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Après avoir déménagé avec sa mère dans une petite ville, une adolescente découvre qu'un accident s'est produit dans la maison au bout de la rue. Les choses se compliquent quand elle se lie d... Tout lireAprès avoir déménagé avec sa mère dans une petite ville, une adolescente découvre qu'un accident s'est produit dans la maison au bout de la rue. Les choses se compliquent quand elle se lie d'amitié avec un garçon.Après avoir déménagé avec sa mère dans une petite ville, une adolescente découvre qu'un accident s'est produit dans la maison au bout de la rue. Les choses se compliquent quand elle se lie d'amitié avec un garçon.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 3 nominations au total
Olivier Surprenant
- Jake
- (as Oliver Soul)
Grace Tucker-Duguay
- Young Carrie Anne
- (as Gracie Tucker)
Avis à la une
People don't seem to like this one much, but I found it totally decent. It's probably better than it should be simply for the presence of Jennifer Lawrence - who is just smoking hot. Okay, she's a good actress, too, and gives a good performance. She won an Oscar last year for Silver Linings Playbook (much deserved, in my book). Her tank top from this film should have been nominated for an award. Okay, enough about how hot Lawrence is (very, is the answer). The story here is decent, if nothing special. Lawrence, moving into a new home, falls for the damaged teen down the street, Max Thieriot (also pretty good). His horrifying past (his parents were murdered by his insane sister) is well known to the small town they live in. He harbors a few other secrets, as well. This mostly wins for me because Lawrence comes off as a fairly smart horror heroine. The climactic sequence is really well done (shades of the climax of Wait Until Dark - would have been nice to see this in the theater, as I came really close to doing last year). Elisabeth Shue also co-stars as Lawrence's mom. She's still good looking and is a fine actress. I'd love to see her in a really good role at this point in her career.
I was a little bit skeptical about watching this movie and I came very close to not watching it. But, because I had a spare couple of hours with nothing better to do, I decided to give it a whirl.
A lot of modern-day horror movies are made on a budget. The typical tell-tale signs which give them away is the use of poorly lit sets, very few filming locations and a very small cast of young and unknown actors. They like to follow the path of "The Blair Witch Project" and rely on heavy breathing to create the suspense. A pretty young lady starts to breathe heavily in the dark, something jumps out and gets her, right? Nowadays, this has become the norm and this is what we come to expect.
Well, I'm pleased to say that "House at the End of the Street" is different and unique in its own right. Why? Because its actually got a storyline and it keeps you thinking! Just when you think you've figured it all out there's another clever twist that comes along and makes you think "Gee, why didn't I think of that". This is a movie which is always one step ahead of you! Also, the actors in this movie actually act. Don't get me wrong, it's not on the same page as an Alfred Hitchcock movie, but it is, nonetheless, very refreshing.
"House at the End of the Street" turned out to be a little gem. I'm glad that I rented it.
A lot of modern-day horror movies are made on a budget. The typical tell-tale signs which give them away is the use of poorly lit sets, very few filming locations and a very small cast of young and unknown actors. They like to follow the path of "The Blair Witch Project" and rely on heavy breathing to create the suspense. A pretty young lady starts to breathe heavily in the dark, something jumps out and gets her, right? Nowadays, this has become the norm and this is what we come to expect.
Well, I'm pleased to say that "House at the End of the Street" is different and unique in its own right. Why? Because its actually got a storyline and it keeps you thinking! Just when you think you've figured it all out there's another clever twist that comes along and makes you think "Gee, why didn't I think of that". This is a movie which is always one step ahead of you! Also, the actors in this movie actually act. Don't get me wrong, it's not on the same page as an Alfred Hitchcock movie, but it is, nonetheless, very refreshing.
"House at the End of the Street" turned out to be a little gem. I'm glad that I rented it.
If you've never seen a movie before then this is probably tolerable. Its always nice to see Elisabeth Shue. Jennifer Lawrence is definitely a leading lady of the future but this does no-one associated with it any favours.
Its just too clichéd, too predictable to be of any entertainment value.
In fairness I didn't totally hate it, but it wasn't involving. Its not a movie that you'll ever watch again or buy the DVD/ BR.
This is no fault of the cast but the script which means that you'll know how the movie ends before it is even half over.
Unless you're a rabid Lawrence fan then I wouldn't bother with this until there is a Netflix or DVD release.
Its just too clichéd, too predictable to be of any entertainment value.
In fairness I didn't totally hate it, but it wasn't involving. Its not a movie that you'll ever watch again or buy the DVD/ BR.
This is no fault of the cast but the script which means that you'll know how the movie ends before it is even half over.
Unless you're a rabid Lawrence fan then I wouldn't bother with this until there is a Netflix or DVD release.
This movie was a pleasant surprise to me because I thought it was going to be more of a "horror" movie...I wouldn't call it that, I'd call it a terrific suspense thriller with good twists here and there. I liked the casting and the storyline. The actors did a good job, esp. the young college student male lead. This is a story that could have actually happened, imo. The music was a big part of the movie, too. Good soundtrack that, while I was aware of it, it did not take away from the scenes but built up my anxiety! It was like another character. Definitely worth seeing for all the right reasons. Very entertaining and kept my attention throughout. All this without "blood & guts" galore - made me think of the old Alfred Hitchcock-type thrillers that depended more on the viewer's anticipation and imagination. Lastly, I thought I had the plot figured out, but I was surprised at how wrong I was. Smiled on my way out of the theater.
If watching HatEotS has taught me anything (taught me again, actually) is that many times a film's worst enemy could be the buzz around it. Had it not been for all the talk about it, I might have had lowered expectations and therefore a smaller sense of disappointment.
As the Horror freak that I am, I've always loved Psychological Thriller/Horror films with a sophisticated twist towards the end. This film makes an attempt on having such a twist, but personally, for me, it didn't work.
Let's start off with the good things: the acting was very good, especially by Max Thieriot as Ryan. The way he talked, the look in his eyes, everything was simply perfect for the role. Jennifer Lawrence wasn't bad either, but sadly the best part about her acting was her not being an eyesore, not at all. Great job also by Elisbabeth Shue as a teenagers's mother!
As for the story - I find it difficult to pinpoint my problem with it. The build up seemed sufficient and the twist was surprising enough, and kept up getting deeper and more evolved. Perhaps it's the difficulty to fully grasp and comprehend what had happened happened that took some of the excitement away. I was too busy figuring out one detail when the next hit. So perhaps other viewers will enjoy it more.
All in all, watching this has been a fun experience, though not overly. I can't say "don't watch it!", nor can I recommend it too enthusiastically. If you don't expect too much - you could be in for a treat.
As the Horror freak that I am, I've always loved Psychological Thriller/Horror films with a sophisticated twist towards the end. This film makes an attempt on having such a twist, but personally, for me, it didn't work.
Let's start off with the good things: the acting was very good, especially by Max Thieriot as Ryan. The way he talked, the look in his eyes, everything was simply perfect for the role. Jennifer Lawrence wasn't bad either, but sadly the best part about her acting was her not being an eyesore, not at all. Great job also by Elisbabeth Shue as a teenagers's mother!
As for the story - I find it difficult to pinpoint my problem with it. The build up seemed sufficient and the twist was surprising enough, and kept up getting deeper and more evolved. Perhaps it's the difficulty to fully grasp and comprehend what had happened happened that took some of the excitement away. I was too busy figuring out one detail when the next hit. So perhaps other viewers will enjoy it more.
All in all, watching this has been a fun experience, though not overly. I can't say "don't watch it!", nor can I recommend it too enthusiastically. If you don't expect too much - you could be in for a treat.
Le saviez-vous
- AnecdotesJennifer Lawrence does not actually sing in the movie - she's lip-syncing to session musician Sarah Rayne's voice. However, she did record her own version of one the songs, "All You've Gotta Do is Love", which was described as "not half-bad."
- GaffesElissa's "phone" was actually an iPod touch (4th Gen)
- Versions alternativesThe PG-13 and Unrated versions of the movie include several notable differences, including a plot twist in the finale as well as some additional violence and blood in the Unrated cut. The changes add only a minimal amount of additional runtime.
- ConnexionsFeatured in WatchMojo: Top 10 Jennifer Lawrence Performances (2015)
- Bandes originalesSeagull
performed by Saturday Sun
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- La casa de al lado
- Lieux de tournage
- Carlsbad Springs, Ontario, Canada(Rene's Corner)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 31 611 916 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 287 234 $US
- 23 sept. 2012
- Montant brut mondial
- 44 287 131 $US
- Durée1 heure 41 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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What was the official certification given to La Maison au bout de la rue (2012) in India?
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