Suivi par Ma Seok-do, qui se rend dans un pays étranger pour extrader un suspect. Cependant, il découvre d'autres cas de meurtre et apprend l'existence d'un tueur qui a commis des crimes con... Tout lireSuivi par Ma Seok-do, qui se rend dans un pays étranger pour extrader un suspect. Cependant, il découvre d'autres cas de meurtre et apprend l'existence d'un tueur qui a commis des crimes contre des touristes pendant de nombreuses années.Suivi par Ma Seok-do, qui se rend dans un pays étranger pour extrader un suspect. Cependant, il découvre d'autres cas de meurtre et apprend l'existence d'un tueur qui a commis des crimes contre des touristes pendant de nombreuses années.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 10 victoires et 9 nominations au total
Kim Chan-hyung
- Jang Soon-cheol
- (as Chan-hyung Kim)
Avis à la une
Gilgamesh, I mean Ma Dong-seok, and his incomparable vigor is the star of this devilishly entertaining action-thriller-comedy. The plot might tad shaky in its focus, but the film never strays in delivering its ravishing thrills.
Just as fun and involving as expected. Ma Dong-seok kicks ass once again!
In comparison to The Outlaws, this was an even better mix of action and humor. It upends the first film not only in quantity of well-choreographed fight scenes, but in extending them into bigger, more full-fledged set-pieces as well. Case in point: a terrific car chase that manages to maneuver into street brawling before getting back on the road chasing. Much as I find this film solid in terms of generally everything (acting, plot, production...), it's the action that kept me glued to the screen, and dammit, it delivered in spades.
If there's one thing I'd call a setback, it's the overall feel of inevitability in how it all pans out. In other words, nothing is really unexpected or original storywise. But that's something you learn to accept and swallow with many films if you're an avid watcher, let alone when it's regarding an action thriller with its goals primarily being that of adrenaline spiking. And laughing at some really well-delivered jokes.
In short, it's another bruising vehicle for Don Lee's persona, as well as a thrilling showcase for comedic action done right. Meaning you should watch it ASAP.
In comparison to The Outlaws, this was an even better mix of action and humor. It upends the first film not only in quantity of well-choreographed fight scenes, but in extending them into bigger, more full-fledged set-pieces as well. Case in point: a terrific car chase that manages to maneuver into street brawling before getting back on the road chasing. Much as I find this film solid in terms of generally everything (acting, plot, production...), it's the action that kept me glued to the screen, and dammit, it delivered in spades.
If there's one thing I'd call a setback, it's the overall feel of inevitability in how it all pans out. In other words, nothing is really unexpected or original storywise. But that's something you learn to accept and swallow with many films if you're an avid watcher, let alone when it's regarding an action thriller with its goals primarily being that of adrenaline spiking. And laughing at some really well-delivered jokes.
In short, it's another bruising vehicle for Don Lee's persona, as well as a thrilling showcase for comedic action done right. Meaning you should watch it ASAP.
I would like to note that I've been up on Don Lee for a minute. Ever snice I saw Champion (quite literally a Korean adaption of Over the Top), and before he did the Eternals, which unfortunately, was not the movie to introduce the Train to Busan star to American audiences.
My man is going for a Slyvester Stallone style here. For me as an American it's very much a though back to 80s and 90s action movies, before the Kenau Reeves era. He's so tough, that he's got a bad ass guitar riff score he enters all his coolest scenes to.
The action is raw and brutal, like we kind of expect from a Korean film. These guys don't shy away from the violence. Plus, it's a good and gritty police drama at its core. I had so much fun seeing it in theatres man!
Plus, I discovered it's a Sequel to another movie! I got to see that now!!
My man is going for a Slyvester Stallone style here. For me as an American it's very much a though back to 80s and 90s action movies, before the Kenau Reeves era. He's so tough, that he's got a bad ass guitar riff score he enters all his coolest scenes to.
The action is raw and brutal, like we kind of expect from a Korean film. These guys don't shy away from the violence. Plus, it's a good and gritty police drama at its core. I had so much fun seeing it in theatres man!
Plus, I discovered it's a Sequel to another movie! I got to see that now!!
Bone-crushing action flick which makes us laugh while offering up regular jolts of adrenaline due to Sukku's rampage performance. Lee Sang-yong had great sound mixing that made Don Lee stand out as 'super-police'. Equally good sequel you wish would continue.
I thought we would never see the beast cop again after the Outlaws, and this cop is still giving criminals beat downs even worse than first film, the movie had a lot of good comedic moments as well as exciting fight scenes, I am a huge fan of Don Lee, I thought Unstoppable was another good action film he starred in, he continues to get better with each film, the Roundup didn't need fancy special effects or gadgets to entertain an audience, this was that throwback action cop flick, that's filled with excitement and laughs. I hope we see cop Ma again in the future, criminals take note, this dude is handing out a** whooping of various types, thumbs up, one of the better action films this year.
Le saviez-vous
- AnecdotesThis film is banned in Vietnam, where parts of it were shot in Ho Chi Minh City, as 'containing too many violent scenes'. There is speculation that the screening ban was imposed because of the negative image of Ho Chi Minh City being depicted as a lawless zone where Korean criminals do not hesitate to kidnap and murder tourists.
- ConnexionsFollowed by The Roundup: No Way Out (2023)
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 812 859 $US
- Week-end de sortie aux États-Unis et au Canada
- 102 204 $US
- 22 mai 2022
- Montant brut mondial
- 101 166 707 $US
- Durée1 heure 46 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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