Un ancien policier devenu vendeur d'assurances est impliqué dans un complot criminel au cours d'un de ses déplacements quotidiens.Un ancien policier devenu vendeur d'assurances est impliqué dans un complot criminel au cours d'un de ses déplacements quotidiens.Un ancien policier devenu vendeur d'assurances est impliqué dans un complot criminel au cours d'un de ses déplacements quotidiens.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Avis à la une
If you've seen one Neeson film, you've probably seen them all. Despite having already mastered the art of playing the grizzled, independant tough-guy, Neeson is back with The Commuter, in which he plays an unsuspecting ... well ... commuter, who is drawn into a criminal conspiracy which could kill everyone on-board.
It's a familiar sounding plot, but it's one that Neeson excels in, in fact, he may be too good at it by now. With all that said, The Commuter, much like Taken, Taken 2, Taken 3, Non-Stop, A Walk Among the Tombstones, Run All Night and Schindlers List, is another fun Neeson film which you'll probably enjoy much more than you'd be willing to admit.
It's a familiar sounding plot, but it's one that Neeson excels in, in fact, he may be too good at it by now. With all that said, The Commuter, much like Taken, Taken 2, Taken 3, Non-Stop, A Walk Among the Tombstones, Run All Night and Schindlers List, is another fun Neeson film which you'll probably enjoy much more than you'd be willing to admit.
SPOILER: The Commuter delivers what it promises, a Liam Neeson action movie that relies on tension and a little bit of mystery to fill out its runtime. It begins very well with minimal exposition for the set up, using images or short conversations to explain what most movies would carve out five minutes of dialogue for. From there it evolves more like a mystery with an ordinary man in an extraordinary situation searching for someone on the train. As it enters the third act, it goes full action movie with explosions, fight scenes, and massive stakes. While this was to be expected from Jaume Collet-Serra, it undermines what had been a more contained thriller up to that point.
It is shot well enough and uses an ensemble cast well, but no one besides Liam Neeson really has too much to do. Vera Farmiga and Jonathan Banks are both talented actors that are really underutilized. All in all, The Commuter is another Liam Neeson action movie that could be best described as "Nonstop on a train."
It is shot well enough and uses an ensemble cast well, but no one besides Liam Neeson really has too much to do. Vera Farmiga and Jonathan Banks are both talented actors that are really underutilized. All in all, The Commuter is another Liam Neeson action movie that could be best described as "Nonstop on a train."
The first half of this was a gripping, highly entertaining action movie in a similar vein to Neeson's previous "Non-Stop". I really enjoyed that movie and I'm a huge Vera Farmiga fan. In fact, "The Commuter" has a phenomenal cast - it's just a shame their talents aren't put to better use.
At times, it seemed very tongue-in-cheek and self-aware of its stupidity, as jokes and one-liners would randomly appear in scenes where you werne't expecting it. Things just became so unbelievable though that I started to tune-out. It all just seemed to be Liam Neeson pacing up and down a train while random phones rang.
The insanity reached a peak once a major train derailment took place and all the passengers casually started doing a spot of interior decorating like nothing happened.
If you have seen "The Taking of Pelham 123", "Unstoppable" or "Under Siege 2", then you have seen better versions of this.
At times, it seemed very tongue-in-cheek and self-aware of its stupidity, as jokes and one-liners would randomly appear in scenes where you werne't expecting it. Things just became so unbelievable though that I started to tune-out. It all just seemed to be Liam Neeson pacing up and down a train while random phones rang.
The insanity reached a peak once a major train derailment took place and all the passengers casually started doing a spot of interior decorating like nothing happened.
If you have seen "The Taking of Pelham 123", "Unstoppable" or "Under Siege 2", then you have seen better versions of this.
My wife and I watched this movie at home on DVD from our public library. It is the right length, just over 90 minutes, and kept our interest the whole.
Yet this is a throw-away movie, the story is highly contrived to create suspense. For example he is told to look for a passenger "who doesn't belong" yet the people manipulating him know exactly who the passenger is.
My other issue with it are the fights, hand-to-hand combat in a moving train, they are shown to hit each other so hard, sometimes with devices (guitar!) that would kill them yet they recover very quickly. It definitely subtracts from the believability.
Yet overall I found it suitable entertainment because I like Liam Neeson, he is perfect for this type of role. He is Michael MacCauley, an insurance salesman, who commutes by train along the Hudson River and into NYC each day. After 10 years he pretty well knows all the usual commuters. But this day he is laid off, he has two mortgages, his son is about to start college, so when he is tempted with $100,000 cash to perform a task it gives him the motive to accept it. As a former cop he has the investigative instincts.
The DVD extras are interesting, except for brief NYC scenes the whole movie was shot on sets at Pinewood Studios in England. They say 90% of the actors are British but I didn't try to verify that number.
Yet this is a throw-away movie, the story is highly contrived to create suspense. For example he is told to look for a passenger "who doesn't belong" yet the people manipulating him know exactly who the passenger is.
My other issue with it are the fights, hand-to-hand combat in a moving train, they are shown to hit each other so hard, sometimes with devices (guitar!) that would kill them yet they recover very quickly. It definitely subtracts from the believability.
Yet overall I found it suitable entertainment because I like Liam Neeson, he is perfect for this type of role. He is Michael MacCauley, an insurance salesman, who commutes by train along the Hudson River and into NYC each day. After 10 years he pretty well knows all the usual commuters. But this day he is laid off, he has two mortgages, his son is about to start college, so when he is tempted with $100,000 cash to perform a task it gives him the motive to accept it. As a former cop he has the investigative instincts.
The DVD extras are interesting, except for brief NYC scenes the whole movie was shot on sets at Pinewood Studios in England. They say 90% of the actors are British but I didn't try to verify that number.
I admit that Neeson's films are a bit formulaic, but it can still be a fun time to while away some time. He certainly doesn't break any new ground and his nemesis doesn't break much ground, either.
Perhaps someone can clear something up for me regarding normal MTA -vs- commuter rail. Is it safe to assume that a commuter rail train leaving Penn Station would not be stopping at MTA stops in Manhattan? I'm not even from NYC, but I was fairly certain commuter rail lines wouldn't have their first stop until they were at least out of Manhattan. That really bugged me in this move.
Perhaps someone can clear something up for me regarding normal MTA -vs- commuter rail. Is it safe to assume that a commuter rail train leaving Penn Station would not be stopping at MTA stops in Manhattan? I'm not even from NYC, but I was fairly certain commuter rail lines wouldn't have their first stop until they were at least out of Manhattan. That really bugged me in this move.
Le saviez-vous
- AnecdotesNeeson revealed on a talk show that no scenes were filmed on board an actual train. Instead, all of these scenes were shot on a soundstage, with the same single mock-up train cabinet serving as all of them, only slightly redressed, and all the outside scenery added in post production with the help of green screens.
- GaffesNYPD has no authority to leave the city limits and take charge of any crime scene let alone a hostage situation in another county. The Westchester County Police and Metro North Police would handle the stand off.
- Citations
Michael MacCauley: Hey, Goldman Sachs. On behalf of the American middle class, fuck you.
- Crédits fousThe end credits are done in the style of a train map.
- ConnexionsFeatured in Chris Stuckmann Movie Reviews: The Commuter (2018)
- Bandes originalesMelting Pot
Performed by Blue Mink
Written by Roger Greenaway and Roger Cook
Courtesy of Sanctuary Records Group, a BMG Company
Issued under licence from Universal/Dick James Music Ltd
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- How long is The Commuter?Alimenté par Alexa
Détails
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 36 343 858 $US
- Week-end de sortie aux États-Unis et au Canada
- 13 701 452 $US
- 14 janv. 2018
- Montant brut mondial
- 119 942 434 $US
- Durée
- 1h 44min(104 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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