Wifelike

Look, this wasn't a terrible movie. It was fun. It kept my interest enough to care about what happens. I loved the wardrobe, sets, and futuristic aesthetics! The setting was a believable future.

The acting was good from most of the cast. Elena Kampouris was fantastic as a robotic wife. I'm wondering if some CGI trickery was involved because she's so beautiful. Almost too perfect.

And the movie started off well... but then the plot kind of went off the rails. Some big holes, more questions than answers, a little sloppy. I think it was meant to present the viewer with moral, philosophical conundrums but they got lost along the way in the foggy plot.

Also, maybe it's just how I was reading it... but there was a theme that felt man-hatey or like the demonization of men on a biological level. If so, that I didn't care for.

Nevertheless, out of all the movies of this type in recent years, I liked this one not best but amongst the better of them. It's worth the hour and 45 minutes to see what you get out of it.

With Shannon Whirry and Shannon Tweed at career peaks, softcore porn movies were the rage in the '90s, via VHS and Cinemax popularity. Hardcore porn, especially via internet distribution ended that era, but here's a throwback, made by indie filmmakers headed by James Bird whose pretentious "fantasy/surrealism" style comes off as precious and as artificial as his AI characters.

It was distressing to see British actor John Rhys Meyers descend so quickly into the career tailspin of a Malcolm McDowell (who he physically resembles) -moving from A pictures to grade Z level. His breathy line readings are extremely poor, and his overall sleepwalking performance made him seem like an AI himself. Why Bird decided on such a misogynist premise (no husband replacement studs for sale here) mystified me. And the casting was a bust, with lovely heroine Elena so closely resembling Twiggy of the Sixties, rather than going for a voluptuous softporn actress. Even the glamorous settings look like current porn, hardcore that is, where the expicit lovemaking is often photographed in fabulous mansions by directors like Jules Jordan or Kayden Kross.

I recall Paramount Home Video releasing plenty of drek in this vein way back when, but for current Paramount Pictures to indulge is disappointing. The sci-fi potential of the story is completely wasted. Obviously, it takes a big budget to do a "Blade Runner", but the aspirations here are embarrassing.

While this is rooted in the original Stepford Wives it does have a new twist. That twist is good and solid enough to make this film different enough to be worthy of a watch without thinking of the Stepford Wives.

I like the story line, and I suspect strongly that in other hands this film would have been a solid 7. However I only rated it 4.

The sets were really nice, albeit basic. The photography was very competent and it was paced well, I never found myself getting bored.

The problem? Poor acting, weak direction, B movie dialogue, and the attention to cheap thrills instead of concentrating on a great dramatic storyline. A very mature director would have brought this story home and entranced us all.

I would definitely recommend it as a Sunday evening thriller, as long as your expectations don't go too high.

Grieving widowed William Bradwell is given Meredith, an AI companion, programmed to simulate his wife in all ways. A criminal organisation is stealing other AI copies and reprogramming them.

The opening sequences made me think we were heading for a black comedy, it certainly had the opportunity to go down that route, instead they tried to make a sci fi thriller, it just didn't work.

What I found pretty funny, I couldn't tell who spent more time in makeup, Meyers looked like he'd spent days in markup, come on!!! Kampouris, I am sure she had some fun with hair and makeup, so long as she could get in there that is.

I thought the acting ranged from poor to fair, I thought Elena Kampouris and Jonathan Rhys Meyers had some decent moments, and a few scenes where I wanted to shut my eyes. Some of the supporting cast struggled.

Nope, it just doesn't work.

4/10.

This movie and its premise had a lot of potential, however the story is somewhat lackluster and unimpressive. Some of the acting and parts of the plot are also quite questionable.

However there are also some good parts. The actress playing Meredith is actually pretty good at interpreting an android and very likeable. Actually I liked her as an android a lot more than when she was playing the real person. Go figure.

I also enjoyed seeing a lot of beautiful half-dressed women in one place, which is mostly a big no-no in nowadays' movies.

Another thing I liked was the soundtrack, it has some good futuristic tunes and sound effects.

Overall, I'd say this movie is enjoyable/watchable if you have like 2 hours to kill.

It's a bit disappointing because it could have been great, but it's only halfway decent.