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Decent and enjoyable. She played a nice role and enjoyable to look at...

This was Debbie Reynolds' last movie but a waste of great talent including Louis Mustillo and many others.

It is alright for something running in the background or while you are reading, but not a film as the main entertainment.

I give it a 6 for the cast and, as I said, Debbie's last movie, out of respect.

First of I just learned that this film was based on a novel, and that it's the first of like 23 stories about this woman bountyhunter. So my viewpoint is based on the film, and nothing else.

I had a lot of fun with this one. It reminded me of an other character from an entirely different novel series. There the tough girl is called Anita Blake and she is a vampire hunter. Same way she starts clumsy and comes out on top in a manly (albeit fantastic) occupation. She handles guns, she gets into rough situations. I'm a man, but it's still fun seeing a woman being tough. And similarly to Anita Blake, this girl stays a woman while being though.

All the other characters were great too, my favourite was Ranger I guess, I liked the professional attitude.

To all those who think it's a bad film because it's not like the novels: I haven't read those books, but I was entertained with this film. I may even read into those books, so I guess the film reached it's goal.

The current score of this movie is 4 and unless you are a devoted fan of the books that's harsh. If you are in love with the twenty or so books you must have known less than two hours worth of movie will never compare, ever. I sympathize, beloved books are difficult to put on film, but this was actually rather amusing. On par with most romantic comedies and even better than some. It's not actually a romantic comedy though, an outlandish-girly-action-mystery-comedy is a more accurate description. The previews are representative of the film.

I will say the PG-13 rating was forced, mostly in the "language" category. Cable TV after 10 pm has more bite. An R rating with a few swearing felons would have been a bit more realistic, especially since the sexual situations are more than a 13-year-old should be watching and the storyline definitely adult. The writers must have sacrificed 10 swears for 3 bras and a shower curtain or something equally un-creative.

The comedy was there, sexual and self-deprecating and physical as advertised. On opening weekend (with the $6 groupon) the theater was full and the audience was seated throughout and laughing regularly.

Eavesdropping, the book fans were a little disappointed but mostly because they know so much more about the characters at this point. They wanted more Lula and Grandma and quirky little side scenes they remembered from the novel. Katherine Heigl was not loved as Stephanie Plum, but not hated enough to curse. Expectations were met.

I will agree it wasn't worth $11.25, but a lot of movies aren't. As a matinée or a DVD, go for it.

The trailer would remind you of the forgettable The Bounty Hunter starring Gerard Butler and Jennifer Aniston with the former being the titular character whose target happens to be his ex-wife, having them bicker and run from various misadventures together. Reverse the roles in order to have a female bounty hunter going after an ex-boyfriend, and the stage is set for more of the same, no? Not quite. One for the Money has a lot more going for it, predominantly being a film written by and made by females for its intended audience, and being an engaging flick chick that wonderfully encapsulates a whodunnit.

Katherine Heigl seems to be on a successful roll on celluloid, and is in her element here in this romantic action adventure comedy as lead character Stephanie Plum, a rookie bounty hunter drawn to the profession only because she's desperate for a job to pay off impending bills. An ex-lingerie model, we follow her transition from girly girl to a somewhat tough cookie ready to hold her own in her cousin's business, where an added incentive is to hunt down and bring in her ex-boyfriend Joe Morelli (Jason O'Mara), a cop wanted for the gunning down an unarmed felon.

Yes one would expect the usual laughs coming from her inexperience in a new field, her constantly being outwitted by slier opponents in the big bad town of Trenton, New Jersey, and having that pitch perfect sexual charisma with her mark since they share a common romantic history before in their youths. But to my surprise One for the Money has a little bit more depth in its story than I would have imagined, playing out like a mystery with a crime at hand to solve, with Stephanie stumbling her way from fact to fact, interacting with various interesting caricatures who don't bore, and plays out exactly like an 80s private detective film of old in spirit.

Written by Stacy Sherman, Karen Ray and Liz Brixius off the well received novel of the same name by Janet Evanovich, this probably accounts for a lot of female-centric focus on elements in the storyline, as well as director Julie Anne Robinson's ability to center this very much like a chick flick, wrapped around an old fashioned whodunnit. I mean, only in a story with an attractive female protagonist would you have other females in the story either old, or matronly, and having not one but two hunks - Morelli and fellow alpha-male bounty hunter Ranger (Daniel Sunjata) - involved at the crossroads of her life. Plenty of characterization goes into the lead character of Stephanie Plum, and Heigl brings a certain sass to the role, with little street smarts that cover for her lack of experience in the field.

Granted the mystery doesn't quite play out with that kind of tension and suspense as one would expect from a true blur genre film, but it does enough with its slight touch and managed to keep interest afloat. While there are 18 novels to date in the series of Stephanie Plum's adventures in bounty hunting, with each novel title starting with a number / numerically related, reality is that any subsequent film will have to rely on how much this makes at the box office. My bet is that it'll likely be something quite modest with a potential of 17 more films made only if Heigl wants to be stereotyped (if not already) or typecast. Still, One for the Money sits above average on the entertainment scale, and can be recommended fare if you'd give it a chance.