Jackie
- 2016
- Tous publics
- 1h 40min
Après l'assassinat du président John F. Kennedy, la première dame Jacqueline Kennedy lutte contre le chagrin et le choc de sa mort : elle retrouve sa foi, console ses enfants et cherche à co... Tout lireAprès l'assassinat du président John F. Kennedy, la première dame Jacqueline Kennedy lutte contre le chagrin et le choc de sa mort : elle retrouve sa foi, console ses enfants et cherche à comprendre l'importance historique de son mari.Après l'assassinat du président John F. Kennedy, la première dame Jacqueline Kennedy lutte contre le chagrin et le choc de sa mort : elle retrouve sa foi, console ses enfants et cherche à comprendre l'importance historique de son mari.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 3 Oscars
- 44 victoires et 170 nominations au total
Avis à la une
From the first awful note, the music of Mica Levi is intrusive, jarring, and totally wrong for this type of film. It even drowns out dialog it's so loud. Aside from the clip of Richard Burton singing "Camelot," the film seems to exist in a time warp, with zero cultural references allowed to intrude other than old news footage.
We are told Jackie is being interviewed in Hyannis Port, Massachusetts, but the house and surrounding grounds look nothing like the famous Kennedy compound or Cape Cod. Even footage filmed in Washington, DC looks oddly phony since the city has changed so much since 1963.
The scenes where Jackie spars intellectually with the journalist (Sarsgaard as Theodore H. White, but they never use his name) and the priest (John Hurt) are so foolish they almost seem like comedy skits. There's also a long and needless scene with Richard E. Grant as a designer working with Jackie as she obsesses over interior decoration for the White House.
During the long screen time devoted to recreating Jackie's famous televised tour of the White House in 1961, she talks about the stage that was built in the music room when Pablo Casals played there, but the following scene shows him seated and playing not on a stage.
Other historical characters from the Johnsons to Jack Valenti are glimpsed as being generally unfriendly and outrightly evil, but nothing is developed. It's as if all this history is just a vague backdrop for Jackie to emote in front of. Perhaps it's an accurate comment about a woman who is so self-obsessed, her hours after the assassination are spent worrying about what will become of her and where she will live.
And that's the main issue here. We're shown a Jackie who is constantly self-obsessed rather than self-assured. She's a heroine for the selfie generation rather than a real and accurate product of her time.
We could make the argument that JFK didn't have much of a positive legacy, given his poor record on civil rights (upon which Johnson sought to improve) and an undeclared war on Cuba. Even so, the era was seen as the culmination of the possible. I recommend the movie.
Larraín also directed 2012's "No", about the TV campaign that led to Augusto Pinochet's defeat in the 1988 election.
Okay, several people were angry that John-John in the movie didn't salute the casket.
One review referred to the story as "horrible and morbid." Guess what - it is.
One review said Jackie was a "housewife." I won't dignify that with a response.
Natalie Portman was criticized for doing a "cringe-worthy" imitation. Her voice and accent were found hilarious.
And it was called "boring" over and over again.
I understand that to each his own, and I respect that. I'm just surprised.
I first of all did not find this film at all boring. I found it emotional, compelling, and interesting - and despite what someone said here, I did find out things I never knew.
I thought Natalie Portman did a brilliant job and, while the role didn't offer as much as Viola Davis' did in Fences, I would not have been upset to see her win another Oscar. There was nothing wrong with her accent, that's how Mrs. Kennedy talked. If you don't believe me, go to youtube and listen to the tapes.
The film focused on Jackie after the assassination, but it was shown, as were earlier times, such as her televised tour of the White House. I thought the film mixed with the actual footage was excellent.
The clothes were perfection. Like others, I did not care for the music and what I really did not care for was the music at the end.
The rest of the cast did an admirable job - John Hurt, Greta Gerwig, and Billy Crudup. I was disappointed in Peter Sarsgaard, but I think he was trying to convey Bobby's shock and grief. He's a good actor normally but not very successful here.
I found this a poignant film and a stunning portrait of Jackie Kennedy and what she suffered as a result of the assassination.
Le saviez-vous
- AnecdotesAfter Natalie Portman was cast, to Pablo Larraín's wishes, he asked screenwriter Noah Oppenheim to tear out any pages of the script that didn't contain scenes with Jackie Kennedy, as he wanted this movie to be entirely about her and her experiences. The 120-page script was trimmed to one hundred pages, all containing Jackie.
- GaffesJackie has the list of funeral attendants read out to her, including "Crown Prince George" of Denmark. Denmark at the time did have a Prince George, but he wasn't Crown Prince. Rather they had a Crown Princess, the later Queen Margrethe. And the only Danish dignitary who attended the funeral was the Prime Minister, Jens Otto Krag.
- Citations
The Priest: There comes a time in man's search for meaning when he realises that there are no answers. And when you come to the horrible and unavoidable realization, you accept it or you kill yourself. Or you simply stop searching.
- ConnexionsFeatured in WatchMojo: Top 10 Movies of 2016 Already Getting Oscar Buzz (2016)
- Bandes originalesAffection No. 3
Composed by Paul Zaza (as Peter Dufferin)
Published by Parry Music
Courtesy of Latin Music Publishing, Inc.
Meilleurs choix
- How long is Jackie?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Jackie: De Nhat Phu Nhan
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 9 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 13 960 394 $US
- Week-end de sortie aux États-Unis et au Canada
- 278 715 $US
- 4 déc. 2016
- Montant brut mondial
- 29 778 202 $US
- Durée
- 1h 40min(100 min)
- Couleur
- Rapport de forme
- 1.66 : 1