Blitz

Having enjoyed many of his works, McQueen continues to demonstrate his directing and talents as his approach with this WWII drama offers some interesting atmospheres and beautiful presented atmospheres. Many of the costumes, sound designs, dialogue and soundtrack is very good and fits the era of its setting. Regarding the performances, all of the performances are really good, particularly Elliott Heffernan and Saoirse Ronan as Heffernan and Ronan gave a fantastic performance.

Narratives about WWII have been overdone in the past and while McQueen provides a new approach and observation of the time period, I found myself feeling a bit underwhelmed with the story as unlike McQueen's usual style and approach, it felt more tamed and really predictable that ends up being a bit of a bore at times. Because of this, it caused the character engagement to feel lacking nor fully engaging to connect with. It almost doesn't feel like a Steve McQueen movie at times.

While some pacing moments could improve as well, as a whole, it's still interesting at times and I always look forward to seeing what McQueen could bring to the table.

This movie is an excellent example of what you get when you have a checklist of things you want to force into a movie, the story doesn't add up. The director used most of the movie time not to build characters or a story no but just to fill his checklist. The movie should be British but why is it American? Actors did the most they can do honestly with an amazing performance. Please all directors writers out there don't make your story based on any checklist.

Without spoilers, people show on the movie and leave without even getting introduced and without even a reason there was many characters who deserved more time and more build up but naaaa director use character just to mention something ( racism, Nazis, segregation, ...)

Saoirse Ronan is obviously very good in her role. However she isn't really given all that much to do. The film doesn't really utilize the potential of the premise to its full extent. I found the focus on the kid character to be a little annoying. The movie also has pretty bad pacing and I was checking the time throughout. It is well directed and has good cinematography. The visual effects are also pretty solid. The sound design kind of gave me whiplash with just how often it would go from really loud to really quiet. It's not really a bad movie but it is just so basic and predictable which makes it disappointing.

It's a story of a young biracial boy and his mother during the German Blitz of London over several days in late 1940. Rita (Saoirse Ronan) is a working-class single mom working in a munitions factory who lives with her musician father, Gerald (Paul Weller), and nine-year-old son, George (Elliott Heffernan). After the Blitz begins, Rita sends George together with a group of children on a train to the safer countryside. George is resistant, partly because of the racism he has faced in the past. He escapes from the train about an hour out of London and tries to return to his home.

The film follows George's spectacular adventures, both positive and negative, over the next several days and Rita's desperation when she learns that George is missing. A flashback to around 1930 briefly introduces George's father, Marcus (CJ Beckford).

"Blitz" features some great acting by Ronan and Heffernan. However, the script and the cinematography are overwrought and unbelievable. Computer-generated imagery makes it seem like half of London is aflame in three days. The script contains many partial stories with inadequate context and resolution. Style is featured more than content, which is a rotten shame, given the quality of the acting.

Apple really wants to give money to Oscar winning directors to bolster its own credentials. The problem is that Steve McQueen isn't nearly as good as everyone insists he is. His output is wildly inconsistent. This one falls somewhere in the middle.

It looks pretty decent - of course most shots are very tight to disguise the difficulty of dressing the city to look old without millions of pounds. The CG is fairly good when they do go wider.

The story is paper thin and at two hours it really drags in the middle, you could cut 20 minutes and it would be a lot better. Of course he shoehorns in a lot of stuff about racism as he tends to, like Spike Lee he can't leave it alone even when it's not really the point of the story. It doesn't detract from the film but it doesn't add much either.

Ultimately though it feels like this is a film he made because Apple wanted to give him the money, it doesn't really have anything to say and certainly nothing new.