Un ancien policier devenu vendeur d'assurances est impliqué dans un complot criminel au cours d'un de ses déplacements quotidiens.Un ancien policier devenu vendeur d'assurances est impliqué dans un complot criminel au cours d'un de ses déplacements quotidiens.Un ancien policier devenu vendeur d'assurances est impliqué dans un complot criminel au cours d'un de ses déplacements quotidiens.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Avis à la une
SPOILER: The Commuter delivers what it promises, a Liam Neeson action movie that relies on tension and a little bit of mystery to fill out its runtime. It begins very well with minimal exposition for the set up, using images or short conversations to explain what most movies would carve out five minutes of dialogue for. From there it evolves more like a mystery with an ordinary man in an extraordinary situation searching for someone on the train. As it enters the third act, it goes full action movie with explosions, fight scenes, and massive stakes. While this was to be expected from Jaume Collet-Serra, it undermines what had been a more contained thriller up to that point.
It is shot well enough and uses an ensemble cast well, but no one besides Liam Neeson really has too much to do. Vera Farmiga and Jonathan Banks are both talented actors that are really underutilized. All in all, The Commuter is another Liam Neeson action movie that could be best described as "Nonstop on a train."
It is shot well enough and uses an ensemble cast well, but no one besides Liam Neeson really has too much to do. Vera Farmiga and Jonathan Banks are both talented actors that are really underutilized. All in all, The Commuter is another Liam Neeson action movie that could be best described as "Nonstop on a train."
If you've seen one Neeson film, you've probably seen them all. Despite having already mastered the art of playing the grizzled, independant tough-guy, Neeson is back with The Commuter, in which he plays an unsuspecting ... well ... commuter, who is drawn into a criminal conspiracy which could kill everyone on-board.
It's a familiar sounding plot, but it's one that Neeson excels in, in fact, he may be too good at it by now. With all that said, The Commuter, much like Taken, Taken 2, Taken 3, Non-Stop, A Walk Among the Tombstones, Run All Night and Schindlers List, is another fun Neeson film which you'll probably enjoy much more than you'd be willing to admit.
It's a familiar sounding plot, but it's one that Neeson excels in, in fact, he may be too good at it by now. With all that said, The Commuter, much like Taken, Taken 2, Taken 3, Non-Stop, A Walk Among the Tombstones, Run All Night and Schindlers List, is another fun Neeson film which you'll probably enjoy much more than you'd be willing to admit.
The movie started off good, showing the daily routine, introducing the characters and setting up the mystery. The editing was interesting and even a little artsy, yet it got me hooked. I really enjoyed the first 30 minutes.
It was setting itself up to look like an intelligent mystery action. Having Neeson in this kind of movie spoils a lot, yet I thought this would be something different from his typical movies since he's getting older. I haven't seen the trailer though, just went to see the movie straight away.
After everything is set up, it just turns into a totally divorced from reality generic conspiracy action. The premise was indeed as silly as it gets. The ending was as unsurprising as possible. Omnipresent supervillains who can plan and predict everything by the smallest detail, control the situation without even being close yet fail at the most obvious things. The plot just plays itself, at times Neeson is not even doing anything to change the situation, it just changes by itself to adapt to his needs. This is not a well written movie. The ending had me saying "oh, no, you're not doing this...oh God".
Seeing Neeson perform ridiculous stunts was also a little confusing. No one should see an old man getting beaten like that. This just looks wrong.
Overall, next time I'll want to see a cop/witness drama routine, I'd better go re-watch 16 Blocks. At least it had characters instead of comic book villains.
It was setting itself up to look like an intelligent mystery action. Having Neeson in this kind of movie spoils a lot, yet I thought this would be something different from his typical movies since he's getting older. I haven't seen the trailer though, just went to see the movie straight away.
After everything is set up, it just turns into a totally divorced from reality generic conspiracy action. The premise was indeed as silly as it gets. The ending was as unsurprising as possible. Omnipresent supervillains who can plan and predict everything by the smallest detail, control the situation without even being close yet fail at the most obvious things. The plot just plays itself, at times Neeson is not even doing anything to change the situation, it just changes by itself to adapt to his needs. This is not a well written movie. The ending had me saying "oh, no, you're not doing this...oh God".
Seeing Neeson perform ridiculous stunts was also a little confusing. No one should see an old man getting beaten like that. This just looks wrong.
Overall, next time I'll want to see a cop/witness drama routine, I'd better go re-watch 16 Blocks. At least it had characters instead of comic book villains.
There are certain actors in Hollywood that are so one-dimensional, but they play that one-dimension spot on. Liam Neeson is one of those guys. Another example is Jason Statham. Their roles are all the same, scripts slightly tweaked, yet the movie passes of as decent-to-good almost every time (except for the Taken sequels, but that isn't on Liam).
Bottom line is, it's basically the movie non-stop, but on a commute instead of a plane. Liam Neeson plasy his same old self and plays his usual one-dimensional badass role. He did his job once again. This movie will bring in okay-enough numbers, and we will be presented with Liam Neeson's next challenge in about another year.
Same old, decent-enough action movie.
6/10
Bottom line is, it's basically the movie non-stop, but on a commute instead of a plane. Liam Neeson plasy his same old self and plays his usual one-dimensional badass role. He did his job once again. This movie will bring in okay-enough numbers, and we will be presented with Liam Neeson's next challenge in about another year.
Same old, decent-enough action movie.
6/10
I admit that Neeson's films are a bit formulaic, but it can still be a fun time to while away some time. He certainly doesn't break any new ground and his nemesis doesn't break much ground, either.
Perhaps someone can clear something up for me regarding normal MTA -vs- commuter rail. Is it safe to assume that a commuter rail train leaving Penn Station would not be stopping at MTA stops in Manhattan? I'm not even from NYC, but I was fairly certain commuter rail lines wouldn't have their first stop until they were at least out of Manhattan. That really bugged me in this move.
Perhaps someone can clear something up for me regarding normal MTA -vs- commuter rail. Is it safe to assume that a commuter rail train leaving Penn Station would not be stopping at MTA stops in Manhattan? I'm not even from NYC, but I was fairly certain commuter rail lines wouldn't have their first stop until they were at least out of Manhattan. That really bugged me in this move.
Le saviez-vous
- AnecdotesNeeson revealed on a talk show that no scenes were filmed on board an actual train. Instead, all of these scenes were shot on a soundstage, with the same single mock-up train cabinet serving as all of them, only slightly redressed, and all the outside scenery added in post production with the help of green screens.
- GaffesNYPD has no authority to leave the city limits and take charge of any crime scene let alone a hostage situation in another county. The Westchester County Police and Metro North Police would handle the stand off.
- Citations
Michael MacCauley: Hey, Goldman Sachs. On behalf of the American middle class, fuck you.
- Crédits fousThe end credits are done in the style of a train map.
- ConnexionsFeatured in Chris Stuckmann Movie Reviews: The Commuter (2018)
- Bandes originalesMelting Pot
Performed by Blue Mink
Written by Roger Greenaway and Roger Cook
Courtesy of Sanctuary Records Group, a BMG Company
Issued under licence from Universal/Dick James Music Ltd
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Détails
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 36 343 858 $US
- Week-end de sortie aux États-Unis et au Canada
- 13 701 452 $US
- 14 janv. 2018
- Montant brut mondial
- 119 942 434 $US
- Durée
- 1h 44min(104 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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