Rake

I was overjoyed to hear this show is back, and stunned to realise I'd forgotten about it (although it's been a year without a season).

Being reminded of its existence, let alone the prospect of another season, was enough to cause uncontrollable grinning.

I love everything about it. The production values, the writing, the casting, the acting, it's all superb. But what I love most about it is the show's timbre; its aim and stance; its beautifully human angle. Many bonus points also for the regular moments of absolute hilarity.

After watching the first episode of the second season, I can't wait for next week... this will get the long months waiting for the final instalment of Breaking Bad off to a good start.

Not being Australian and completely unfamiliar with Australian TV, I came to Rake without any expectations or preconceived notions. I find the show is hilarious and mesmerizing at the same time, in no small part due to Roxburgh's performance. He's terrific as a cad with a heart of 14K gold plated brass.

In some ways, Rake is reminiscent of, but doesn't imitate, the great Robbie Coltrane series, Cracker, with both lead characters brilliant in their professional lives, yet exasperatingly self-destructive train wrecks once they're off the clock.

The show's been Americanized by Fox, starring Greg Kinnear (an actor of whom I'm a big fan), but I'm avoiding the Fox series because I've been told the edge of the Australian original was sanded down for American audiences. But, it's the sharp edge that I enjoy. If you can get your hands on the OZ version of Rake, you ought to watch it. It's really good TV.

Just two eps into season three, "Rake" was looking like one of the best TV series from anywhere, ever. I was dimly aware of Richard Roxburgh as a veteran Aussie actor who's done a lot of action flicks; he's a revelation here as Cleaver Greene, a Sydney trial lawyer with a gambling habit, multiple substance-abuse issues and a private life that can only be described as a f---in trinewrick.

The scripts are inventive and very funny, Cleaver's drunken harangues in inappropriate venues especially so; the cases are sometimes based on real-world causes célèbres (like the cannibal who advertised online for a dinner partner), the ongoing dramedy of Cleaver's personal life is involving (and very funny), and the ep where Cleaver gets out of a slump by defending an Assange-like activist who's charged with treason is positively uplifting.

The supporting cast is amazing; Australian TV seems to have a very deep bench of beautiful actresses who can really act, starting with Adrienne Pickering as Cleaver's love interest and onetime Xena sidekick Danielle Cormack as a cougar prosecutor. Guest spots by Aussie notables like Rachel Griffiths as a race-baiting shock jock, Toni Collette as a randy politician and Hugo Weaving as the cannibal--and those crispy accents with the foot-long vowel sounds--make this fabulous show even more delightful.

2018 update: All five seasons are now available for streaming on Netflix. Some of the later eps are a bit loosely plotted, to put it mildly, but the kangaroo court scene from season three (Rake makes the best jailhouse lawyer ever) is truly one of the funniest things I've ever seen!

but have rectified that with desperate anticipation driven out of absolute addiction.

It is magnificently written, cast, structured and performed.

What makes it most riveting to those of us blessed with living in and around the actual locations and situations, is that lots of the stories are absolutely true (given a few exaggerations here and there) with "only the names changed to protect the guilty".

I can't imagine how they got filming permission for the scenes in the actual NSW parliament, when the story line revolved around the rottenness of our recently evicted government.

If only the real party hacks were as funny as their corruption is real. Maybe we could actually forgive them. Instead they are dull, boring, incompetent and corrupt, very little amusement value there.

Hard to imagine anyone ever playing the role of Cleaver Green to the hilt the way Richard Roxborough has. Having seen the dull, American rendition, makes Richard's performance only shine the more brilliantly.

I hope there are many more series in the pipeline. This show is honestly the best I have seen in decades. Right up there with Boardwalk Empire and Game of Thrones. And a whole lot funnier! :)

Every once in a (long) while the Australian TV industry can dig up a gem. You're never quite sure which network will produce the next 'East West 101' or 'MDA', but chances are that an intriguing new show will turn up on the government-owned ABC.

That is certainly the case with 'Rake', which I understand has been signed off for a third season - and is also the model for an American version to go into production shortly.

I wouldn't have bothered writing a review for this series, but felt compelled to respond to remarks from reviewer colbur-1. Many of the actors making cameo appearances in this show are well-known names, as other reviewers have noted, but of the regulars probably only Richard Roxburgh would be well known outside the framework of this series.

Regrettably, I don't see any of the "cringeworthy jingoism" or 1960s insularity. This is an immensely entertaining show if you can stand the robust language and moral ambivalence. But even in that context the heroic stature of Matt Day's character serves as a foil to Roxburgh's.

The beauty of this series, beyond the wonderful character development, is that the stories overcome that stumbling block of Australian film and TV: mediocre script writing. Being based on reality and frequently drawing on true life situations 'Rake' eases willing suspension of disbelief even as it descends further into the surreal.

It's a show that will shock and amuse; it's by no means a typical sitcom, but it's real life, with its flawed villains and cynics - mostly with their redeeming virtues. Even farm girl-turned-mobster and part-time lusty wench Kirsty - played by Robyn Malcolm - has her own reasons for her actions.

And if that isn't enough to draw you in to watch this show, I don't know what will.