Baby

Baby had potential with its intriguing premise and promising setup. The concept of a dramatic story revolving around young lives is compelling and offers a chance for impactful storytelling. The performances from the cast, particularly the lead actors, bring a certain level of earnestness to the film. Their dedication to their roles is evident, and there are moments where their chemistry is quite engaging.

However, the film falls short in several key areas. The plot, while ambitious, often veers into predictable territory and fails to deliver the depth or originality that might have made it stand out. The narrative sometimes feels disjointed, with pacing issues that affect the overall flow and engagement. Certain subplots feel underdeveloped, leaving gaps that detract from the film's emotional impact. Additionally, the film's attempt at heartfelt romance drama didn't work at times resulting in a somewhat uneven experience. The tonal shifts can be jarring, and the final execution doesn't quite live up to the initial promise.

In summary, Baby is a film with a promising premise and some good performances but ultimately struggles due to its predictable plot and uneven execution. It's watchable, yet it doesn't leave a lasting impression.

The movie shows women in bad light and is a bad influence on youngsters. It shows as if there is no life without love which isn't true. It shows romance at school going age when society is already struggling with rise of romance is school going kids, and related suicides etc. This is what happens when irresponsible and immature directors make movies. The characterization of characters in the movie is bad, except for Anand Devarakonda's. Vaishnavi Chaitanya's role is really bad. Overall, very disappointed by the movie. A must avoid. And something you can't watch with family. Bad influence. Avoid.

Director Sai Rajesh presents "Baby," a poignant yet relatable tale that mirrors real-life experiences, making it a worthwhile watch. However, the movie falters in its second half, hampering its overall impact. Nonetheless, it still holds potential for a one-time viewing.

Sai Rajesh weaves a heartrending narrative that tugs at the heartstrings while remaining relevant to contemporary audiences. The first half captivates with its relatable and entertaining content, building up to a captivating interval. Unfortunately, the second half suffers from erratic pacing, unnecessarily dragging certain scenes. Viraj Ashwin's character arc feels underdeveloped and abruptly abandoned, lacking proper closure. The climax, although emotionally powerful, may not resonate universally, contrasting with the film's initial entertainment value. Moreover, the director's handling of the second half appears disjointed and needlessly prolonged.

Vijai Bulganin's exceptional background score enhances the storytelling, adding depth and enjoyment to specific sequences. The cinematography impresses, and the production values are high, although the editing could have improved, particularly in terms of pacing during the second half.

Anand Deverakonda exhibits significant growth as an actor, skillfully portraying the nuanced emotions of his character. He excels in emotional scenes, evoking genuine empathy. Vaishnavi Chaitanya delivers a spectacular performance, fully immersing herself in her character and flawlessly depicting her various emotions and transformations. Her portrayal exhibits commendable depth. In a central role, she shines brightly, leaving no room for disappointment. Viraj Ashwin delivers a solid performance, although he could have delved deeper into emotional scenes. While the supporting cast performs well, Naga Babu and Viva Harsha's potential feels underutilized.

My cousin being a financier heard a lot of auto guy stories I feel like director did good job representing the feelings and mindset of anand.

Seeing many trolls and feminists getting hurt by the movie, I think the director doesn't need to explain or justify any of the scenes. All the characters are grey and we will feel some empathy to each one of them.

Even the heroine's mother and father are flawed in a way. Bad choices and bad friends will surely effect our life it was well portrayed and laid out in the film. Calling her the L word might offend some people but we have to remember that anand is a 10th fail auto driver and thats how he will be in real life. Anands mother dying is very emotional and the way he was fed up with his choices was well written and performed.

Not a cult classic but a good watch.

My cousin being a financier heard a lot of auto guy stories I feel like director did good job representing the feelings and mindset of anand.

Seeing many trolls and feminists getting hurt by the movie, I think the director doesn't need to explain or justify any of the scenes. All the characters are grey and we will feel some empathy to each one of them.

Even the heroine's mother and father are flawed in a way. Bad choices and bad friends will surely effect our life it was well portrayed and laid out in the film. Calling her the L word might offend some people but we have to remember that anand is a 10th fail auto driver and thats how he will be in real life. Anands mother dying is very emotional and the way he was fed up with his choices was well written and performed.

But atleast one last line best rani character ka award banakar vaishnavi ko de Diya Jaye 😂😂😝😝