths of this long running franchise. As usual it starts with the biggest set piece which is pretty epic and unforgiving. The subsequent kills revel in misdirection and get some good jolts because of it. Just like its immediate predecessor, it has obviously been made in a way that's designed to take full advantage of the increased interest in 3-D at the time it was released and unlike the last one, it's handled in a technically competent manner mostly.
The story, as other reviewers have mentioned, really sets FD5 up to good prospects. It feels a lot more like the first FD, much darker without being too complex. I honestly liked the 2nd and 3rd ones a lot, but they were missing the creepy factor that the first installment had. This fifth episode really brings it back. The characters are surprisingly believable. Granted, you have the gratuitous hot chick and ladies man, but the characters never feel contrived or forced. Kudos to the actors for keeping this from being a $5-bin campy horror film.
The effects, even in 2D, were just as I think a film's effects should be: realistic enough to avoid the fake-factor, but not so excessive that they drown out everything else in the film. Yes, one could argue that these movies are all about death, but what always made them different for me from other horrors was the focus on build-up. The FD franchise has it's fans trained to watch for every little thing in a scene that could cause someone's demise until your skin crawls--and FD5 gives the audience this "detective" feeling perfectly.
To be honest, I wasn't expecting much out of this movie. However, from the very beginning, I was impressed. A few points of warning: it is very graphic, but anyone who has seen any of the other FD films should know that already. Also, you will not enjoy this film as much if you haven't watched at least the 1st FD, if not the 2nd and 3rd as well. When you factor in the story and characters, the death and mayhem we've all come to love, and one of the best plot twists I've seen this year, FD5 is very worth watching. Go on, have some fun.
But you all just be careful, now. ;)
Le saviez-vous
- AnecdotesFeatures the longest "opening disaster" in the film series. The bridge disaster lasts 4 minutes and 44 seconds. This record was broken by Destination finale: Bloodlines (2025) by 3 minutes and 11 seconds.
- Gaffes(at around 1h 18 mins) In the kitchen there are two large bottles for the fire suppression system on the wall. When Peter shoots one of the bottles, gas comes spraying out. Restaurant systems do not use gaseous suppression agents, they use either liquid/foam or dry chemical agents. Because in principle they rely on displacing enough oxygen in the room to starve the fire, gas systems are ineffective against "localized" grease fires - in addition to being potentially lethal to anyone in the room when discharge occurs. They are only used in areas where fires would be electrical in nature and dry chemicals or foams would cause collateral damage to sensitive equipment (such as computer rooms).
- Citations
Sam: You warned us. At the memorial service. You said death didn't like to be cheated.
William Bludworth: It's just that I've seen this before.
Nathan: You've seen what?
William Bludworth: A lucky few survive a disaster. And then one by one... death comes for them all. You changed things on that bridge. There's a wrinkle in reality. And that wrinkle is you.
Nathan: So what, we're doomed to die? I mean is - is that it? We just got our lives back, so what kind of fucked up karma's that?
Sam: Are you saying we can't stop this?
William Bludworth: You were supposed to die on that bridge. You're not supposed to be here. You shorted death. So you let death have somebody else in your place, and you take their spot in the realm of the living. All the days and years that they have yet to live. And they take *your* place in death. Then the books are balanced.
Peter Friedkin: Wait a minute. We kill someone, we get their life? Is that what you're telling me?
William Bludworth: I don't make the rules. I just clean up... after the game is over.
- Crédits fousThe end credits show a montage of deaths from the first four films.
- ConnexionsFeatured in Trailer Failure: Conan, Real Steel, and Final Destination 5 (2011)
- Bandes originalesI Will Buy You a New Life
Written by Art Alexakis and Everclear
Performed by Everclear
Courtesy of Capitol Records
Under license from EMI Film & Television Music
Meilleurs choix
Détails
Box-office
- Budget
- 40 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 42 587 643 $US
- Week-end de sortie aux États-Unis et au Canada
- 18 031 396 $US
- 14 août 2011
- Montant brut mondial
- 157 887 643 $US
- Durée1 heure 32 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1