Independence Day: Resurgence
Vingt ans après une première invasion le jour de l'indépendance, la Terre est de nouveau confrontée à une menace extraterrestre. Les nouvelles défenses spatiales de l'humanité suffiront-elle... Tout lireVingt ans après une première invasion le jour de l'indépendance, la Terre est de nouveau confrontée à une menace extraterrestre. Les nouvelles défenses spatiales de l'humanité suffiront-elles?Vingt ans après une première invasion le jour de l'indépendance, la Terre est de nouveau confrontée à une menace extraterrestre. Les nouvelles défenses spatiales de l'humanité suffiront-elles?
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 17 nominations au total
Deobia Oparei
- Dikembe Umbutu
- (as DeObia Oparei)
Avis à la une
Not as bad as many say but yea set your sights low! I loved the original. This one was missing some of the great acting but I still liked the action and Sci Fi. Goldblum is hard to dislike in any movie. He helps save this from a total bomb. I bought a cheap copy on Ebay and will keep it avail for a double feature come 4th each year.
I recently re-watched the first film and was surprised at how robust its shelf life is. Again, it is undeniably cheesy and jingoistic, but done suitably well, I can have a ball with any material. In "Independence Day: Resurgence", set and finally released 20 years after the events of the first film, the aliens get medieval on us with an even bigger mothership.
There's a lot of heroics here by many a character who do their equal part to stop this new alien menace, having already made a stuffed calzone of the Earth's crust comprising from London all the way to Singapore. There's also a refreshingly silly undertone which sets it apart from the grim and serious blockbusters of today, and with added Jeff Goldblum and Judd Hirsch who return as the Levinsons, and "Star Trek" alumnus Brent Spiner as the eccentric Dr. Okun, Emmerich and his co-writers, including returning scribe Dean Devlin, certainly did not skimp out on the comic silliness.
Unfortunately, that is where the similarities end. The sins of sequelitis has been bestowed upon this sequel to his 1996 smash hit, and Emmerich is to blame, either for his laziness to phone it in out of frustration to fulfill the fans; or bucking in to studio demand to condense the film into a mere 2 hours. Sure, lots of things happen in the film, including stuff and cities going kablooey in high style, and high-tech aerial dogfights to give "Star Wars" a run for its money. Even Liam Hemsworth as the new hero Jake Morrison did not annoy me as much as I expected, though Hemsworth is still a far cry from Will Smith's "Elvis has left the building!" persona.
However, as slick as the modern CGI is, giving a sleeker look to the tech shown in the original film, it never quite gels together as a cohesive film - no momentum, no suspense, no catharsis when it does end. Bill Pullman's returning ex-President Thomas Whitmore is utterly wasted, as per his daughter Patricia (Maika Monroe, not doing her rep from "It Follows" any favours). It is not their fault; I feel that there is a lot of footage Emmerich was forced to excise by the Fox bigwigs to get more butts into cinema seats. Perhaps an extra half- hour of more cataclysmic destruction and character motives, but I may be asking for a bit too much at this point.
Things are very rushed indeed, with no payoff even when there's lots of characters doing their fair share to save the day. Goldblum and Hirsch, however, are still naturals, and they steal every scene they're in, and lift the movie up from near tediousness. Nevertheless, the special effects are fantastic, and are most certainly worth the price of admission alone.
It's kind of sad. This new one promotes global equality, with a female U.S. President (Sela Ward) celebrating world peace, and with everyone from across the globe giving it their all to kick E.T.'s ass. The action is fine and dandy without any of those annoying shaky-cam and quick-cut edits. And yet, the film suffers from awkward pacing, rushed dynamics, and especially a lack of cities exploding into fireballs. It even has sequel-teasing in the laziest manner possible in its final moments.
To quote Marvin the Martian, "Where's the kaboom? There's supposed to be an Earth-Shattering Kaboom!"
There's a lot of heroics here by many a character who do their equal part to stop this new alien menace, having already made a stuffed calzone of the Earth's crust comprising from London all the way to Singapore. There's also a refreshingly silly undertone which sets it apart from the grim and serious blockbusters of today, and with added Jeff Goldblum and Judd Hirsch who return as the Levinsons, and "Star Trek" alumnus Brent Spiner as the eccentric Dr. Okun, Emmerich and his co-writers, including returning scribe Dean Devlin, certainly did not skimp out on the comic silliness.
Unfortunately, that is where the similarities end. The sins of sequelitis has been bestowed upon this sequel to his 1996 smash hit, and Emmerich is to blame, either for his laziness to phone it in out of frustration to fulfill the fans; or bucking in to studio demand to condense the film into a mere 2 hours. Sure, lots of things happen in the film, including stuff and cities going kablooey in high style, and high-tech aerial dogfights to give "Star Wars" a run for its money. Even Liam Hemsworth as the new hero Jake Morrison did not annoy me as much as I expected, though Hemsworth is still a far cry from Will Smith's "Elvis has left the building!" persona.
However, as slick as the modern CGI is, giving a sleeker look to the tech shown in the original film, it never quite gels together as a cohesive film - no momentum, no suspense, no catharsis when it does end. Bill Pullman's returning ex-President Thomas Whitmore is utterly wasted, as per his daughter Patricia (Maika Monroe, not doing her rep from "It Follows" any favours). It is not their fault; I feel that there is a lot of footage Emmerich was forced to excise by the Fox bigwigs to get more butts into cinema seats. Perhaps an extra half- hour of more cataclysmic destruction and character motives, but I may be asking for a bit too much at this point.
Things are very rushed indeed, with no payoff even when there's lots of characters doing their fair share to save the day. Goldblum and Hirsch, however, are still naturals, and they steal every scene they're in, and lift the movie up from near tediousness. Nevertheless, the special effects are fantastic, and are most certainly worth the price of admission alone.
It's kind of sad. This new one promotes global equality, with a female U.S. President (Sela Ward) celebrating world peace, and with everyone from across the globe giving it their all to kick E.T.'s ass. The action is fine and dandy without any of those annoying shaky-cam and quick-cut edits. And yet, the film suffers from awkward pacing, rushed dynamics, and especially a lack of cities exploding into fireballs. It even has sequel-teasing in the laziest manner possible in its final moments.
To quote Marvin the Martian, "Where's the kaboom? There's supposed to be an Earth-Shattering Kaboom!"
Independence Day: Resurgence makes a bold attempt to follow up on the legacy of its iconic predecessor, but it falls short in many areas. Liam Hemsworth delivers a solid performance, but the script doesn't give him much to work with, leaving his character feeling shallow and unmemorable. The story itself is straightforward and predictable, offering little in terms of surprises or emotional engagement. Attempts at humor and drama sometimes feel forced, detracting from the overall experience.
While Roland Emmerich's direction keeps the film moving at a brisk pace, it often prioritizes spectacle over substance. The visuals work well enough to support the story, but they don't push any boundaries, especially for a film released in 2016. Given the advancements in CGI and visual effects by that time, the production feels like a missed opportunity to deliver something truly jaw-dropping. Instead, it's serviceable, doing just enough to convey the futuristic and alien elements but lacking the wow factor that could have elevated the experience.
In the end, Independence Day: Resurgence is a decent popcorn flick for fans of sci-fi action, but it doesn't live up to the standards set by the original. It's fun in parts but ultimately forgettable, leaving viewers with the sense that it could have been so much more.
While Roland Emmerich's direction keeps the film moving at a brisk pace, it often prioritizes spectacle over substance. The visuals work well enough to support the story, but they don't push any boundaries, especially for a film released in 2016. Given the advancements in CGI and visual effects by that time, the production feels like a missed opportunity to deliver something truly jaw-dropping. Instead, it's serviceable, doing just enough to convey the futuristic and alien elements but lacking the wow factor that could have elevated the experience.
In the end, Independence Day: Resurgence is a decent popcorn flick for fans of sci-fi action, but it doesn't live up to the standards set by the original. It's fun in parts but ultimately forgettable, leaving viewers with the sense that it could have been so much more.
The 1996 "Independence Day" is a funny and entertaining film of alien invasion despite the silly melodramatic subplots. But every fan of sci-fi genre certainly watched this movie.
The 2016 sequel raised great expectations in the fans. But it should have never been made. The story of an alien arrival to destroy the planet twenty years after the unsuccessful invasion is lame. The characters are silly and the dialogues and situations are ridiculous. Eleven guys writing the story and screenplay probably for morons so stupid most of the situations and jokes are. In the end, only the great CGI is worthwhile watching; the rest may be forgotten. My vote is five.
Title (Brazil): "Independence Day: O Ressurgimento" ("Independence Day: Resurgence")
The 2016 sequel raised great expectations in the fans. But it should have never been made. The story of an alien arrival to destroy the planet twenty years after the unsuccessful invasion is lame. The characters are silly and the dialogues and situations are ridiculous. Eleven guys writing the story and screenplay probably for morons so stupid most of the situations and jokes are. In the end, only the great CGI is worthwhile watching; the rest may be forgotten. My vote is five.
Title (Brazil): "Independence Day: O Ressurgimento" ("Independence Day: Resurgence")
This movie has an amazing cast. Boy did I miss seeing Jeff Goldblum, Bill Pullman, Sela Ward, and so on! It begun okay. The script could have been better Kinda lost some interest towards the end. If you like the genre, like myself, it is worth watching. It has its classical lines, funny moments, the excitement (not the best but there). Just don't expect a masterpiece.
Le saviez-vous
- AnecdotesSoon after the success of the first film, 20th Century Fox paid Dean Devlin a large sum of money to write a script for a sequel. However, after completing the script, Devlin didn't turn in the script and instead gave the money back to the studio, as he felt the story didn't live up to the first film. It was only approximately 15 years later, that Devlin met up with Roland Emmerich to try again, having felt that they had "cracked" a story for a sequel.
- GaffesDavid Levinson uses a satellite phone when all satellites are down.
- Citations
David Levinson: They like to get the landmarks.
- Crédits fousDedicated to actor Robert Loggia, who died in 2015.
- Versions alternativesAn extended version of the movie exists and will be released later after its initial theatrical release. Director Roland Emmerich has said: "It's only about seven minutes longer. It's interesting for fans to see which scenes we cut, although I like it when movies are short." A longer special edition of the original Independence Day : Le Jour de la riposte (1996) was also released, which ran almost two-and-a-half hours at 145 minutes with the extended cut running for 154 minutes.
- ConnexionsFeatured in Annoying Orange: Trailer Trashed: Independence Day 2: Resurgence (2015)
- Bandes originalesIndependence Day Theme
Composed by David Arnold
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Día de la Independencia: Contraataque
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 165 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 103 144 286 $US
- Week-end de sortie aux États-Unis et au Canada
- 41 039 944 $US
- 26 juin 2016
- Montant brut mondial
- 389 681 935 $US
- Durée
- 2h(120 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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