En tant que muse des classiques indépendants de Hal Hartley et réalisatrice de l'acclamée Waitress, Adrienne Shelly était une étoile brillante au firmament du cinéma indépendant.En tant que muse des classiques indépendants de Hal Hartley et réalisatrice de l'acclamée Waitress, Adrienne Shelly était une étoile brillante au firmament du cinéma indépendant.En tant que muse des classiques indépendants de Hal Hartley et réalisatrice de l'acclamée Waitress, Adrienne Shelly était une étoile brillante au firmament du cinéma indépendant.
- Récompenses
- 1 nomination au total
Photos
Andy Griffith
- Old Joe
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Adrienne Shelly
- Self
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Avis à la une
Andy, thank you for sharing Adrienne with us. Your documentary shows us more about Adrienne than we knew. She was such a talented, beautiful and smart woman. I throughly enjoyed her work and fortunately I can watch her films to my heart's content. Of course I wish she was still here. Waitress is a film I've seen at least a half dozen times. Her writing was so on point and the characters were developed perfectly. It was a natural process for you to make a documentary about her since you're in the business. You're expression of love for Adrienne comes through in every scene. I wish for you and your daughter a happy life.
She will always be the "100% Indie actress" <3, along with fdirector Hal Hartley, it was for me, the Indie cinema era at their prime, before it became more comercial.
This love-letter by Adrienne Shelly's widower is heartfelt and well-constructed. It got some poor reviews by people who are focused on their own tragedies. I lost someone very close to me only six months ago, but I assure you I'm able to judge this film on its own merits.
The film is a bit self-indulgent in terms of (uneven) pacing and run-time. While I'm sure Mr. Ostroy had good reasons for including all the historical footage that he did (and I'm just some random jerk), I believe that slightly more aggressive editing would have helped.
There is a spooky moment about 40 minutes in; it caught my attention. There is also a moment near the end, in an interview with the (very strong) daughter, that for me was so sad and genuine, it was like a dagger to the heart.
I rate this thoughtful and evocative film at eight (8) stars. RIP Adrienne; you are missed.
The film is a bit self-indulgent in terms of (uneven) pacing and run-time. While I'm sure Mr. Ostroy had good reasons for including all the historical footage that he did (and I'm just some random jerk), I believe that slightly more aggressive editing would have helped.
There is a spooky moment about 40 minutes in; it caught my attention. There is also a moment near the end, in an interview with the (very strong) daughter, that for me was so sad and genuine, it was like a dagger to the heart.
I rate this thoughtful and evocative film at eight (8) stars. RIP Adrienne; you are missed.
Director Andy Ostroy made this tribute about his late wife, Adrienne Shelley, the actress, writer and director who was murdered by an Ecuadorian immigrant who was looking for money to pay his debt to the coyote who brought him to the US. To add insult to injury, the NY police initially refused to look past the circumstances of her death and called it a suicide. Only after his arguments did they reopen the investigation and call it a murder.
Senseless.
The movie is Ostroy's gift to his their daughter Sophie, who looks much like her mother. Even fourteen years after Adrienne's death, Their pain is still palpable.
What Ostroy wants us to know is how much Adrienne had to offer the world, how much it hurts that she is gone, and how much more she might have done. He interviews friends and coworkers, and gives the viewer glimpses of her last project,
The documentary is sad and unfocused, but what would you expect from something so intimate?
Senseless.
The movie is Ostroy's gift to his their daughter Sophie, who looks much like her mother. Even fourteen years after Adrienne's death, Their pain is still palpable.
What Ostroy wants us to know is how much Adrienne had to offer the world, how much it hurts that she is gone, and how much more she might have done. He interviews friends and coworkers, and gives the viewer glimpses of her last project,
The documentary is sad and unfocused, but what would you expect from something so intimate?
I just finished watching this moments ago and I'm still recovering, the tears haven't stopped welling up. This movie came up in the HBO options to stream and I knew nothing else about it. Oddly about a month ago I had the luxury of seeing Rufus Wainwright and Sara Bareilles, two of my favorite singers, perform the song "She Used to be Mine" from the play version of Waitress that felt overly emotional even though I didn't know the song or what it was about or from. I of course had seen and loved the movie, but had no clue it had ever become a musical/play. Cut to today when HBO recommends this documentary, I have no idea it's about the woman who wrote and directed such a lovely memorable movie. The unfairness of it all was not lost on me. She was murdered at the age of 40, oddly the same age her father was when he passed and left her behind to fear an early death. Yet her voice lives on and her project did what she wanted and she was able to find her happiness before going, which somehow feels like the only justice you'll get for watching this devastating doc. It's true you can never know a person from seeing them on tv or in interviews or through stories about them. This still made me care nearly as much about her loss as her closest supporters. What happened to her could happen to anyone and it's a travesty. This was really well put together and had a lot of funny and tender moments as well, not just sadness. It definitely made me want to go back and watch Waitress again to better appreciate her magnum opus. Hopefully her daughter can watch this many times when she's missing her as I wish I could with my aunt/mother figure who passed too soon.
Le saviez-vous
- AnecdotesThe Adrienne Shelly Foundation, which is briefly mentioned in this documentary, was founded in 2007 by Shelly's widower, Andy Ostroy. A memorial to her work, it is a nonprofit organization that awards grants to female actors, writers and/or directors of short films, feature films and documentaries. Among the films supported by a Shelly Foundation grant are the features 40 ans, toujours dans le flow (2020), Long Way Home (2018) and Pariah (2011), and the documentaries Roll Red Roll (2018), Bombshell: The Hedy Lamarr Story (2017), The Wolfpack (2015) and Freeheld (2007), which won an Academy Award for Best Documentary, Short Subject. The foundation also gave an early short film grant to Chloé Zhao, who under a decade later became the second woman in history to win the Academy Award for Best Director.
- Bandes originalesMany the Miles
Written and Performed by Sara Bareilles
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- How long is Adrienne?Alimenté par Alexa
Détails
- Durée1 heure 38 minutes
- Couleur
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