Only God Forgives

If you've seen Drive, then you should know that this movie is nothing like it, except perhaps in the fact that they are both beautifully shot. Drive had a pretty brisk pace, good dialogue, a plot that went somewhere, and a likable character.

Only God Forgives had none of that. This is a movie which moves along at a snail's pace, and even at a runtime of 90 minutes, it feels like many hours go by before even a single thing happens. Even the characters move and turn slowly.

The plot, such as it is, you would probably find worth watching, but Nicolas Winding Refn peppers it with pseudo-dream sequences and many pointless scenes that drag on for ever, so that the plot becomes hard to stay interested in.

Now, some things you might care about.

The acting. Ryan Gosling, of whom I was a fan in his earlier days, plays the same character from Drive, except that here he is indeed even more emotionless. He speaks about 5 lines during the whole movie, and has fewer different facial expressions. Kristin Scott Thomas is very good, although she feels underused. She is definitely the strong point of this movie. Vithaya Pansringarm, who plays a prominent role in the movie, is as expressionless as Gosling, although he is somewhat better, in my opinion.

Action scenes do exist, and they do resemble those from Drive, in that they are very matter-of-factly and visceral. Here, Winding Refn has really indulged in a lot of gratuitous gore, although overall, I found the action scenes quite entertaining. One particular one showcases Byron Gibson's acting talents, and it is particularly (and hilariously) cringe-worthy.

All the characters in this movie are unlikable. It is extremely difficult to get yourself to care for any of them, including Gosling's, who is arguably the protagonist here.

Aside from Scott Thomas' acting, the only other redeeming quality of this film is the excellent way in which most scenes are set up and shot. The sets, the camera movement, the placement of the actors, all of these make up for some truly gorgeous shots.

Overall, sad as I am to say it, I cannot recommend seeing Only God Forgives.

There isn't a lot of dialog because there isn't much of a plot. What there is, is at best, clumsy and predictable. I am not sure that it was even that believable.

There is however lots of silence, dark brooding nothingness, Thai Karaoke, lots of blood and questionable sexual relations of one sort or another. Perhaps these elements were supposed to fill the void. However it was not enough.

Great performances from all the cast but even they couldn't save it. At times Ryan Gosling just looked lost and bewildered and I don't think he was acting. I found it annoying and pretentious.

An absolute masterpiece. My favorite movie of all time. Probably only in 30 years will the world fully appreciate it and recognize how far ahead in time it was.

This film is worth watching, it is very gripping and suspenseful. There isn't much dialouge at all, it is mostly just atmospheric. The plot is relatively simple, a chain of people killing others who are then linked to someone else. The ending is left open to your imagination too. There are some really gruesome scenes in this movie but this sort of thing was needed to keep the viewer gripped on the way the story was unfolding. Ryan Gosling was a very mysterious character again (as in Drive) and he portrayed this very well. The supporting cast were also good.

Overall I found this film to be quite good, was a relatively short film but I didn't feel it was 'dragging' like some said. I preferred 'Drive' but this one is still worth a watch.

7/10

Critics have gone way too hard on this movie. Lots of violent, strange et slow films have been presented at the Cannes film festival since its creation but yet every time a film pushes the boundaries of violence while keeping its own style, most critics go mad and sometimes shout at the screening, even leaving the theater before the end and calling it "outrageous". This film, along with "Anti-Christ" is a perfect example of the type of scandals that go on at Cannes for quite stupid reasons.

First of all, forget about Drive. If you know Nicolas Winding Refn's style and like it then you'll enjoy this movie but if you've only seen Drive and believe this is going to be in the same style (because of the same actor, similar cinematography, same musical style...) believe me you'll be disappointed. The trailer might give this impression, but this film is very different. The director had already made other movies just like this, but they did not encounter a really large audience. His works were mostly known by cinephiles, artsy people and intellectuals interested in film analysis (in a general way of course). Drive was his first really big success and also his first film taking place in America, starring a worldwide known star (Gosling) and going deep into its message while keeping a more specific style than his other films.

Here Refn feels a lot more philosophical, and comes back to his original style in directing films such as Valhalla Rising : great visuals, slow-pasted action, scenes that seem a bit detached from one-another, deep character development, little dialogue, extreme violence mixed with soft and/or trance-electro music... all of which are here to deal with philosophical, deep, hard subjects like revenge, good and bad, mother/son relationship etc...

When it comes to the acting Gosling does not disappoints however this time Refn wanted to do the opposite that he did in Drive : showing the weakness of his character. Also, even though he does pull-off a very convincing performance, Kristin Scott Thomas is surprisingly captivating and gives her character a much more "real" dimension than it could have been (like it is most of the time, when a woman is supposed to play a drug-lord badass). But saving the best for the end, Vithaya Pansringarm, an actor totally unknown to me until know, plays wonderfully his role as the mystical bad guy, and really did surprise me by the quality of his acting. He completely understood the movie's atmosphere and makes his character feel mysterious and fascinating.

To sum-up this is a very atmospheric, deep movie with great actors/actresses and dealing with difficult and serious themes, with some philosophical analysis possible, but definitely not in the same style as Drive, even though it has some similarities with it.