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Lock Out

Titre original : Lockout
  • 2012
  • Tous publics
  • 1h 35min
NOTE IMDb
6,0/10
103 k
MA NOTE
Guy Pearce and Maggie Grace in Lock Out (2012)
A man wrongly convicted of conspiracy to commit espionage against the U.S. is offered his freedom if he can rescue the president's daughter from an outer space prison taken over by violent inmates.
Lire trailer2:25
11 Videos
99+ photos
Action militaire menée par une seule personneComédie noireScience fiction spatialeThriller conspirationnisteActionScience-fictionThriller

Un homme condamné à tort pour complot d'espionnage contre les États-Unis se voit offrir sa liberté s'il arrive sauver la fille du président d'une prison spatiale.Un homme condamné à tort pour complot d'espionnage contre les États-Unis se voit offrir sa liberté s'il arrive sauver la fille du président d'une prison spatiale.Un homme condamné à tort pour complot d'espionnage contre les États-Unis se voit offrir sa liberté s'il arrive sauver la fille du président d'une prison spatiale.

  • Réalisation
    • James Mather
    • Steve Saint Leger
  • Scénario
    • James Mather
    • Steve Saint Leger
    • Luc Besson
  • Casting principal
    • Guy Pearce
    • Maggie Grace
    • Peter Stormare
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,0/10
    103 k
    MA NOTE
    • Réalisation
      • James Mather
      • Steve Saint Leger
    • Scénario
      • James Mather
      • Steve Saint Leger
      • Luc Besson
    • Casting principal
      • Guy Pearce
      • Maggie Grace
      • Peter Stormare
    • 315avis d'utilisateurs
    • 309avis des critiques
    • 48Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos11

    No. 1
    Trailer 2:25
    No. 1
    International Version
    Trailer 1:57
    International Version
    International Version
    Trailer 1:57
    International Version
    Lock-Out
    Trailer 2:23
    Lock-Out
    "You Are Adopted"
    Clip 0:36
    "You Are Adopted"
    "Mouth to Mouth"
    Clip 0:27
    "Mouth to Mouth"
    "That's to Stop the Bleeding"
    Clip 0:22
    "That's to Stop the Bleeding"

    Photos195

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 189
    Voir l'affiche

    Rôles principaux34

    Modifier
    Guy Pearce
    Guy Pearce
    • Snow
    Maggie Grace
    Maggie Grace
    • Emilie Warnock
    Peter Stormare
    Peter Stormare
    • Scott Langral
    Vincent Regan
    Vincent Regan
    • Alex
    Joe Gilgun
    Joe Gilgun
    • Hydell
    Lennie James
    Lennie James
    • Harry Shaw
    Jacky Ido
    Jacky Ido
    • Hock
    Tim Plester
    Tim Plester
    • John James Mace
    Mark Tankersley
    • Barnes
    Anne-Solenne Hatte
    Anne-Solenne Hatte
    • Kathryn
    Peter Hudson
    Peter Hudson
    • President Warnock
    Nick Hardin
    Nick Hardin
    • Hostage Negotiator
    Dan Savier
    • Duke
    Damijan Oklopdzic
    • Slick
    Bojan Peric
    • LOPD Technician 1
    Evan Moses II
    • LOPD Technician 2
    • (as Evan Timothy Moses)
    Greg De Cuir
    • Radio Technician
    Thomas Kelly
    • White House Doctor 1
    • (as Tom Kelly)
    • Réalisation
      • James Mather
      • Steve Saint Leger
    • Scénario
      • James Mather
      • Steve Saint Leger
      • Luc Besson
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs315

    6,0102.5K
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    10

    Avis à la une

    8nikolobg

    Oh, what surprises we find in such unexpected places.

    I believe that the enjoyment of a movie is directly proportional among other to your beforehand expectations about it. So with that in mind, let me tell you about this movie; It has a completely unoriginal story, terrible special effects and acting that will never be considered, even in a slow movie year, Oscar wordy. In short it's an action / science fiction that should leave you empty.

    Yet, it is not boring, quite the contrary. It has a very special 'Je ne sais quoi' to it. I so wanted to use that in a review for which I want to apologies to you.

    I enjoyed it more than most films I have seen this year. Perplexed to explain what makes it unique without spoiling it for you and considering my first sentence, I will say after much reflection, seeing it with very low expectations would be the best. It will allow you from the start to get into the world the directors are painting for you, couple that with a possession of a twisted sense of humor and you will find a gem of a movie in there.

    In short, for what it is, it is a gem.
    7seany_c

    Good Fun

    Caught this late Friday night with my girl after the Drake gig and had a good night overall. After being on my feet for hours it was good to sit on my arse at twelve on the night and just switch off and enjoy a mindless bit of action. And that's exactly what 'Lockout' offers. If you've seen Luc Besson's Europacorp action flicks you know what to expect. I love all of them and this was no exception. Guy Pearce is the show stealer as Agent Snow, the John McClane of the space age. His wisecracks and mindless violence keep your attention. Maggie Grace is as good as ever as the damsel in distress and the supporting actors do a bang up job as well. Almost stealing the show from Pearce, but not quite, is Joseph Gilgun as the nutty Scot, sure to make you laugh once or twice, even if you're hating the film. The effects are well done, the action over-the-top and exciting and it's overall good late night entertainment. As with all these sorts of films, I'm sure critics and serious Sci-fi nuts are going to hate. But as I always say, for people who can switch off and enjoy a bit of brainless fun, this is a must. Let the haters hate and the watchers watch.

    ***/*****.
    8wilbertng

    Besson Fan

    When I watched Lockout, I didn't even know it was from Luc Besson until I saw his name at the start of the movie. This got me excited remembering how I like his past films especially "The Fifth Element". Besson's films seem to have that unique polish and style that places them in a class between A and B movies. They always have some ludicrous scenes and effects included similar to B movies but they are definitely justified in the end by how much "Class A" fun and twists the overall experience it generates for the viewers. If we measure this movie on those aspects, Lockout is no different from Luc's other films although this one is special in a way that it brought back fond memories for people like me who were already actively seeing films like this back in the 80's and 90's. Lockout is a modern version of those films with some new concepts added from this era.

    Some of the non-Besson films/TV series that Lockout reminded me of are Army of Darkness, Cowboy Bebop, Die Hard, Escape from New York, Fortress, Firefly / Serenity, Minority Report, and The Girl with the Dragon Tattoo.

    I can see that Lockout, like most of the other movies I previously specified, can also have a cult following. So I truly hope the current generation will like this movie enough to give it a chance to have a sequel. Sometimes, you just need to relax your mind and allow it just the right amount of activity to enjoy a fun cruise like this type of films can provide. More power to Mr. Besson!
    7metalgtrist17

    A Phenomenal Action Movie, in a world without them

    I found this to be a great, fun, well-acted, funny, and "unique" take on the typical action films of our our past. I say "unique", because it is not, in any way, unique. I give that the setting is something new, but all in all, this movie pulls from great movies past, and in doing so, made off with a seasoned, enjoyable film.

    Guy Pearce was flawless and oddly fresh as the standard "I don't care" action hero. The Snake Plisken-gone right character was the driving point of the whole film, and definitely the best part. Maggie Grace pulls off her best performance yet, even well above her LOST and Taken characterization, showing that a "Taken"-style damsel doesn't have to be in distress. The villains were all over the board in this film, with neither one taking complete center stage. All of them equally hold the necessary torch for the situation.

    This is a story that has been told before, but in a new way that is fresh and fun. The acting makes this movie truly what it is, and with solid action, and excellent pace, I believe this subtle action film may be the best yet of the year (future films not comparable).
    7reisnersteven

    What action movies once were, what they should always be

    The only reason I didn't rate this higher than 7 stars is a few scenes, especially the ending could have been done with more action. That being said if you don't enjoy this, you've either never seen a real action movie or are too high and might to take it for what it is. This is a homage to the old days, when action movies knew what they were and embraced it, those with knowledge of the old days should recognize most homages instantly. Guy Pearce was a good lead for this, was he perfect? No I could think of a few guys who could do the role but it worked. Pearce stars as Snow...a chain smoking, hard nosed , wise cracking ex-special agent with one chance to regain his freedom. The movie is worth watching for the banter alone, it's constant and it's funny. There are some very nice action scenes, I expect no less from a guy like Luc Besson. However my main complaints are from a lack of brutality, an R rated movie centering around a prison riot should have plenty of that. My other complaint is the most memorable villain in the movie didn't get a very memorable send off. Overall I've watched this twice now and will again, take it for what it is. A homage to the old school action heroes, in that sense the film is near perfect

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      In October 2015, John Carpenter won a plagiarism case against Luc Besson over 'Lockout' proving clear similarities to New-York 1997 (1981) and Los Angeles 2013 (1996). A French court ruled that enough similar distinctive elements from both Carpenter's films were borrowed to merit a sanction.
    • Gaffes
      With the bulletproof glass and other security measures, there is no reason for the Secret Service members to be in the prisoner room during the interview.
    • Citations

      Emilie Warnock: Who are you? Who sent you?

      Snow: Your old man did.

      Emilie Warnock: My dad. What did he say?

      Snow: Well, I didn't get to meet him personally. He kind of delegated your rescue. He had a big conference on the corn surplus.

      Emilie Warnock: You're kidding me?

      Snow: No. No, apparently, we should all be eating more corn.

      Emilie Warnock: About my father?

      Snow: Oh, yeah. I made that other bit up.

      Emilie Warnock: Did he have a message for me?

      Snow: Yes. You are adopted.

    • Versions alternatives
      Available on DVD in a Unrated version that restores violence cuts for a PG-13 rating. The Unrated version is the only version included on Retail DVD/Blu-ray. But Redbox and Rental versions still carry the PG-13 cut. For instance in the Unrated cut, one can clearly see Snow shooting a person in the mouth which is not shown in the PG-13 cut.
    • Connexions
      Featured in Chelsea Lately: Épisode #6.54 (2012)
    • Bandes originales
      Strange Matter
      Written by Ian Honeyman

      KPM Music

    Meilleurs choix

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    FAQ21

    • How long is Lockout?Alimenté par Alexa
    • Why did Guy Pearce choose this movie?
    • What are the differences between the PG-13 Version and the Unrated Version?

    Détails

    Modifier
    • Date de sortie
      • 18 avril 2012 (France)
    • Pays d’origine
      • France
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • MS One: Maximum Security
    • Lieux de tournage
      • Belgrade, Serbie
    • Sociétés de production
      • EuropaCorp
      • FilmDistrict
      • Canal+
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 20 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 14 326 864 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 6 231 836 $US
      • 15 avr. 2012
    • Montant brut mondial
      • 32 948 113 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 35min(95 min)
    • Couleur
      • Color
    • Mixage
      • SDDS
      • DTS
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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