Ajouter une intrigue dans votre langueA subversive romantic comedy gone wrong that follows a young woman into and out of an emotionally abusive relationship.A subversive romantic comedy gone wrong that follows a young woman into and out of an emotionally abusive relationship.A subversive romantic comedy gone wrong that follows a young woman into and out of an emotionally abusive relationship.
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The "dark comedy" aspect did not work and was, frankly, inappropriate considering the subject matter. Low production value. Would have been better as an after-school special - shooter and without the graphic sex references. Feel bad for the actors, who I'm sure did their best with an awful script and overall vision. Just terrible.
And, unfortunately, it is because I have firsthand experience in this. I had to walk away a few times to gather myself. Also, I know he's a nepo baby but I really like Ray Nicholson's acting overall. He has that sinister look that mirrors his dad's and it works well for him.
Hope to see him in more movies.
Hope to see him in more movies.
Cazzie David and Elisa Kalani direct and write this dramatic comedy about psychological abuse in relationships. They do so in a dark and ironic way-daring, yes, but perhaps not entirely successful.
Starring Sofia Black-D'Ellia, Ray Nicholson, Jon Rudnitsky, and Cazzie David herself, it follows a disillusioned law student who plunges into what appears to be the true romantic relationship she hoped for. Things slowly change when they begin to discover the true personality behind her ideal man.
The film is daring and poignant, perhaps its greatest strength. However, when it shifts to a deeper drama, it takes on greater force within what seemed to be just another romantic comedy. The decisions are risky and succeed in delivering something we weren't entirely expecting, but in trying to contain its own scale, its final decisions about what we'd been presented with end up leaving us somewhat uncomfortable. The point is understood, but perhaps as viewers, we're not entirely prepared for that sudden shift. In any case, this is a very well-directed and well-written film, which makes it easy to follow. Although we can't overlook the fact that it has flaws that weaken its power, the final result is ultimately quite pleasing.
It's a film that relies heavily on its two leads, especially Sofia Black-D'Ellia, who fully embodies the nuances of her character and the anguish she occasionally experiences within. Ray Nicholson, meanwhile, proves he's the son of the great Jack, and talent runs in his veins, especially when it comes to a role like the one he delivers.
An interesting offering that has some heartfelt moments and others that are somewhat forced, but all in all, it offers a decent film worth giving a chance. It's sharp and ironic, an interesting combination, in times when everything is perhaps more sensitive, but the film's journey to reveal the toxicity of relationships is appreciated.
Starring Sofia Black-D'Ellia, Ray Nicholson, Jon Rudnitsky, and Cazzie David herself, it follows a disillusioned law student who plunges into what appears to be the true romantic relationship she hoped for. Things slowly change when they begin to discover the true personality behind her ideal man.
The film is daring and poignant, perhaps its greatest strength. However, when it shifts to a deeper drama, it takes on greater force within what seemed to be just another romantic comedy. The decisions are risky and succeed in delivering something we weren't entirely expecting, but in trying to contain its own scale, its final decisions about what we'd been presented with end up leaving us somewhat uncomfortable. The point is understood, but perhaps as viewers, we're not entirely prepared for that sudden shift. In any case, this is a very well-directed and well-written film, which makes it easy to follow. Although we can't overlook the fact that it has flaws that weaken its power, the final result is ultimately quite pleasing.
It's a film that relies heavily on its two leads, especially Sofia Black-D'Ellia, who fully embodies the nuances of her character and the anguish she occasionally experiences within. Ray Nicholson, meanwhile, proves he's the son of the great Jack, and talent runs in his veins, especially when it comes to a role like the one he delivers.
An interesting offering that has some heartfelt moments and others that are somewhat forced, but all in all, it offers a decent film worth giving a chance. It's sharp and ironic, an interesting combination, in times when everything is perhaps more sensitive, but the film's journey to reveal the toxicity of relationships is appreciated.
For those of you that haven't dated alot and kept things on the surface with relationships, this is an uncomfortably accurate depiction of how gaslighting can microscopically start to eat away at your life.
I recognize the behavior of our Lead Male as someone who studies behavior for a living. He can dramatically escalate every situation and immediately be the victim, which further sends him an abusive emotional spiral.
What he does to MacKenzie throughout the movie is tear her souls apart by quickly love bombing her, drowning her in a false narrative of love and affection and sex, then quickly flipping the mirror and ridiculing her, stalking her and mentally abusing her because she "isn't giving him anything in return."
One has to understand human behavior to enjoy the movie. It's a low budget indie with focus on human condition. It does the job nicely.
I recognize the behavior of our Lead Male as someone who studies behavior for a living. He can dramatically escalate every situation and immediately be the victim, which further sends him an abusive emotional spiral.
What he does to MacKenzie throughout the movie is tear her souls apart by quickly love bombing her, drowning her in a false narrative of love and affection and sex, then quickly flipping the mirror and ridiculing her, stalking her and mentally abusing her because she "isn't giving him anything in return."
One has to understand human behavior to enjoy the movie. It's a low budget indie with focus on human condition. It does the job nicely.
There are so many red flags right from the start. It's a little too obvious. The two other characters are fine in their roles and I don't mind the main actress but the villain is a pathetic sociopath in the most obvious ways, it's not even a movie. You failed with the plot. It was all there and you messed it up director.
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 12 989 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 548 $US
- 9 févr. 2025
- Montant brut mondial
- 12 989 $US
- Durée
- 1h 29min(89 min)
- Couleur
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