Downton Abbey
- Série télévisée
- 2010–2015
- Tous publics
- 1h
Une chronique de la vie de la famille aristocrate britannique nommée Crawley et de leurs serviteurs au début du XXème siècle.Une chronique de la vie de la famille aristocrate britannique nommée Crawley et de leurs serviteurs au début du XXème siècle.Une chronique de la vie de la famille aristocrate britannique nommée Crawley et de leurs serviteurs au début du XXème siècle.
- Récompensé par 15 Primetime Emmys
- 61 victoires et 231 nominations au total
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Résumé
Reviewers say 'Downton Abbey' explores class dynamics and historical impacts, similar to 'Upstairs, Downstairs' and 'Brideshead Revisited'. The show is lauded for its detailed settings, lavish costumes, and superb cinematography. Strong performances, especially Maggie Smith's Dowager Countess, enhance its appeal. However, some critics argue it occasionally resorts to soap opera tropes and lacks historical accuracy in certain areas.
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I can't hold this back. I enjoyed every moment Maggie Smith was on scene. I was a bit sceptical in the beginning, but her performance is simply stellar. I laughed out loud alone at home watching her unique moments in the show. This is simply not comparable to anything I saw before in any other shows or movies. She is a treasure.
At 19 minutes in I was hooked.
I remember when Lady Marjorie Bellamy of Upstairs, Downstairs died on the Titanic and the impact it had on my family. We felt this because of the investment we had made in the series.
This is a series where one can become just as addicted.
The lives and loves of the Grantham and the Crawly family are well-written and performed beautifully. The castle and the grounds a pleasure to look at, as are the costumes of the time.
As Elizabeth McGovern and I are equal in age, and I have grown up watching her on the silver screen, hers was a warming and dignified touchstone for me personally.
The cast couldn't be better suited for their roles, not one can be called a weak link.
Maggie Smith has a presences all her own, making each of her projects shine.
I am on episode four and can't wait for the remainder.
Once again our cousins across the pond show us "how good drama" can be.
I remember when Lady Marjorie Bellamy of Upstairs, Downstairs died on the Titanic and the impact it had on my family. We felt this because of the investment we had made in the series.
This is a series where one can become just as addicted.
The lives and loves of the Grantham and the Crawly family are well-written and performed beautifully. The castle and the grounds a pleasure to look at, as are the costumes of the time.
As Elizabeth McGovern and I are equal in age, and I have grown up watching her on the silver screen, hers was a warming and dignified touchstone for me personally.
The cast couldn't be better suited for their roles, not one can be called a weak link.
Maggie Smith has a presences all her own, making each of her projects shine.
I am on episode four and can't wait for the remainder.
Once again our cousins across the pond show us "how good drama" can be.
I absolutely loved all six seasons. Was sad to see it end. Would love to see a 7th season or at the very least a movie.
What can i say? Since I saw the first season I've been an unconditional fan of Downton Abbey. I think it's one of the most historically accurate and refined series of recent years.
Over the course of six seasons, we have been following the life and adventures of the Crawley family, which has lived in Downton Abbey for generations. We also follow the lives of house servants, with all their quarrels, ambitions to rise in life, and leave behind service in the big house. And it is rare to find a series with as much respect and appreciation for historical rigor as it has shown over the six seasons. An enormous effort has been made to make real the historical period in which everything happens, which does not exceed fifteen years (1912-1926). A short time span between the six to seven years the show aired, which allowed the cast's natural aging to dispense with make-up gimmicks to forge the characters' aging.
The script, created and written by Julian Fellowes, is interesting and covers well hot topics from that historical period: the sinking of the Titanic, the First World War, the political turn of Russia, the rise of Nazism, the emancipation of women, the loss of influence of aristocratic families etc. We can really see how all this has changed society, political life, mentality. We felt transported to that time to see how this noble family had a way of life threatened with extinction by the rapid advancement of time. Serious themes, in fact, but lightly approached and with room for moments of perfectly British humor, in charge of strong characters like Violet, who is against everything modern, and Mrs. Pattmore, always with a sharp tongue. There are no villains here ... despite some classic antagonists appearing in certain seasons (such as Bates's ex-wife) the one who comes closest to a villain is first footman Thomas Barrow, although last season be a true redemption for the character. In addition to it, we have some situations where generally good or neutral characters antagonize each other. This is the case of the Crawley sisters, where rivalry and mutual grudge prevail, while blood ties unite them, or Violet and Isobel, who cherish mutual love and hatred.
The cast is excellent and congratulations. Maggie Smith, a veteran, never disappoints us by impersonating the perfect Victorian lady. Hugh Bonneville was perfect in the role of Robert. Laura Carmichael and Michelle Dockery are amazing in the roles of the Crawley sisters. Jim Carter is the perfect butler and makes a great pair with Phyllis Logan. A word of appreciation, too, for Elizabeth McGovern, Jessica Findlay, Brendan Coyle, Joanne Froggatt, Robert James-Collier, Sophie McShera, Lesley Nicol, Penelope Wilton, Kevin Doyle, Siobhan Finneran, Dan Stevens, Lily James, Jeremy Swift, Sue Johnston and Zoe Boyle.
With sleek production and smooth photography, magnificent scenery (Highclere Castle's choice was very wise and made the house an additional character to the plot, which proves that I am right when advocating location shooting rather than abusive use of the green screen Downton Abbey is a true time machine. Grand, magnificent, it is certainly one of the best period television series of this decade.
Over the course of six seasons, we have been following the life and adventures of the Crawley family, which has lived in Downton Abbey for generations. We also follow the lives of house servants, with all their quarrels, ambitions to rise in life, and leave behind service in the big house. And it is rare to find a series with as much respect and appreciation for historical rigor as it has shown over the six seasons. An enormous effort has been made to make real the historical period in which everything happens, which does not exceed fifteen years (1912-1926). A short time span between the six to seven years the show aired, which allowed the cast's natural aging to dispense with make-up gimmicks to forge the characters' aging.
The script, created and written by Julian Fellowes, is interesting and covers well hot topics from that historical period: the sinking of the Titanic, the First World War, the political turn of Russia, the rise of Nazism, the emancipation of women, the loss of influence of aristocratic families etc. We can really see how all this has changed society, political life, mentality. We felt transported to that time to see how this noble family had a way of life threatened with extinction by the rapid advancement of time. Serious themes, in fact, but lightly approached and with room for moments of perfectly British humor, in charge of strong characters like Violet, who is against everything modern, and Mrs. Pattmore, always with a sharp tongue. There are no villains here ... despite some classic antagonists appearing in certain seasons (such as Bates's ex-wife) the one who comes closest to a villain is first footman Thomas Barrow, although last season be a true redemption for the character. In addition to it, we have some situations where generally good or neutral characters antagonize each other. This is the case of the Crawley sisters, where rivalry and mutual grudge prevail, while blood ties unite them, or Violet and Isobel, who cherish mutual love and hatred.
The cast is excellent and congratulations. Maggie Smith, a veteran, never disappoints us by impersonating the perfect Victorian lady. Hugh Bonneville was perfect in the role of Robert. Laura Carmichael and Michelle Dockery are amazing in the roles of the Crawley sisters. Jim Carter is the perfect butler and makes a great pair with Phyllis Logan. A word of appreciation, too, for Elizabeth McGovern, Jessica Findlay, Brendan Coyle, Joanne Froggatt, Robert James-Collier, Sophie McShera, Lesley Nicol, Penelope Wilton, Kevin Doyle, Siobhan Finneran, Dan Stevens, Lily James, Jeremy Swift, Sue Johnston and Zoe Boyle.
With sleek production and smooth photography, magnificent scenery (Highclere Castle's choice was very wise and made the house an additional character to the plot, which proves that I am right when advocating location shooting rather than abusive use of the green screen Downton Abbey is a true time machine. Grand, magnificent, it is certainly one of the best period television series of this decade.
I have to say I loved Downton Abbey, and thought it was one of the better programmes airing this year along with Luther, Sherlock and the stunning Channel 4 drama Mo. Downton Abbey was beautifully produced, well cast and interesting, when it was first advertised it looked as though ITV had a hit and from the first episode I think Downton Abbey lived up to that expectation.
I for one loved how elegant Downton Abbey was. The photography was beautiful and skillful, while the scenery was breathtaking and the costumes were exquisite. The scoring was also very good, often very hypnotic and beautiful. The direction was controlled, the episodes were well paced and for me the characters were believable my favourites being Violet and Robert.
The writing in general was another strength. It was witty in a subtle way, is often funny and could be heart warming and poignant too, the best coming from Violet and Mrs Hughes I felt. The only bit of dialogue that rang false, and this is such a minor criticism, is Robert's "Downton is my third parent and my fourth child" which came across as somewhat cheesy. And the stories were well written and as believable as the characters, not to mention pretty original.
And of course the acting was excellent. Maggie Smith was perfect as Violet. She plays this sort of character well, and she had such good timing and dialogue. Plus I love her in costume. Hugh Bonneville was dashing, and I cannot get over how beautiful Michelle Dockery was here. Jessica Brown-Findlay was also fine as another of my favourite characters Lady Sybil, and Phyllis Logan was always good value though I would love to see more of her if and when the series returns.
In conclusion, Downton Abbey was a wonderful series thanks to the great cast and production values especially and I cannot wait to see more. 10/10 Bethany Cox
I for one loved how elegant Downton Abbey was. The photography was beautiful and skillful, while the scenery was breathtaking and the costumes were exquisite. The scoring was also very good, often very hypnotic and beautiful. The direction was controlled, the episodes were well paced and for me the characters were believable my favourites being Violet and Robert.
The writing in general was another strength. It was witty in a subtle way, is often funny and could be heart warming and poignant too, the best coming from Violet and Mrs Hughes I felt. The only bit of dialogue that rang false, and this is such a minor criticism, is Robert's "Downton is my third parent and my fourth child" which came across as somewhat cheesy. And the stories were well written and as believable as the characters, not to mention pretty original.
And of course the acting was excellent. Maggie Smith was perfect as Violet. She plays this sort of character well, and she had such good timing and dialogue. Plus I love her in costume. Hugh Bonneville was dashing, and I cannot get over how beautiful Michelle Dockery was here. Jessica Brown-Findlay was also fine as another of my favourite characters Lady Sybil, and Phyllis Logan was always good value though I would love to see more of her if and when the series returns.
In conclusion, Downton Abbey was a wonderful series thanks to the great cast and production values especially and I cannot wait to see more. 10/10 Bethany Cox
Le saviez-vous
- AnecdotesCast members of the show have revealed that the costumes are, in many cases, actual articles of clothing from the 1910s and 1920s. They are so fragile that they cannot be laundered, and as a result, don't smell very good.
- GaffesIn episodes showing a Christmas tree inside Downton Abbey, classy all-white Christmas lights with tiny raisin-sized bulbs are lit; however, these impressive lights didn't appear for sale until the late 1960s and early 1970s. In the series' historical period, the smallest bulbs available were Mazda Lights, which are golf ball-sized.
- Citations
Mrs. Patmore: I'll have no swear words in here, thank you very much. Unless I'm doing the swearing.
- ConnexionsFeatured in Breakfast: Épisode datant du 24 septembre 2010 (2010)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Masterpiece Classic
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
- 16:9 HD
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