Cheuuat gaawn chim

If you thought "The Meat Grinder" was the Thai equivalent of Mrs Lovett without Sweeney Todd, think again. This film has no humour and even less continuity, even if it has lost something in translation. A wretched woman who runs a noodle bar stumbles upon an amazing if bizarre recipe. There is a riot, and one of those taking part ends up dead on her premises. Instead of contacting the police, the army, or whoever is running that particular town, she, well, you can probably guess.

Now this woman has certainly had a hard life, and there is one bloke who is intent on making it even harder, but did he deserve this, and what about his henchmen? We never really understand what this film is all about, a woman's descent into madness perhaps, but it is impossible to feel sorry for her considering how much innocent blood as well as guilty blood she has on her hands.

Those who enjoy gore and special effects may find something of interest here, but enjoyment is another matter.

Revenge is often a dish best eaten cold. Just ask Fruit Chan, director of Dumplings (2004), originally conceived as one chapter of a three-part horror omnibus (Three… Extremes) before he served up more of the same dark satire, just in larger portions, which regrettably made the bloated feature-length even harder to swallow. Tiwa Moeithaisong's Meat Grinder follows a similar recipe, and now, having finally found an overseas distributor, ominously appears on our menus for the first time. Relying more on mood rather than over the top visuals, this is a return to the intelligent side of exploitation horror. Refreshingly marinated with an intriguing story to give it flavour, and coupled with lashings and lashings of gory mayhem, Meat Grinder is an absolute treat from start to finish. DW

The title, DVD cover and blurb all conspire to make this film look like a Thai slant on the torture porn sub-genre, but the truth is that it's nothing like that. It's much better!

Yes, it's a gory movie in which bodily dismemberment and death play major roles, but this is only part of the movie. In many ways, MEAT GRINDER is much more of a psychological horror film, exploring one woman's mental disintegration when faced with infidelity and violence. You could take out all the blood and guts and the film would be just as effective; it works best as a character study rather than a movie that just goes out of its way to nauseate.

One thing you notice first is Tiwa Moeithaisong's direction, which is definitely above par for the genre. Moeithaisong banishes memories of poor horror fodder like GHOST GAME and HELL to tell an engaging, speedily-paced movie that doesn't let up from the word go. Mai Charoenpura's performance as the put-upon stall owner is decent, as she keeps you on-side unlike many horror villains. The film in many ways reminds one of the equally icky DUMPLINGS (which were served up containing human foetuses) but MEAT GRINDER is offbeat and engaging enough to work all of its own.

There are poor and unrealistic excuses for all the shown torture. All seems very artificial constructed for the sake of showing torture and pain. The worst is the story telling, which is chaotic nonsense. Add some classical music elements and there will be people who are delighted about this "piece of art". Even though the torture effects are obviously handmade, which highers the realism a little bit, there are no insects shown in that blood coated scenario. No flys, no ants, no cockroaches, not anything - just bloody pain with an artificial forced kind of poor story and characters who are very unlikeable. Like all the unrealistic things which are shown, the motives of the characters are exaggerated to the maximum to force the impression that those characters would have a good excuse for their behavior, but they are just very sick. The one and a half hour felt one hour longer than it played. I recommend this movie for people who have too much time and like gore, no matter what.

Buss is a disturbed lady who kills people and sometimes makes them into food. Meat Grinder is the story of how and why she came to this pretty pass, and where she goes. By all rights this should be a real winner, it has a workable story, reasonable pace and some entertaining gore and yet it actually comes out somewhat stodgy, dull in places. The trouble is mostly in the storytelling, fractured yet centred it draws shards of past and present in claustrophobic swirl about its lead, not really letting the story breath for itself or gather up a compelling sense of rhythm or flow. If the central performance were a bit better there might have been compelling emotional momentum but unfortunately Mai Charoenpura is fairly one note as Buss, cold and stressed out but not all that affecting. As a result the film is mostly interesting for the sake of various grisly moments, nothing we haven't seen before of course but some good stuff all the same, with a generally twisted edge that gives it that all important punch. Stylistic tics at times detract from affairs, like random switching between colour and black and white, but at least the nasty moments aren't spoiled by coke head edits, speedy cam or incomprehensible close ups, we still get to see the good stuff. What we don't see though is very much in the way of actual meat grinding, the title seems to have been put in place to catch the eye rather than for any great relevance to the films content. It's actually a sombre story of a woman's plight and what happens when she finally cracks, and though it follows a fairly predictable woe is the plight of the Asian woman trajectory, its still dark enough to be watchable. I'm probably making this one sound much less worthy than it is, certainly others have had stronger and more positive reactions. It does all just about hang together (aside from unexplained and irrelevant scenes involving rioters), it has some classy moments and the story works itself out in appropriately twisted fashion, but I was a bit nonplussed overall by it. Still semi worth a watch, but a good idea to suspend ones expectations and maybe have some booze or other viewing aids on hand to ease the passage. Fair 6/10 from me ('cause I'm a gorehound at heart).