La série a pour toile de fond un événement tristement célèbre de l'histoire coloniale indienne, le massacre de Jallianwala Bagh, qui a eu lieu le 13 avril 1919.La série a pour toile de fond un événement tristement célèbre de l'histoire coloniale indienne, le massacre de Jallianwala Bagh, qui a eu lieu le 13 avril 1919.La série a pour toile de fond un événement tristement célèbre de l'histoire coloniale indienne, le massacre de Jallianwala Bagh, qui a eu lieu le 13 avril 1919.
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I wasn't expecting this series to feel so personal, but the way it's told through Kantilal Sahni's perspective makes everything hit harder. He's not a hero or a fighter-he's just a man trying to do his job, only to realise that justice is never what those in power actually want.
The slow buildup to the massacre is what makes the show so gripping. You see the tensions rising, the way small decisions keep pushing things toward disaster, and how no one in authority is willing to take responsibility. Even though you know what's coming, you keep hoping something will change.
The performances are brilliant, especially in the courtroom scenes where you can see how words are being twisted to fit a pre-planned conclusion. The cinematography adds to the tension, with shots that make you feel like you're in the room, watching history being manipulated in real time.
This series doesn't just tell a story-it makes you question everything you thought you knew about it.
The slow buildup to the massacre is what makes the show so gripping. You see the tensions rising, the way small decisions keep pushing things toward disaster, and how no one in authority is willing to take responsibility. Even though you know what's coming, you keep hoping something will change.
The performances are brilliant, especially in the courtroom scenes where you can see how words are being twisted to fit a pre-planned conclusion. The cinematography adds to the tension, with shots that make you feel like you're in the room, watching history being manipulated in real time.
This series doesn't just tell a story-it makes you question everything you thought you knew about it.
Most shows about historical events focus on the big moments, but this one is different. It's not just about the Jallianwala Bagh massacre-it's about the tensions that led to it, the people who tried to stop it, and the system that covered it up afterward. That's what makes it so gripping.
Kantilal Sahni is such an interesting character because he starts off believing in the system. He thinks the Hunter Commission is there to find the truth. But as he listens to testimonies and sees how the British manipulate the investigation, he realises he's part of something much bigger-and much more dangerous. Watching his moral struggle unfold makes the story feel incredibly real.
The courtroom debates are some of the best moments in the series. The arguments, the frustration, the moments where you can see the truth slipping through the cracks-it's all so well done. The production quality is top-notch, from the costumes to the historical details that make colonial India feel alive.
It's rare to find a historical drama that feels this immersive. This isn't just about remembering history-it's about understanding how it was shaped.
Kantilal Sahni is such an interesting character because he starts off believing in the system. He thinks the Hunter Commission is there to find the truth. But as he listens to testimonies and sees how the British manipulate the investigation, he realises he's part of something much bigger-and much more dangerous. Watching his moral struggle unfold makes the story feel incredibly real.
The courtroom debates are some of the best moments in the series. The arguments, the frustration, the moments where you can see the truth slipping through the cracks-it's all so well done. The production quality is top-notch, from the costumes to the historical details that make colonial India feel alive.
It's rare to find a historical drama that feels this immersive. This isn't just about remembering history-it's about understanding how it was shaped.
While The Waking of a Nation is largely about the Indian struggle for justice, it wouldn't have been as impactful without the actors who portrayed the British figures responsible for the massacre and its cover-up. Alex Reece as General Dyer, Carl Wharton as Lord William Hunter, and Paul McEwan as Michael O'Dwyer play their roles with chilling conviction, making the injustice feel even more real.
Alex Reece's portrayal of General Dyer is particularly striking. He embodies the cold ruthlessness of a man who believed he was simply carrying out his duty, making him all the more terrifying. He doesn't play Dyer as a loud, over-the-top villain but rather as someone disturbingly calm in his cruelty. His presence in the massacre scene is haunting, and his lack of remorse in the aftermath is infuriating.
Carl Wharton as Lord William Hunter brings a more controlled yet equally unsettling energy. As the head of the Hunter Commission, his character pretends to seek justice but is ultimately just another tool for the British administration to manipulate the narrative. His exchanges with Kantilal Sahni highlight the deep-rooted racism of the colonial system, where justice was never truly meant for Indians.
Paul McEwan's Michael O'Dwyer is arguably the most sinister of them all. Unlike Dyer, who pulled the trigger, O'Dwyer is the mastermind who ensured that the British Raj stayed in control through fear and suppression. His manipulative nature makes him one of the most frustrating characters to watch, yet his presence is crucial to understanding how the British system operated.
The brilliance of these performances lies in their restraint. None of them play exaggerated villains, yet their mere presence fills every scene with unease. Their performances make the viewer angry, frustrated, and heartbroken-all the emotions a series like this should evoke. The Waking of a Nation wouldn't be as powerful without them, and that's what makes their portrayals so essential to the story.
Alex Reece's portrayal of General Dyer is particularly striking. He embodies the cold ruthlessness of a man who believed he was simply carrying out his duty, making him all the more terrifying. He doesn't play Dyer as a loud, over-the-top villain but rather as someone disturbingly calm in his cruelty. His presence in the massacre scene is haunting, and his lack of remorse in the aftermath is infuriating.
Carl Wharton as Lord William Hunter brings a more controlled yet equally unsettling energy. As the head of the Hunter Commission, his character pretends to seek justice but is ultimately just another tool for the British administration to manipulate the narrative. His exchanges with Kantilal Sahni highlight the deep-rooted racism of the colonial system, where justice was never truly meant for Indians.
Paul McEwan's Michael O'Dwyer is arguably the most sinister of them all. Unlike Dyer, who pulled the trigger, O'Dwyer is the mastermind who ensured that the British Raj stayed in control through fear and suppression. His manipulative nature makes him one of the most frustrating characters to watch, yet his presence is crucial to understanding how the British system operated.
The brilliance of these performances lies in their restraint. None of them play exaggerated villains, yet their mere presence fills every scene with unease. Their performances make the viewer angry, frustrated, and heartbroken-all the emotions a series like this should evoke. The Waking of a Nation wouldn't be as powerful without them, and that's what makes their portrayals so essential to the story.
Anwar Says: An event JALIANWALA BAGH MASSACRE at Amritsar and the name of General Dyer is synonymous with it and here the director Ram Madhwani tried to expose the real conspiracy and bring into light the truth through Courtroom scenes of Hunter Commission appointed by the then British Empire . The fictional character Kantilal Sahni is loosely taken from the advocate Sir Chimanlal Hiralal Setalvad , who cross-examined Dyer and so Madhvani rubs off TRUE EVENTS after writing in the openings of WAKING OF A NATION ,streaming on sonyliv.
Kanti , played by Taaruk Raina, is present in almost 95% of the frames and keep on narrating the facts with his monologues and series of flashbacks. Here is the problems with the webseries . So many time frames are used in flashbacks, courtroom lacks intensity and many a times repetitive. But the sets , actual British characters and in particular depiction of massacre through sound engineering and let you visualise the scene are the features of Madhvani creation. Nikita Dutta has also played her role superb as Munshi of publishing house.
The series will definitely appeal the History loving audience, since this would add some depth to their knowledge of Freedom Movement and for common audiences it is definitely an interesting watch in spite of some of its shortcomings.
#SonyLIV #anwarsays #FreedomMovement #jalianwalabagh #GeneralDyer #amritsar #RamMadhvani #taarukraina #huntercommission #rowlettact.
Kanti , played by Taaruk Raina, is present in almost 95% of the frames and keep on narrating the facts with his monologues and series of flashbacks. Here is the problems with the webseries . So many time frames are used in flashbacks, courtroom lacks intensity and many a times repetitive. But the sets , actual British characters and in particular depiction of massacre through sound engineering and let you visualise the scene are the features of Madhvani creation. Nikita Dutta has also played her role superb as Munshi of publishing house.
The series will definitely appeal the History loving audience, since this would add some depth to their knowledge of Freedom Movement and for common audiences it is definitely an interesting watch in spite of some of its shortcomings.
#SonyLIV #anwarsays #FreedomMovement #jalianwalabagh #GeneralDyer #amritsar #RamMadhvani #taarukraina #huntercommission #rowlettact.
I love historical dramas, but what really impressed me about this one is how it focuses on the lead-up to the Jallianwala Bagh massacre instead of just showing the event itself. It makes you feel the weight of every decision, every miscommunication, and every act of power that led to one of the darkest moments in history.
Kantilal Sahni's role as a member of the Hunter Commission adds a fascinating angle. He isn't a hero or a revolutionary-he's a man stuck inside a system that's only pretending to seek justice. As he starts to uncover the truth, his struggle becomes personal, and that's what makes this show so compelling.
The courtroom scenes are some of the most gripping moments in the series. The performances are strong, and you can feel the frustration as the truth is twisted to serve political interests. The massacre itself is handled with restraint, making it all the more powerful when it happens.
This show is a reminder that history is never as simple as we think. It's always shaped by those in power, and this series does an incredible job of showing how that happened.
Kantilal Sahni's role as a member of the Hunter Commission adds a fascinating angle. He isn't a hero or a revolutionary-he's a man stuck inside a system that's only pretending to seek justice. As he starts to uncover the truth, his struggle becomes personal, and that's what makes this show so compelling.
The courtroom scenes are some of the most gripping moments in the series. The performances are strong, and you can feel the frustration as the truth is twisted to serve political interests. The massacre itself is handled with restraint, making it all the more powerful when it happens.
This show is a reminder that history is never as simple as we think. It's always shaped by those in power, and this series does an incredible job of showing how that happened.
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- Waking of a Nation
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