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IMDbPro

Cowboy Bebop: The Lost Session

  • Court-métrage télévisé
  • 2021
  • 3min
NOTE IMDb
7,2/10
771
MA NOTE
John Cho, Mustafa Shakir, Alex Hassell, and Daniella Pineda in Cowboy Bebop: The Lost Session (2021)
ActionComédieCriminalitéScience-fictionCourt-métrage

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  • Réalisation
    • Greg Jardin
  • Scénario
    • Greg Jardin
    • André Nemec
  • Casting principal
    • John Cho
    • Daniella Pineda
    • Mustafa Shakir
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    771
    MA NOTE
    • Réalisation
      • Greg Jardin
    • Scénario
      • Greg Jardin
      • André Nemec
    • Casting principal
      • John Cho
      • Daniella Pineda
      • Mustafa Shakir
    • 12avis d'utilisateurs
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos17

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    + 13
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    Rôles principaux3

    Modifier
    John Cho
    John Cho
    • Spike Spiegel
    Daniella Pineda
    Daniella Pineda
    • Faye Valentine
    Mustafa Shakir
    Mustafa Shakir
    • Jet Black
    • Réalisation
      • Greg Jardin
    • Scénario
      • Greg Jardin
      • André Nemec
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs12

    7,2771
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    Avis à la une

    10shroomanp

    Can't wait for tonight!

    Dunno if me and the other reviewer were watching the same short, but as a lifelong Cowboy Bebop fan I thought it was fantastic.

    I mean sure, John Cho looks a little too old to play Spike Spiegel, but he nails the spirit completely. I get that the producers want to portray the Bebop crew as seasoned, worn down bounty hunters, and why not? It works, and this doesn't have to be the beginning of their tale like the anime, why can't they be careworn and slightly haggard? Life ain't easy, and takes its toll, so the threadbare styling works. Imagine Star Wars if everything was sparkly and new, it wouldn't be half as effective!

    The whole thing premiers in a couple of hours, and I'm cranked up to eleven with anticipation.

    If it's as good as this little taster, with the music, the humour, and the chop-sockey ultraviolence, who cares if Spike ain't a twentysomething!

    And who doesn't want to see the Bebop, Swordfish, Hammerhead, and The Red tail for real...?!

    🍄
    8Sin3rgy

    Surprisingly good, if you acknowledge it couldn't be great.

    I was a huge fan of the anime when it came out, Bebop and Trigun we're my only dives into the genre before I had to do the adult thing.

    I hadn't watched the series well over 15 years, and watching this live action brought back a lot of the same feelings and moods. Funny thing after watching all the episodes I went back through the anime, and I didn't realize how much was changed, I remembered wrong.

    But this is to say while certain events may have been altered from the series, its a testament too the live action how well they captured the essence.

    The actors portraying Faye and Jet came off in the series exactly as I had remembered their characters to be like. John puts out an admirable effort in playing Spike, but doesn't quite hit all the notes. I don't think it's his lack of range he clearly studied the character of Spike, I think there's just a certain style/energy in the anime format that's impossible to translate into live action.

    That said I went in expecting something between meh and disappointment, history has shown adaptions are very rarely good. Either as its own thing or as a true adaption, I think this Bebop did quite well in that respect. Watched on its own its a fantastically stylish break from the usual, and as an adaption it hits the major notes, and the team behind it clearly get's the source material.

    8/10 all day. Rarely does a series end and I'm ready to rewatch so soon.
    9solidgun

    Great adaptation for long time fans

    I have watched and rewatched this show over the years. And listened to the music. I think some purists are just over criticizing this show. When I watch something, I watch to see how well they have preserved the characters even if they have changed the dynamics. However, in this case I didn't look for the same characters of the anime, but how well it would work if they were real life characters. This is good to watch for the fans. People that may not know the story all that well may not really get the nuances, but the adapted stories work really work well for this.
    10fraz-07133

    Super entertainer

    Loved everything about this masterpiece. From casting music, and sets to filming, effects, story, and acting everything was spot on. Really hoping there would be a second season.
    8maatougfares

    Pretty good show but bad adaptation

    A very fun show have pretty good action and visuals The atmosphere is very pleasant and faithful to the anime The cast is not well picked in my opinion and here is why John sho as spike is good even if the anime character was not asian, he brings a good comedy touch though Spike was actually more naughty and dark with a deep melancholy Daniela pineda doesn't look or move like Faye but she does an incredible job besides she's gorgeous as hell.

    Jet is a perfect cast.

    Vicious is not a crazy mad man they got it so wrong he is very calm and composed.

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    Histoire

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    • Anecdotes
      This short film was shot over the course of 3 days, immediately after the first season had wrapped production.

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    Détails

    Modifier
    • Date de sortie
      • 19 octobre 2021 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Ковбой Бибоп: Потерянное
    • Lieux de tournage
      • Auckland, Nouvelle-Zélande
    • Société de production
      • Intergalactic Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Budget
      • 750 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      • 3min
    • Couleur
      • Color
    • Rapport de forme
      • 2:1

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