Miel

after watching hundreds of grate classic Hollywood films, Italian and French unforgettable masterpieces , it's amazing that this specific Turkish movie made it to the top of my list. It is made accurately and neatly , you can see how specific was the directors planning. The story touches the viewer using less words and a more gestures.the connection to nature is very beautiful. the opportunity to get inside a Childs world is as always magical. actors don't even feel as actors , so that is also well done. I never heard of this director before , hope to see some more of his work in the future. I think this movie is intended for film lovers who watched European films before and are use to the slow timing and long cuts , for those who have not watched these before i recommend watching this one if you are trying to get started. waiting for more!

The slow pace of Bal works to great affect as it explores the tribulations of a young boy not only with the conventional use of a storyline narrative but also with a range of beautiful compositions which equals the sophisticated style of vivid portraits.

Yusuf is a young boy who is an outsider yet vastly intelligent. He is at odds with his school life never fitting in amongst his peers, constantly watching them from a distance along with struggling in parts of his studies. When Yusuf stutters through a reading in class minimal techniques are used, only the camera slowly tracking towards Yusuf and multiple POV shots of school peers focusing on Yusuf in awkward silence contain the scenes vibe yet it strikes such an impact emotionally feeling Yusuf's embarrassment. Whereas watching Yusuf with his Father in a simple static shot as they work and explore in the local woodlands shows his deep connection with nature by knowing the names and mannerisms of various plants, it is wonderful to witness the bond the pair have and to feel Yusuf's tranquillity. The techniques used to capture these moments are simple yet effective showing the brilliance of Bal.

Bal contains strong visual elements not only in the minimal techniques used to capture Yusuf's story but in the compositions which are styled with outstanding detail. Yusuf sat alone in a barn facing the camera in mostly dark lighting to inhabit his depressing mood before the head of his Father's donkey appears from behind Yusuf to provide comic relief convey his mood in the same manner a later dream sequence. After his Father goes missing Yusuf begins to have haunting dreams, one of which is himself stood alone in the forest with the visuals being one of a greyish palette before dead bees drop into his hand as a foreboding of his Father's death.

In a way it is hard to describe Bal as a film because its much more. Bal is a piece of visual art that transcends from its quiet storyline to present the atmosphere and emotions embedded in Yusuf's life as well as those around him with striking use of compositions and ingenuity. Bal is not a viewing experience for everyone, only those who appreciate the visual sophistication celluloid can offer will be moved by this film.

I had wanted to see Bal for a long tie. Finally, I watched it yesterday. Bal is an interesting movie. When a movie has very little action but keeps your attention for two hours, you develop a feeling of respect for the team who made it. You are convinced that making such a movie has lots of difficulty involved, and this mere fact evokes feelings of respect for it within you. Nevertheless, respect does not automatically bring the status of being good to it. Especially, if the movie attempts to give almost all its messages through symbols, looks and constantly rotating camera scenes, another difficulty is brought up, which, in turn, gives rise to evoking feelings of respect for it within you again. This time, the source is the fact that you feel ignorant to decode those messages. In addition, watching Bal is like viewing a Discovery Channel documentary in that the movies presents lots of scenes of both natural and man-made surroundings. However, there is a clear difference between the Discovery Channel documentary and Bal as the events made up of messages in the movie are not coherent and form a congruent story. At the end of the movie, I wanted very much to have conversations with the Jury in Berlin to have a glimpse of what they had thought in honeying Bal with a prestigious award.

it is tempting to define it as art film. or as poem about life. or as masterpiece. in fact, it is only a story. a story like many others from the old times. a family. a boy. memories. and the absence. all is well known. the film is only support for remind. and each scene becomes a trip in yourself. a circle around basic truths. rediscover of the purpose of cinema. this is all. a family. a boy. the father. and the forest. like a line. letters and signs and the voice of teller. parts of reflection of world in yourself.

In order to make a film deep and engaging, it doesn't always require a philosophic brilliance in the idea or an alien avant-garde approach to it.specifically if its to be in the domain of realism like this drama does all the depth and beauty of the art depends on the simplicity and reality which the filmmaker invest in his work. its the third of Semih Kaplanoglu's Yousuf trilogy; the final one. and like the previous ones it pretty much relies on the same approach. The simple yet emotionally developing life of a kid is beautifully portrayed. Throughout the movie one finds himself passing through a subtle experience, a slow, deeply rich performance something which is more of the characteristics of European cinema.Besides the director has done good cinematography and a concise script that fits brilliantly with the nature and country side.

I would recommend it to all those that hold cinema higher than the source of mere recreation. its simple yet powerful you will definitely enjoy it.