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Effie Gray

  • 2014
  • PG-13
  • 1h 44min
NOTE IMDb
6,0/10
7,3 k
MA NOTE
Emma Thompson and Dakota Fanning in Effie Gray (2014)
A look at the mysterious relationship between Victorian art critic John Ruskin and his teenage bride Effie Gray.
Lire trailer2:05
1 Video
43 photos
BiographieDrameRomanceDrames historiques

Ajouter une intrigue dans votre langueA look at the scandalous love triangle between Victorian art critic John Ruskin (Greg Wise), his teenage bride Euphemia "Effie" Gray (Dakota Fanning), and Pre-Raphaelite painter John Everett... Tout lireA look at the scandalous love triangle between Victorian art critic John Ruskin (Greg Wise), his teenage bride Euphemia "Effie" Gray (Dakota Fanning), and Pre-Raphaelite painter John Everett Millais (Tom Sturridge).A look at the scandalous love triangle between Victorian art critic John Ruskin (Greg Wise), his teenage bride Euphemia "Effie" Gray (Dakota Fanning), and Pre-Raphaelite painter John Everett Millais (Tom Sturridge).

  • Réalisation
    • Richard Laxton
  • Scénario
    • Emma Thompson
  • Casting principal
    • Dakota Fanning
    • Greg Wise
    • Tom Sturridge
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,0/10
    7,3 k
    MA NOTE
    • Réalisation
      • Richard Laxton
    • Scénario
      • Emma Thompson
    • Casting principal
      • Dakota Fanning
      • Greg Wise
      • Tom Sturridge
    • 75avis d'utilisateurs
    • 38avis des critiques
    • 54Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 nominations au total

    Vidéos1

    Official Trailer
    Trailer 2:05
    Official Trailer

    Photos43

    Voir l'affiche
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    + 37
    Voir l'affiche

    Rôles principaux41

    Modifier
    Dakota Fanning
    Dakota Fanning
    • Effie Gray
    Greg Wise
    Greg Wise
    • John Ruskin
    Tom Sturridge
    Tom Sturridge
    • John Everett Millais
    Emma Thompson
    Emma Thompson
    • Lady Eastlake
    Polly Dartford
    Polly Dartford
    • Sophie Gray
    Tom Herriott
    • William Holman Hunt
    Sam Churchill
    • Dante Gabriel Rossetti
    Martin Keatman
    • Thomas Woolner
    Chris Haggart
    • William Michael Rossetti
    Nima Dabestani
    Nima Dabestani
    • James Collinson
    • (as Alex Best)
    George Laing
    • Frederic Stephens
    Patrick Doyle
    Patrick Doyle
    • Wedding Minister
    Peter Farr
    • Mr. Gray (Effie's Father)
    Nicola Draffan
    • Mrs. Gray (Effie's Mother)
    Tutu Jereissati
    • Flower Girl
    Russell Tovey
    Russell Tovey
    • George
    David Suchet
    David Suchet
    • Mr. Ruskin
    Julie Walters
    Julie Walters
    • Mrs. Ruskin
    • Réalisation
      • Richard Laxton
    • Scénario
      • Emma Thompson
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs75

    6,07.2K
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    10

    Avis à la une

    Phil_Chester

    Dull as ditchwater

    As dull as ditchwater and just as affecting. Almost completely pointless, and with some bizarre casting - the man they have playing Millais looks more like Rossetti! Nothing about the Pre-Raphaelites, and Ruskin is portrayed as a stuck-up idiot, which makes it painful to watch. Effie Gray herself is portrayed as a woman with no agency of any kind, and there's none of the scandal she created shown. No entertainment value whatsoever. Avoid.
    5Prismark10

    Ruskin thrashed

    John Ruskin a famed social thinker, reformer, art critic and painter has his character thrashed in this film. Ruskin when he was 29 years old married Effie Gray (Dakota Fanning) who was 19 years old. Not that great an age difference but clearly Greg Wise as John Ruskin looks too old and sadly too one note, then again his wife Emma Thompson wrote the screenplay and also plays a supporting role as Lady Eastlake.

    We are given very little to go on as to why Ruskin would not consummate the marriage, after all Effie is pretty which means either he was turned off by the female body or was homosexual. It probably did not help that Ruskin chose to live with his parents who seemed to have a heavy influence on the adult Ruskin.

    Ruskin also encourages his wife to have a developing relationship with his art protégé Everett Millais (Tom Sturridge) even if Millais at one point tells Ruskin how this would look to polite society.

    The film does not tell you that after the annulment, Effie married Millais and Ruskin never married again.

    This is a handsomely mounted leisurely paced film, there is some location filming in Venice but it is rather dreary, inert and conventional.

    Wise and Sturridge are not the strongest actors. Fanning though is rather good, Derek Jacobi and James Fox are rather wasted in their cameos.
    9gesges-13491

    I don't understand the drubbing this film has taken

    I thought it was excellent. Beautifully filmed, great acting and a fascinating story.

    Many reviews criticize Dakota's acting but I thought she portrayed the quiet desperation of a woman trapped in a terrible marriage.

    Odd to me that every silly comic book based movie gets raves and a truly great movie like this gets panned.
    6Reno-Rangan

    What a married woman can expect from her husband?...

    The movie was delayed a year to hit the screen due to the copyright issue. A biographical picture from Britain set in the late 1840. The movie revolves the story of Euphemia Gray shortly known as Effie Gray and her married life. She was from Scotland and only 19 when she married to the British art critic John Ruskin. But she was kept under certain limits of space by her laws. It makes her a lonely soul in the house, which surface a serious threat to their loveless marriage. Can it be held or not is the movie's final conclusion.

    Dakota Fanning, like I saw her yesterday in teen movies, but now she's in a grown up movie. Felt kind of hard to accept, and then after a while begin to like her performance. That does not mean it was a powerful act, somehow convincible to the viewers. That is mainly because of the story. Actually it's a simple story, if it was set in the today's world. For those periods, it was a big affair to deal publicly as well as family's prestige.

    The movie's settings and locations were good. As usual in a period drama the costumes are very good. It's always pleasure to learn the history through movies than the school textbooks. Other than that it was an average or just above. The thing is, it was a too slow and a little long movie, thus its not a commercial film. Many people aren't ready to pay watch it in the theatres, that is understood. So in my opinion, it should have been a television movie instead, with sliced into 3-4 episodes. Anyway, not for everyone, but for those who love slow presentations would have a good time.

    6/10
    6natashabowiepinky

    Shorter would have been an improvement...

    It's one thing arranging all the finest acting talent in a film, and having great period detail and costume design, but it's totally another to keep you invested enough for 110 minutes of your life. Effie Gray just about manages to get over the finish line, but not with any great impact. Expect to reasonably entertained, but to stay perfectly still in your seat (with the occasional glance at your watch).

    Effie is stuck in a loveless marriage... Her husband is an art critic... Completely under the thumb of his demanding parents... Who insist he stays at home e.g, forget about the newlyweds getting a place of their own. Her new partner is obsessed with his work, to the point of barely acknowledging her existence. He doesn't even show any interest in consummating their nuptials, for instance... The first night he sees her naked, he bursts into tears and runs out the room. Hmm... Can you say 'issues'?

    Then, during an impromptu trip to Venice, she runs into a young painter who is everything her hubby is not... empathic, fun-loving, and deeply in love with her. Sadly, she's stuck with Mr Grump, for the simple reason that if she did split up with him, it would ruin her family name... And besides, getting a divorce back in the 19th century was SLIGHTLY more difficult than it is now. The situation is complicated further by a strange illness she has, which involves copious amounts of hair loss. Hmm... Who'd have though boredom and enforced virginity would have such a toll on your health?

    With Effie Gray, you get the distinct impression that lots of the scenes which involve people pottering about in front of beautiful vistas, and staring in the distance while the music swells in the background, could have been dramatically cut... To no great loss of the plot. My theory is, some self-inflated 'important' movies such as this almost feel obligated to unnaturally expand the length beyond what the script requires, to make it FEEL more epic. This tends to not work (It certainly doesn't here) and just leaves quite a bit of dead air.

    Still, as I mentioned, the cast full of stalwarts such as Julie Walters and Emma Thompson all do their part to keep things ticking over nicely, and Dakota Fanning does the uphill trajectory of her career no harm at all with an emotionally wrought performance, backed up with a dead-on English accent. In fact, there's not a lot wrong here that couldn't have been avoided with the judicious use of a metaphorical pair of scissors. About 20 minutes off the top should do it, luv.

    As it stands, I was mildly interested when I should have been enthralled. Less it sometimes more, ya know? 6/10

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Elle Fanning, the real-life younger sister of Dakota Fanning, was initially supposed to play Sophie Gray. However, she had to be re-cast because she grew four inches taller than her sister.
    • Gaffes
      The movie poster shows Fanning as Effie superimposed over Millais's painting "Ophelia," implying that Effie was the model. She wasn't; Elizabeth (Lizzie) Siddal was the model for Ophelia. (Lizzie was Gabriel Rossetti's wife and their story is as scandalous as the Ruskins'.)
    • Citations

      [first lines]

      Sophie Gray: [narrating] Once, a beautiful young girl lived in a very cold house in Scotland. The house was cold because someone's grandfather killed himself there. One day, the grandson came to visit the house. He thought the beautiful girl was an angel came down to Earth. The grandson worked very hard. He read and thought and drew and wrote. He wrote a fairy story just for her. She was twelve years old. Her mother and father were kind, but his were wicked. When she grew up, he married her.

    • Connexions
      Featured in Effie Gray: Interview with Emma Thompson (2014)
    • Bandes originales
      The Farmer's Servant
      Performed by A.L. Lloyd

      from the album "English Drinking Songs"

      courtesy of Riverside Records

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    FAQ

    • How long is Effie Gray?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 20 décembre 2017 (France)
    • Pays d’origine
      • Royaume-Uni
    • Sites officiels
      • Metrodome Distribution (United Kingdom)
      • Official site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Эффи
    • Lieux de tournage
      • Venise, Vénétie, Italie
    • Société de production
      • Sovereign Films (II)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 352 534 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 161 728 $US
      • 5 avr. 2015
    • Montant brut mondial
      • 721 143 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 44 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 2.35 : 1

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