Comment j'ai passé l'été

Unsatisfying. Inexplicable characters and plot. Watch it for the scenery only.

How i ended this summer was the winner of the 2010 London film festival award and it also won many other awards from around the world and quite rightly so in my opinion.

Two men of different generations , who work on a an Arctic weather station , come to blows when the younger man has to tell his colleague of a family tragedy but fears the consequences of telling him.

This film will not appeal to everyone. It's a Russian film directed by Aleksei Popogrebsky and although subtitled , does not really depend on a large amount of dialogue to tell the story.

It starts of at a slow pace and as the film progresses , the tension builds to the point that it gets the viewer angry as to the decisions that are being made. Why doesn't the young man tell his elder the news? Is he really that scared of him? What will happen when he finds out?

This is a film about human relationships and vulnerability .

Apart from the tense story , it looks superb too and i only hope lots of people give this film a chance because they wont regret it.

As some reviewers have pointed out, the title of the film is irrelevant to the story being told. That's problem number one. The other problem I have is the story based on the interaction of two men from two generations is just not very credible. Why would Pavel choose to create all the problems for himself?

Apart from these faults, it is a watchable film. You are treated to some unusual Arctic landscape, and given a taste of what life would be like living in that part of the world, in total isolation from the rest of civilization and conducting repetitive tasks. Even in summer, that part of Arctic can still be harsh and dangerous. The acting by the two actors was pretty solid and camera work good.

So don't get me wrong. This film is still a good example of contemporary Russian cinema, cinema not based on sex, killings, CGI or a fat budget. The difference between the generations - one of duty and devotion to work, and the other less so and distracted by video games and loud music - was well explored. It just could have been a much better human drama if the storyline was more credible.

It is a small travesty that more films like this from across the pond don't get a wider audience (I think the only reason this has managed to get a UK release was the fact that it won Best Film at the BFI London Film Festival). But this small gem has managed to escape obscurity and has now been given a cinema release so that everyone can enjoy this small gem.

First, may I state the following: this is not a thriller! Please do not start watching this film expecting Russia's interpretation of Hitchcock - you will be sorely disappointed! The film itself has relatively little in terms of plot - a fact that another reviewer has (unfairly) criticised it for. Instead, what we receive as viewers is a quietly poignant, at times almost meditative exploration of isolation and the tensions that arise between the two leading characters in the vast, sparse, beautiful terrain of the Arctic in which they work.

As the film develops, the suspense certainly mounts, and at one point, a tense cat and mouse chase does develop. Indeed, it is not only themselves, but their surroundings which they have to tread carefully around - sinister hints about a deserted house on a cliff top and the danger posed by polar bears play their role. But don't try and second guess the film, because above all, this is a truly understated, moving exploration of human fragility rather than an action flick. The ending made me smile in surprise, and I felt ashamed at how cynically I had felt that I knew where the film was going. You will never see an ending as mature as this coming from Hollywood.

I won't bother with a plot summary - the one provided by IMDb is more than sufficient. What I will say is that both the acting and the cinematography are superb. The two leads both do wonderful jobs in which the performances require far more than the confines of the dialogue - so much of this film takes place in silence, and both men tackle their parts with great success. Then there is the cinematography - it has been a while since I have seen such beautiful images come together to create such an atmosphere of isolation and buried tension. The vast, beautiful landscape, the pale blue skies, the gentle lull of the sea, the calm glassy lakes, the dark, imposing cliffs, and then the intermittent fog... postcards could be made using some of these images. The effect is perfect.

In short, this is definitely worth the watch, and it's one to look out for in 2011!

Having watched this movie on a flight I am going to steer clear of commenting on what appeared to be some amazing cinematography.

With a sparse cast and a sparse setting this films works hard on the subtleties and isolation of the main characters. The monotony, the boredom, the sense of duty and the age old story of the older experienced man and the younger upstart who doesn't appreciate the ways of old.

Grigoriy Dobrygin as Pasha is incredible in delivering the essence and fundamentals of the story. What makes this movie thrilling and scary at the same time is that, in such isolation, everything that could possibly scare you in such a situation is explored or alluded to so you never know what could happen because anything could happen. Within this context an important message is received Without spoiling the movie, one could say that we cannot control how people react to things anymore than we can control nature itself. And sometimes to try and prevent bad things happening can be the worst choice but it is always the human choice.

The script is extremely tight and though the dialogue is somewhat monosyllabic and sparse it all adds to the tension, (and makes it easier if you are not watching it in Russian and dislike subtitles) I cannot imagine how a movie as good as this could ever be made in Hollywood. Where, for example, someones expressions alone could take up 5 minutes of film and still have you on the edge of your seat. Even Hitchcock would have learned a lot from the art of suspense after watching this movie.