Les Winners

Many films (for better or worse) portray an idealized form of life/drama to combat the current economic malaise. "Win Win" is not that kind of film; instead choosing to revel in the struggles of day-to-day life and work through them.

For a basic plot summary, "Win Win" sees Mike Flaherty (Paul Giamatti) struggling to make a living for himself and his family. His law practice is hemorrhaging funds, the bills are piling up at home, and his health is even failing due to the anxiety. After becoming personally involved with a client (Burt Young), Mike "inherits" a son (Alex Shaffer) who provides a spark for his high school wrestling team and lifts his spirits. That is, of course, until life intercedes once again.

In better times, this might be the kind of movie that people would stay away from due to the fact that is is so down-to-earth in its portrayal of life's struggles. In tough times, though, "Win Win" really resonates on a personal level. The struggles of life are not black-and-white, but full of shades of grey and ambiguity.

Also, while the film is well-acted as a general rule, Giamatti's performance is especially moving. Giammatti is one of the great character actors of our time and never fails to shine on the big screen. There's no one who can match his style of acting in terms of combining over-the-top physical/verbal acting with dramatic intensity.

About the only thing that prevents this movie from being a true classic is that the climax doesn't necessarily live up to the build-up. Don't worry, though, as the rich characters and believable circumstances are more than enough to provide compelling drama and entertainment.

Paul Giamatti is awesome, simple as that. Such a talented actor, I have yet to see him in a film that I haven't enjoyed. So of course Win Win is the next on the list on his impressive resume, the story was surprisingly quite complex but not difficult to keep track of which is the work of a great director.

The character of Jack is very reminiscent of Giamatti's character from Storytelling, a guy somewhat down on his luck who just can't seem to get ahead or on top of things, of course these films are very different but the similarities are definitely there.

Amy Ryan impressed me a lot, I've never seen her in anything before but after seeing this I look forward to catching other films with her, she has a great presence in screen and her and Giamatti work excellently together... Also worth mentioning is the always fantastic Jeffrey Tambor, equally as cool as Giamatti.

The only thing I thought didn't work was Melanie Lynskey, that woman has one of the sweetest faces and personalities, and seeing her playing a gold digging, backstabbing selfish mother just didn't work. I still love her though.

A nice film that is not groundbreaking, but especially entertaining and pleasant to watch.

Win Win is a charming delightful film about an ordinary family dealing with the struggles of everyday life. Writer/Director Tom McCarthy should be commended for his excellent work. Paul Giamatti – a true everyman actor – delivers a wonderful performance as a lawyer and wrestling coach struggling with the challenges of family and money in New Jersey. In the process of taking guardianship for an elderly client Giamatti's character, Mike Flaherty, becomes enmeshed in the old man's family when the old man's grandson shows up literally on his front doorstep. The teenager turns out to be an incredible wrestler, which is a great asset to Mike's awful wrestling team. And then things begin to get complicated. Giamatti specializes in bringing forth flawed characters that are delightfully human. This is a funny, sweet film that combines comedy and drama. Win Win also reminds us that family goes well beyond blood relatives; family is the constantly evolving circle of people that we love and care about. I literally walked out of theater just feeling much better than when I walked in. That has to be one of the best ways to judge any film.

As in Thomas McCarthy's first film, "The Station Agent", there is an air of loneliness to the characters in "Win Win" but also with an ability to be kind and with a whole lot of humour permeating throughout. Mike (Paul Giamatti) is approaching a mid-life crisis; the monotony of daily life and money troubles colliding. But this is a well written film and it doesn't look or feel like a mid-life crisis. Just as we get to know the characters exceedingly well (despite the short air time for some - Bobby Cannavale's Terry), a plot is introduced. Mike starts acting like a sleazy lawyer just to make some easy money, even though he's anything but a sleazy lawyer. Because he's a good guy, realities quickly catch up, and he starts taking responsibility for a troubled kid. Mostly trying to assuage his guilt of wrong-doing, but this kid happens to be a wrestling phenom and Mike is a struggling high school wrestling coach. This film could easily turn into an underdog sports story, but as I said before, this is a well written film and it doesn't look or feel like an underdog sports story. I found "Win Win" to be a great mix of character study, a mid-life crisis, and an underdog sports story all rolled into something that isn't any of the above. It's a light, funny, enjoyable slice of life that could provide a few lessons on morality but stops itself before it becomes condescending.

The story-line of Win Win brings difficult and realistic moral issues before us, which engage our interest and challenge our sympathies. But the film is not a ponderous work of moral theory, fortunately. Instead, it has many humorous moments which keep the tone quite light, even as the film raises some darker problems.

The first dilemma concerns the subterfuge that lawyer Mike Flaherty (Paul Giametti) employs to win the maintenance award for looking after his elderly client Leo who suffers from Alzheimers disease. The dilemma is not so much his (he needs the money too badly and he has a family to provide for), as ours - should we sympathise or not? Mike is a lawyer, yet he deceives the court and thus breaks the law. Yet, at the same time, Leo does not really lose out because the home that Mike puts him in is very comfortable. In a way, Mike's deceit is a win-win solution that solves Mike's financial problems and also provides proper care for Leo. But surely deceit cannot be condoned? Or can it? While we are still dealing with that issue, an entirely different one looms up and takes over the story. Leo's grand-son arrives, looking for his grand-father, Leo, who is now in the care home. Not only does this plot development add a lot of tension (because Mike's deceit is in danger of being exposed), it also adds further complications on the moral front. The first is, should Mike tell Kyle the truth, or is it better to try and help Kyle personally while leaving him in the dark? Should we really expect Mike to confess, when the result will be disastrous for so many people and achieve very little, apart from establishing the truth about Leo's transfer to the care home? Once again, we are just beginning to settle one problem when another arrives to add further complications, this time in the shape of Kyle's mother, Leo's daughter, who has never shown any interest in her father, but now shows a mercenary interest in his state of dependency.

I really enjoyed this film. There is a lightness in the telling of the story, which makes the whole experience a pleasure, but it is a story with some difficult issues to set before us, issues such as the care of the elderly and the rights of birth-parents over foster-parents, which give us food for thought. Above all, however, the film is very well acted and the characters are brought to life very effectively, persuading us of the reality of the issues which it raises, but also coaxing us to temper our judgment of our fellow human beings. The film reminds us that life is rarely as clear-cut as our stern guilty-or-innocent judgments would require.