Eric

It feels like the purpose of this show was to adress as much societal issues as possible, and weave that all into a story.

It adresses; mental illness, addiction, gay discrimination, AIDS neglect, pedosexuality, gentrification, institutional racism, parental neglect and abuse, homelessness, corruption,....and I'm sure I missed a few.

When you strip it down though, to the centre of the storyline, the boy who's missing and what's going on with him, you're left with not a whole lot of substance to that.

Whether you like the show or not, it's strength will have to be working all those societal issues into one show, one story.

For me, I would have liked more substance to central storyline about the boy, and not all the sidesteps to add moral value.

And the show is a bit too long.

I have read a few of the reviews and I'm a little disappointed at the lack of appreciation for art. Other critics have opined that they didn't like the characters; however, that's part of the story/character development. This series is meant to appeal to the side of us that wants to evolve. The side of us that is often ignored.

As far as a critique, I thought Vincent's struggle with his shadow side (Eric) was a bit overdone in the final episodes. Early on it felt like a thriller but the genre shifted around episode 3 or 4, maybe drawn out. Otherwise, this is a great series in my opinion.

As someone who experienced a bit of a personal transformation, I find this story to be touching and inspirational. We're all part of the problem, and I think that's what this series is trying to tell us.

Frankly, I don't understand the mediocre reviews.

It can be a product that some might not like and deserve a poor rating based on personal taste, or it can be liked and then be a true rare gem.

There are very few standalone series like this, so well narrated, that can boast such a good performance from all the characters involved. Therefore, it definitely cannot be considered a mediocre product deserving of a 5, 6, or 7 rating.

Benedict Cumberbatch plays a character with whom it's really difficult to empathize; all the characters are so human that it's hard to see them as purely positive, all with their light and shadow.

Try it, it's a special series.

A lot of what's done here is great. The 80's setting is faithfully recreated, from the overly-tagged subway cars to grainy, vintage police station.

For that reason I gave it a 5/10. There is interesting stuff here.

Problem is, you are going to hate almost every character. Most of them are insufferable bleep holes, the main character most of all, and even the puppet is incredibly unlikable.

Will it entertain you? Perhaps.

But go in knowing that this show may well annoy you way more than it entertains you.

I know for some people that's not a huge dealbreaker, but for me, I kind of wish I could get my time back.

I agree with mostly all of the low reviews.

It's long, and it might become tedious.

The characters are unlikeable.

The unwinding of the plot point seems to be a middle finger to the viewers.

There's way too much going on to even make it into the agenda.

Nobody seems to care or noticed the bad CGI, or the incongruence of ambient.

It's supposed to happen during the mid 80's but everything looks as the 70's in the beginning and then of the 90's by the end.

And there's something called perspective, you can't have building far away looking as clear as the objects nearby.

Those are 6 hours that I will consider a long nap, just because I don't want to be upset.