Kon-Tiki

What a weird coincidence that such a movie came out attempting for an Oscar nomination the same time with Life of Pi, with both exhibited many similar things about survival in the ocean, though the subject matter in each film may be entirely different.

Anyway, even though I have not watched nor have any knowledge of the original, I am impressed with the way this film was made. It was pretty well-balanced with no major flaws in my opinion. Well acting performances by the cast were complemented by a high level of cinematography technique that made looked like the entire journey on the raft was really shot wide in the ocean. Like Life of Pi, there were certain marine animals that were infamously being shown from the real life account of Kon-Tiki, and the CGI made on the animals were so real you probably cant tell if those animals were fake.

Probably the major point of improvement that the film can work on is the lack of character development of the other participants in the Kon Tiki, aside from Thor Heyerdahl himself. I am not implying there was none, as we get to see Thor's mates conflicts happening from the start till the end, but I wish I could have known more why they decided to join and their background story. Understandably, with the time given the film had chosen to focus on Thor instead with a lot of plot material explaining why he had to venture into such a journey.

I was also curious if there were more that could be shown about a group of men enduring a raft journey across the ocean in +100 days. But overall, just by solely comparing the similarities, this is much better and believable than Life of Pi as well as a very satisfying movie experience.

A nominee for Best Foreign Language Picture at this year's Oscars, Norwegian import Kon-Tiki chronicles the journey of adventurer Thor Heyerdahl and his incredible journey some 5,000 miles across the Pacific Ocean from Peru to Polynesia on a balsa wood raft. Though comparisons will inevitably be drawn between this film and Ang Lee's Life of Pi, a fellow Oscar nominee, they are very different beasts and are both films deserving of attention.

If nothing else, Kon-Tiki (the name of the aforementioned vessel) adds to the impressive list of superb films from Scandinavia this past year. From Headhunters (one of my favourites of 2012) to the overlooked Snabba cash (Easy Money), fare from this region has never been more accessible or memorable.

So now comes Kon-Tiki, the first Norwegian film to score both a nomination at the Golden Globe and Academy Award ceremonies, and it's rather easy to see why. This sweeping journey appeals squarely to Hollywood sensibilities, twisting up an epic, historical adventure about overcoming the odds, with human drama. Though this intentional slanting may take some of the complexity and grit out of the film in the end, praise is abundantly deserved for all those involved.

Chief on that list is filmmaking duo Joachim Rønning and Espen Sandberg, best known previously for the Luc Besson-produced Bandidas with Penelope Cruz and Selma Hayek, who craft something lavish and visually sumptuous out of this trek, despite the hurdle of being endowed with a budget of just $16 million.

By recreating Heyerdahl's raft, shooting out over the deep and using special effects only as infrequent enhancements rather than a crutch, these two lay the authenticity on thick and in doing so generate tension and wonder (sometimes simultaneously) like you wouldn't imagine. Kon- Tiki, though never overtly stealing, mirrors the most effective aspects of films like Cast Away, Jaws and Mutiny on the Bounty.

When Rønning and Sandberg aren't capturing sweeping, stunning shots of the Pacific (and the tiny boat at its mercy) they are letting the camera rest on the diminutive aspects of the voyage, at least so when compared to the grandness of what's around them. The ropes lashing together the massive balsa wood beams strain and groan in the water, summoning us back to an earlier scene where two sailors warn Heyerdahl that a raft of that nature will inevitably break apart with the movement of the logs. Sharks silently circle and the boat slowly crumbles as the wood absorbs seawater. These quiet moments are as unnerving as anything you'll see on the big screen.

Likewise, there are grander, more elaborate moments that drip with tension all the same, as when storms hit, men are cast overboard, and once again sharks, though proving to be one of the lesser threats in the scheme of things, use their mythos alone to chill to the bone. If not as complex as it could have been, Kon-Tiki is certainly never dull.

The cast of unknown actors are also strong, even if by the time the credits role their sporting of Grizzly Adams-like beards makes identifying between some of these brave men difficult. Leading the way as the driven Heyerdahl is – wait for this one – Pål Sverre Valheim Hagen, anchoring (no pun intended) the film as a man intent on proving his settlement theory to sceptical scholars. Joining him is engineer (and refrigerator salesman) Herman Watzinger (Anders Baasmo Christiansen) navigator Erik Hesselberg (Odd Magnus Williamson) ethnographer Bengt Danielsson (Gustaf Skarsgård) and two soldiers acting as radio men Knut Haugland and Torstein Raaby (Tobias Santelmann and Jakob Oftebro respectively).

Together, crammed together like sardines, they make the 101-day journey, each bringing not only their respective skill-sets but demons as well. Those versed in Heyerdahl's novel or the documentary of the voyage (the winner of the 1950 Oscar for Best Documentary Feature) may cry afoul at some of the changes that have been made in service to crafting a more dramatic effort, particularly tweaks to the Watzinger character, but they will in no way impact how most will respond to Kon-Tiki.

Though not as weighty or viscerally lasting as some fare that pops up in the Best Foreign Language Film category, it is, however, infinitely accessible to anyone who usually turns their nose up at that particular segment of the ceremony. Kon-Tiki is a strong import, fascinating and thrilling in equal measure and a film that is just as much about the perils of nature as it is about the gratification that comes with conquering it.

The plot is about the greatest Norwegian explorer, Thor Heyerdahl who changed the course of history about the origin of Polynesians. Thor, along with 5 desperate fellows, set out an 101 day-voyage on a raft across the Pacific ocean to prove his scientific analysis before the world. They avoided all sorts of modern mechanical equipment and crossed almost 8000 kilometers in the vast sea just like primitive people having only the faith of Kon-Tiki, the Inca Sun-God. Acting seems so realistic and engaging to depict this true adventurous history :))) Some camera shots appear aesthetic while score sounds great. However, only flaw to me is the lack of crisis in the script___7/10___

NB: now willing to watch the original Kon-Tiki documentary film, that won Oscar in 1950, directed by Thor Heyerdahl himself during their expedition___:))))

I sought out this Norwegian film only after I learned that this was nominated for the Oscar for Best Foreign Language film. I only had a cursory knowledge of Thor Heyerdahl as a Norwegian explorer who wrote about his adventure at sea. However, I did not know any details at all about him or his journey. So I welcomed this opportunity to finally get to see it.

The film began with Thor as a child when he fell into the icy lake and almost drowned. However we later find out that that accident and his inability to swim did not deter his adventurous spirit. We fast forward to Thor and his wife Liv on Fatu Hiva, a Polynesian island, in 1937. There he learned the belief of the islanders that their ancestor Tiki actually came from the East (the Americas) instead of Asia as commonly assumed.

For several years, Thor tried to get his theory about Polynesian origins published but was repeatedly rejected. Therefore, he resolved to prove his theory by recreating Tiki's original ocean journey from Peru to Polynesia on a raft made of balsa wood (with strictly no modern materials).

It is just too coincidental that I am watching another ocean adventure just a few days after watching "Life of Pi." Kon-Tiki traveled the Pacific in the opposite direction that Pi did. It had an experienced though spare crew of 5, composed of two sailors, an engineer, an ethnographer and Thor, so it had a distinct advantage over the teenager and a tiger.

But maybe because I just watched Pi, maybe I expected to see so much more maritime misfortune than I did with Kon-Tiki. However, that sequence with vicious sharks had real heart-stopping suspense. I do have some misgivings about that episode with the whale shark, because it is not really the aggressive creature depicted in the film.

This was a straight-forward adventure film for the family. It may seem old-fashioned to some, nothing too controversial or strange as one can expect from modern European cinema. It was by no means boring, but I admit I felt like it lacked a certain edge while I was watching it. The crew members did not even have any significant conflict among each other and they were trapped on a raft for a hundred days! That may come across as unbelievable in these days of Big Brother and other "reality" TV shows.

I do hope I can find myself a copy of the 1950 Oscar-winning documentary about the real Thor Heyerdahl, his crew and their 101-day oceanic ordeal. That should be very interesting indeed.

Legendary explorer Thor Heyerdal's (Pal Hagen who gives a fabulous acting) epic 4,300-mile crossing of the Pacific on a Balsawood raft in 1947, in an effort prove that it was possible for South Americans to settle in Polynesia in pre-Columbian times . Heyerdal and his brave crew (Anders Baasmo Christiansen as Herman Watzinger , Tobias Santelmann as Knut Haugland , Odd Magnus Williamson as Erik Hesselberg , Jakob Oftebro as Torstein Raaby and Gustaf Skarsgård son of Stellan and brother of Alexander) carry out an incredible adventure en route Polynesia .

Awesome retelling about the dangerous adventure starred by Thor and a valiant group of heroes . Big budget production with gorgeous scenarios , colorful images , thrills , emotion and sense of style . Large parts of the film were filmed in two versions at the same time, one in Norwegian, the other in English, in order to secure international funding. Including wide participation from several nations , as there take part Sweden, Bulgaria , Norway , Malta , Maldives crews . Glamorous and glimmer cinematography by Geir Hartly Andreassen . Special mention to sensitive as well as evocative original Music by Johan Söderqvist . Lavishly produced among several countries such as UK | Norway | Denmark | Germany | Sweden with important financing by great producer Jeremy Thomas . The film's producer, Jeremy Thomas, had wanted to make the film since 1996 and was granted the rights to the story by Thor Heyerdahl before the latter's death in 2002 . The motion picture was compellingly directed by Joachim Rønning (Bandidas , Max Manus) and Espen Sandberg and it was the official submission of Norway to the Best Foreign Language Film of the 85th Academy Awards 2013.

The film was well based on real events , these are the followings : Kon-Tiki was the raft used by Norwegian explorer and writer Thor Heyerdahl in his 1947 expedition across the Pacific Ocean from South America to the Polynesian islands. It was named after the Inca sun god, Viracocha, for whom "Kon-Tiki" was said to be an old name. Kon-Tiki is also the name of Heyerdahl's book; the Academy Award-winning documentary film chronicling his adventures; and the 2012 dramatised feature film nominated for the Academy Award for Best Foreign Language Film.Heyerdahl believed that people from South America could have settled Polynesia in pre-Columbian times. Although most anthropologists as of 2010 had come to the conclusion they did not, in 2011, new genetic evidence was uncovered by Erik Thorsby that Easter Island inhabitants do have some South American DNA, lending credence to at least some of Heyerdahl's theses. His aim in mounting the Kon-Tiki expedition was to show, by using only the materials and technologies available to those people at the time, that there were no technical reasons to prevent them from having done so. Although the expedition carried some modern equipment, such as a radio, watches, charts, sextant, and metal knives, Heyerdahl argued they were incidental to the purpose of proving that the raft itself could make the journey.The Kon-Tiki expedition was funded by private loans, along with donations of equipment from the United States Army. Heyerdahl and a small team went to Peru, where, with the help of dockyard facilities provided by the Peruvian authorities, they constructed the raft out of balsa logs and other native materials in an indigenous style as recorded in illustrations by Spanish conquerers. The trip began on April 28, 1947. Heyerdahl and five companions sailed the raft for 101 days over 6900 km (4,300 miles) across the Pacific Ocean before smashing into a reef at Raroia in the Tuamotu Islands on August 7, 1947. The crew made successful landfall and all returned safely.Thor Heyerdahl's book about his experience became a bestseller. It was published in Norwegian in 1948 as The Kon-Tiki Expedition: By Raft Across the South Seas, later reprinted as Kon-Tiki: Across the Pacific in a Raft. It appeared with great success in English in 1950, also in many other languages. A documentary motion picture about the expedition, also called Kon-Tiki was produced from a write-up and expansion of the crew's filmstrip notes and won an Academy Award in 1951. It was directed by Thor Heyerdahl and edited by Olle Nordemar. The voyage was also chronicled in the documentary TV-series The Kon-Tiki Man: The Life and Adventures of Thor Heyerdahl, directed by Bengt Jonson.The original Kon-Tiki raft is now on display in the Kon-Tiki Museum in Oslo.