The Runaway

After reading the book and hearing great things from friends about this series I was very excited to watch it. Unfortunately, after the first episode I felt that the story went way off field from the book, and although it is only "based" on the book, I was expecting it to at least stay true to the main points in the novel. I felt that the characters in the book have been betrayed by the way this series has shown them and rather than falling in love with all of them like I did in the book, I found myself loathing most of them. The book is absolutely fantastic and will keep any reader gripped until the very end. Whilst this, I'm afraid to say, left me actually quite frustrated that people find it so necessary to completely change such a brilliant story.

What a great series. I wish we had this kind of great work on this side of the pond. I became a fan of Max Irons recently so I started watching his films. Being a young up and coming actor (son of Jeremy Irons and Sinead Cusack-double powerhouse genes there), I gave the series a go. From the first episode I was hooked. It has opened me up to another fast rising mega star in the making, Jack O'Connell. Runaway is a bit of everything, edgy writing, intrigue, romance, crime, drama, murder, gangsters, bombs and drag queens. Who can go wrong with that lineup. Leading the charge is the ever awesome, Mardi Gras and New Years wrapped into one actor Alan Cummings. LOVE HIM. This role was written just for him because no one could have done it justice. For only 6 episodes it keeps you hanging on to every luscious minute. It is well worth a weekend Binge watch.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

Opening in 1960s London, this six part tale tells the story of Eamonn (Jack O' Connoll) and Cathy (Joanna Vanderham), whose parents, a drunk and a prostitute, were lovers when they were children, and this forged a friendship between them, until circumstances drove them apart, and Eamonn ended up killing a rival boy in a gang fight and Cathy was spared prison by a corrupt detective (Burn Gorman) after killing an abusive client of her mother's. She ends up escaping from a tough girl's institute and ends up back in London, in Soho where she's taken under by kindly cross dresser Desrae (Alan Cumming) while Eamonn starts working for, and then has to flee from, local villain Danny Dixon (Keith Allen.) When he falls in with the IRA, it sets the two on a deadly reunion that ends up having explosive consequences.

Raw and unflinching drama seems to be the order of the day at the moment with British drama, especially so with television drama, which also refuses to let go of what was always it's stranglehold trademark of being as bleak and depressing as possible. Moving about with camcorder fluidity from the darkest corners of society to the seedy out in the open stuff on the surface, The Runaway tells a dark and harsh tale that occasionally saves it's soul with flashes of the tender love story at it's heart, that is essentially the driving force behind it all. It would never have worked as a feature film, far too long and sprawling, and so it receives the appropriate format in this six part adaptation that manages to keep the drama, for the most part, on an even keel. Inevitably, though, with such long source material, if you don't manage to stay disciplined with repeated viewings, sometimes it's hard to keep track of it all, with so much happening so quickly. A shame, since it's all so driven and slick, style and flair being the order of the day.

Performances wise, rising star O'Connoll in the lead role shows a further depth and range, but trying to apply a cockney twang to his northern dialect does make him sound strange. The likes of Allen and Cumming are well cast in their respective roles, while less heard ofs like Vanderham and Gorman also manage to be part of the driving force. It's a brutal, hard hitting piece but it's length and scope inevitably drag it out and sometimes makes it lose it's narrative flow. ***

Sky TV isn't exactly the first name that springs to mind when you think of quality British period dramas. In fact, if you answered anything other than "The BBC" then you'd be considered mad. And yet, even as Aunty's star seems to be waning, so Sky is stepping up its game - and productions like this can only do it the power of good.

As I write this, the third episode of this 5-parter has just aired, and it just keeps on getting better. Despite the emphasis on the gangs/underworld in the plot synopsis, so far we've primarily followed Cathy's life (she, after all, being the title part). And, what a roller-coaster her life is... Sadly, the abuse she is subject to is entirely believable for that era - it probably still goes on to this day - goodness knows how many Cathys there are out there who never had the chance to run away.

If I were to level any criticisms at the programme, they would be these:

• Keith Allen is not 100% convincing as a ruthless underworld gangster. He looked daft with the syrup (wig), and after loosing that he looks more like a kindly uncle than a ruthless villain. - Joanna Vanderham - who looks absolutely stunning throughout, and what a find! She's got a long and brilliant career ahead of her - looks significantly older than the 14 she's supposed to be at the start of the series. In fact, none of the characters appear to have appreciably aged, despite the apparent passage of time.

And, that's about it really, for the complaints. There is some violence, but only enough to tell the story; and it's cracking along at a fair old pace.

If you enjoy good drama, in the style that the BBC used to do so well, then The Runaway will appeal to you. I think it's an excellent miniseries, and I hope it can find a larger audience than just Sky 1 viewers.

I saw the same authors The Take and it was worth watching. But this really not very good. I recommend The Long Firm,He Kills Coppers or Our Friends In The North if you want to see a 1960 London set tv drama. The writer sells millions of books and good luck to her but the story is cliched and fairly predictable. It was filmed in South Africa and that explains the fake feeling of the whole thing. Cheaper to film in places like that but they just don't have the experience. I get no feeling that anybody involved has a feel for the period,unlike the series I already mention and the more recent Endeavour. Alan Cummings performance is the best thing in this,I say that as somebody who does not like him usually.