Downton Abbey
- Série télévisée
- 2010–2015
- Tous publics
- 1h
Une chronique de la vie de la famille aristocrate britannique nommée Crawley et de leurs serviteurs au début du XXème siècle.Une chronique de la vie de la famille aristocrate britannique nommée Crawley et de leurs serviteurs au début du XXème siècle.Une chronique de la vie de la famille aristocrate britannique nommée Crawley et de leurs serviteurs au début du XXème siècle.
- Récompensé par 15 Primetime Emmys
- 61 victoires et 231 nominations au total
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Résumé
Reviewers say 'Downton Abbey' explores class dynamics and historical impacts, similar to 'Upstairs, Downstairs' and 'Brideshead Revisited'. The show is lauded for its detailed settings, lavish costumes, and superb cinematography. Strong performances, especially Maggie Smith's Dowager Countess, enhance its appeal. However, some critics argue it occasionally resorts to soap opera tropes and lacks historical accuracy in certain areas.
Avis à la une
I'll agree that the British know how to do period drama better than anyone (certainly better than us Americans) and this is no exception. You'll be captivated immediately and hours will go by before you realize you've spent an entire afternoon in front of your television set. The relationships built between all characters of this show are what tie it up in a nice, fluffy (although not always pretty) bow. Brilliantly written and set in lush, vibrant surroundings with detailed costuming, this drama series should set the bar for others. No busy dialog or wasted scenes, just good, solid craftsmanship in every episode of this poignant family story. You'll do well to invest in seasons 1 and 2. Looking forward to the arrival of season 3!
DOWNTON ABBEY is the kind of "Masterpiece Theatre" material that the British do with such finesse that one can only sit back and marvel at the sets, costumes, music, and above all, the performances that are all on an extraordinarily high level.
The moment the first series ended, I wanted to see more--so no doubt I'll be ordering my copy of Season 2. Central among the gifted performers are Maggie Smith (as the Dowager Countess Violet), Hugh Bonneville as the Earl of Grantham, and Elizabeth McGovern as Cora, his American wife. But all of the lesser roles are played to perfection with special mention for Brendan Coyle as John Bates, Joanne Froggatt as Ana, Michelle Dockery and Laura Carmichael.
Complicit in schemes involving wicked behavior are two of the downstairs help played brilliantly by Siobhan Finneran and Rob-James Collier as Thomas, both of whom cast a shadow over the household.
The plot has dialog that is always witty and good for a quick chuckle or a gasp of disapproval and the character motivations are all played out in a convincing manner true to each person involved.
Very compelling to view the fluid story unfold with its many sub-plots and shadings of the class warfare that existed in the U.K. then and now.
Absolutely one of the most rewarding and richly satisfying shows from Great Britain that have come along in recent years. The color photography amid location settings create the proper atmosphere for the entire story which takes place just before WWI among a wealthy titled household undergoing some major changes inside the castle walls.
The moment the first series ended, I wanted to see more--so no doubt I'll be ordering my copy of Season 2. Central among the gifted performers are Maggie Smith (as the Dowager Countess Violet), Hugh Bonneville as the Earl of Grantham, and Elizabeth McGovern as Cora, his American wife. But all of the lesser roles are played to perfection with special mention for Brendan Coyle as John Bates, Joanne Froggatt as Ana, Michelle Dockery and Laura Carmichael.
Complicit in schemes involving wicked behavior are two of the downstairs help played brilliantly by Siobhan Finneran and Rob-James Collier as Thomas, both of whom cast a shadow over the household.
The plot has dialog that is always witty and good for a quick chuckle or a gasp of disapproval and the character motivations are all played out in a convincing manner true to each person involved.
Very compelling to view the fluid story unfold with its many sub-plots and shadings of the class warfare that existed in the U.K. then and now.
Absolutely one of the most rewarding and richly satisfying shows from Great Britain that have come along in recent years. The color photography amid location settings create the proper atmosphere for the entire story which takes place just before WWI among a wealthy titled household undergoing some major changes inside the castle walls.
I absolutely loved all six seasons. Was sad to see it end. Would love to see a 7th season or at the very least a movie.
At 19 minutes in I was hooked.
I remember when Lady Marjorie Bellamy of Upstairs, Downstairs died on the Titanic and the impact it had on my family. We felt this because of the investment we had made in the series.
This is a series where one can become just as addicted.
The lives and loves of the Grantham and the Crawly family are well-written and performed beautifully. The castle and the grounds a pleasure to look at, as are the costumes of the time.
As Elizabeth McGovern and I are equal in age, and I have grown up watching her on the silver screen, hers was a warming and dignified touchstone for me personally.
The cast couldn't be better suited for their roles, not one can be called a weak link.
Maggie Smith has a presences all her own, making each of her projects shine.
I am on episode four and can't wait for the remainder.
Once again our cousins across the pond show us "how good drama" can be.
I remember when Lady Marjorie Bellamy of Upstairs, Downstairs died on the Titanic and the impact it had on my family. We felt this because of the investment we had made in the series.
This is a series where one can become just as addicted.
The lives and loves of the Grantham and the Crawly family are well-written and performed beautifully. The castle and the grounds a pleasure to look at, as are the costumes of the time.
As Elizabeth McGovern and I are equal in age, and I have grown up watching her on the silver screen, hers was a warming and dignified touchstone for me personally.
The cast couldn't be better suited for their roles, not one can be called a weak link.
Maggie Smith has a presences all her own, making each of her projects shine.
I am on episode four and can't wait for the remainder.
Once again our cousins across the pond show us "how good drama" can be.
I can't hold this back. I enjoyed every moment Maggie Smith was on scene. I was a bit sceptical in the beginning, but her performance is simply stellar. I laughed out loud alone at home watching her unique moments in the show. This is simply not comparable to anything I saw before in any other shows or movies. She is a treasure.
Le saviez-vous
- AnecdotesCast members of the show have revealed that the costumes are, in many cases, actual articles of clothing from the 1910s and 1920s. They are so fragile that they cannot be laundered, and as a result, don't smell very good.
- GaffesIn episodes showing a Christmas tree inside Downton Abbey, classy all-white Christmas lights with tiny raisin-sized bulbs are lit; however, these impressive lights didn't appear for sale until the late 1960s and early 1970s. In the series' historical period, the smallest bulbs available were Mazda Lights, which are golf ball-sized.
- Citations
Mrs. Patmore: I'll have no swear words in here, thank you very much. Unless I'm doing the swearing.
- ConnexionsFeatured in Breakfast: Épisode datant du 24 septembre 2010 (2010)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Masterpiece Classic
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
- 16:9 HD
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