Happy New Year

Films like Garry Marshall's New Year's Eve are hard to talk about in terms of story because this one has so many different stories weaving in and out of the narrative. This one is like Crash many different characters weaving and out of the film and no real central story. In fact the appearance of characters from one story in another film is tangential almost coincidental.

If I had to pick a favorite of any of the stories it would be the reporter story with the reporter Hillary Swank and the man who makes it all happen Hector Elizondo. Apparently Hector is one special maintenance man who is in charge of that Times Square ball that marks the coming year the world over. You'd think we'd all be stuck in the previous year if Hector does not keep the ball in working order. Anyway it gets stuck on the way up to come down and Hector's been laid off. Swank is the one who has to send out a clarion call so New Year's Eve can reach its climax officially. But Hector has his pride and this sequence easily outranks the others.

Michelle Pheiffer has an interesting sequence when she walks out of her job with an arrogant boss and has a New Year's Eve with messenger boy Zac Efron that promises to rock their worlds. Life ends for dying cancer patient Robert DeNiro and begins for new mother Jessica Biel at midnight. Someone I think is trying to give us a subtle hint about reincarnation there.

Jon Bon Jovi gets to play a rocker like Jon Bon Jovi the central attraction of New Year's Eve the way Guy Lombardo used to be. And New Year's Eve threatens to be a bummer for Ashton Kutcher and Lea Michelle trapped in an elevator.

Gary Marshall may have tried for a grand-slam with all the stars he managed to fit into this urban panorama. But he got a double with runs scoring with New Year's Eve.

Why does everyone have to look at every movie with an oh so critical and cynical eye?

This is a great seasonal movie to go and take your family (I did yesterday) in amongst all the pre-Christmas madness and just sit down,take a load off,relax,smile and enjoy... Sure it's no Citizen Kane..but it never purported to be!

It's a nice feel-good movie

so go and take off the cynical glasses and enjoy..we wouldn't enjoy half of great Christmas movies if we all took this jaded view of movies!

I rather enjoy the odd ensemble comedy such as this film, I somewhat enjoyed Valentines Day and I really enjoyed He's Just Not That Into You, but what those film had but this doesn't is a fewer amount of plot lines. There's just too much going on in this film, far too many characters, as soon as I found myself interested in one plot its segment would end, you can never get really attached to one set of characters.

For me the best storyline was the Michelle Pfieffer and Zefron plot, it was really the only one with a bit of substance, I actually think a full movie of that story would be great, also the Jessica Biel and Seth Meyers plot was rather funny thanks to the highly underrated Ms Biel. This movie is entertaining enough I suppose but it's also lacking any real great laugh out loud moments, the only time I laughed was when Jessica Biel was in labour, she could do some great comedy if given the chance.

Lea Michele manages to bring her great screen charisma to the big screen, she is very fun to watch and her rendition of Aude Lang Syne was lovely and a nice way to end the movie.

If this movie had about four or five less stories happening this movie would have been much better, it's not horrible by any standards but it's not excellent either, also this may sound mean but Sofia Vergara is possibly the most annoying actress alive, at least they didn't put a decent actress in the most annoying role in the film. I mean it's worth paying to see the excellent dance scene between Zefron and Pfieffer over the end credits.

OK, but basically it's exactly the same as Valentines Day but with more actors and a lot less substance.

Enjoy. Maybe.

NEW YEAR'S EVE falls into that class of films best labeled 'cute'. Lots of stories, most of little consequence, an attempt to pull everything together with the premise that new Year's Eve gives everyone a chance to make things different in the following year (the New Year's Resolution carried to the extreme), some funny jokes pushed over the edge toward silly, and a script full of holes. But the bouncing around from micro story to micro story works OK because it gives the actors involved a chance to come on set for a day or two of work and leave unstressed and financially healthy. Katherine Fugate wrote the stewed ingredient stories for Garry Marshall to stir, and the list of actors involved is staggering: Michelle Pfeiffer, Zac Efron, Robert De Niro, Halle Berry, Cary Elwes, Jessica Biel, Seth Meyers , Sarah Paulson, Til Schweiger, Carla Gugino, Katherine Heigl, Jon Bon Jovi, Sofía Vergara, Ashton Kutcher, Lea Michele, Sarah Jessica Parker, Abigail Breslin, Josh Duhamel, Larry Miller, Penny Marshall, Cherry Jones, Hilary Swank, Ludicrous, Hector Elizondo, Ryan Seacrest, Matthew Broderick, John Lithgow and more.

This is a razzle dazzle movie with some good moments, improbable though they mostly are, and a nice mindless evening to enjoy popcorn. Enter with low expectations and take it for what it is - entertainment.

Grady Harp

What? It's not a sequel to Valentine's Day? 

Let's be honest here. There was absolutely NO reason to make this movie. Well, maybe one: money. During a viewing of this excruciatingly painful melo-dramedy, one will find absolutely no artistic value, underlying message, or actual creative backbone. This film is just an excuse to slap a couple of famous face in front of the same camera, within the same period of time. You know what that's called on the set of a good movie? Bad casting. 

I can't believe someone made the same mistakes that were made just a year or two ago! When I first saw the poster, I thought "Is this a  parody?". But then I saw who was directing this prick of a film. 

Garry Marshall: Probably the single most desperate man in America. I am convinced that his last and final wish (let's be honest, he's not exactly in his twenties) is to meet as many famous people as he can; and what does that leave the helpless moviegoers with? The atrocities that were (and still are) Valentine's Day and New Years Eve. 

Looking for a fun holiday film to put a spring in your step, and a sparkle in your smile? Then spend your ten bucks elsewhere, because this movie is not worth the dough. 

The whole thing is a jumbled mess of popular actresses of today, and a few familiar faces that we all know. Then of course your Ashton Kutcher and your Jessica Biel who insist upon us that "Yes look, we're still famous! We promise!" 

Well I don't need it. I don't need it, and I encourage everyone to stray far away from this badly written, far-fetched, soap cushion of a love story that sincerely wants to be literally everything that it's not. It's a drama for people who don't like dramas, a comedy for people who don't like comedies, and a romance for people who don't like romance. Not worth a second of your time.