The Pod Generation
- 2023
- Tous publics
- 1h 50min
NOTE IMDb
5,6/10
6,7 k
MA NOTE
Un couple new-yorkais est devenu parent grâce à un nouvel outil mis au point par un géant de la technologie, Pegazus.Un couple new-yorkais est devenu parent grâce à un nouvel outil mis au point par un géant de la technologie, Pegazus.Un couple new-yorkais est devenu parent grâce à un nouvel outil mis au point par un géant de la technologie, Pegazus.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 1 nomination au total
David Beelen
- Folio Executive #6
- (as Nilson David)
Avis à la une
In this world where mother nature is transplanted - transferred, replaced, displaced, where surrogates are grafted, you have a partner who's organic, whose whole life is quite botanic, but you take him to a place, where dreams are shafted. Incubation is the option you have chosen, allows you to pursue your work, without demotion, devolution is the way, an evolving science day, although at first, you may just lack, vital devotion. As for concerns, a trip to the all seeing eye - will resolve anxiety and clarify, that you must do as you are told, you must remain part of the fold, this is the way the human race will multiply.
Not as good as it could have been.
Not as good as it could have been.
It's late 21st century New York City. Humanity is slowly divorcing itself from nature. Alvy Novy (Chiwetel Ejiofor) is studying the unusual field of horticulture. His wife Rachel Novy (Emilia Clarke) is more normal. She gets an opportunity to have a child through the latest version of the pod. It's an artificial form of gestating their baby.
Initially, I'm 50-50 with this premise. Sci-fi often does these big swings and they don't always make sense. I don't completely buy this world. Slowly, the movie gets a bit more quirky and ridiculous. It starts injecting a comedic tone. It's funny but not laugh out loud funny. It's a small sci-fi which is likely to be lost in the mix unless one is searching for some Ejiofor or Emilia Clarke.
Initially, I'm 50-50 with this premise. Sci-fi often does these big swings and they don't always make sense. I don't completely buy this world. Slowly, the movie gets a bit more quirky and ridiculous. It starts injecting a comedic tone. It's funny but not laugh out loud funny. It's a small sci-fi which is likely to be lost in the mix unless one is searching for some Ejiofor or Emilia Clarke.
Like others said, this film very much feels like an extended Black Mirror episode, but without a twist or something edgy to make it memorable.
This young couple want to have a baby in a world where babies can be made in artificial wombs i.e. Egg-shaped "pods". The woman (a nice portrayal by Emilia Clarke - the American accent was probably unnecessary given that there's no relevant backstory) is a highly successful professional, working for the same corporation that actually offers the pod services. She's an all around modern woman, having accepted the quirks and conveniences of this very high-tech society. Her husband, on the other hand (a warm and relatable portrayal by Chiwetel Ejiofor) is an old-school botanologist, who loves nature and is sceptical towards all of this tech taking over natural processes like pregnancy and childbirth.
You'd think that this conflict would drive the plot, but it doesn't. It somehow gets resolved very easily, without much of a takeaway and that's the problem of the whole film. No conflict, no high stakes, no twists or sinister revelations, just literally what it says on the tin: a couple having a baby in a pod.
There is no discernible stance or point that the film is making. If the point is "natural is better", it is made in a very underwhelming manner. If the point is to offer some food for thought and debate, then it also fails: there is, for example, the angle of this method of reproduction being liberating for women and an opportunity for men to bond with their unborn baby in a more meaningful way - but this gets quickly dismissed and satirized as if there isn't a deeper discussion about bodily autonomy and gender roles behind it.
One thing I will praise is the pace and aesthetic. I didn't find it slow, despite the lack of an exciting plot. And that's an achievement of the art department, which made the whole flow and visuals soothing and satisfying.
Decent effort, but ultimately powerless.
This young couple want to have a baby in a world where babies can be made in artificial wombs i.e. Egg-shaped "pods". The woman (a nice portrayal by Emilia Clarke - the American accent was probably unnecessary given that there's no relevant backstory) is a highly successful professional, working for the same corporation that actually offers the pod services. She's an all around modern woman, having accepted the quirks and conveniences of this very high-tech society. Her husband, on the other hand (a warm and relatable portrayal by Chiwetel Ejiofor) is an old-school botanologist, who loves nature and is sceptical towards all of this tech taking over natural processes like pregnancy and childbirth.
You'd think that this conflict would drive the plot, but it doesn't. It somehow gets resolved very easily, without much of a takeaway and that's the problem of the whole film. No conflict, no high stakes, no twists or sinister revelations, just literally what it says on the tin: a couple having a baby in a pod.
There is no discernible stance or point that the film is making. If the point is "natural is better", it is made in a very underwhelming manner. If the point is to offer some food for thought and debate, then it also fails: there is, for example, the angle of this method of reproduction being liberating for women and an opportunity for men to bond with their unborn baby in a more meaningful way - but this gets quickly dismissed and satirized as if there isn't a deeper discussion about bodily autonomy and gender roles behind it.
One thing I will praise is the pace and aesthetic. I didn't find it slow, despite the lack of an exciting plot. And that's an achievement of the art department, which made the whole flow and visuals soothing and satisfying.
Decent effort, but ultimately powerless.
I can't remember the last time I watched a movie with as little conflict or drama as 'The Pod Generation'. Did they just think that their concept was so original and interesting that they didn't even need to add a hook of any sort to the script? It's really bizarre to watch. There is nothing at stake in the film. Nothing to look forward to or anticipate or even think about. The film just plods along for 100 minutes of nothingness.
The only thing that saves it from being completely unwatchable is the charisma of its two leads. About all you can really do is sit back and peacefully enjoy their interactions and screen time. If that sounds like a nice time to you, you might just enjoy this film.
'The Pod Generation' is a film completely unwilling to step out of its own comfort zone. The concept is mildly interesting (for the first 15 minutes) and that's about it. A generous 5/10.
The only thing that saves it from being completely unwatchable is the charisma of its two leads. About all you can really do is sit back and peacefully enjoy their interactions and screen time. If that sounds like a nice time to you, you might just enjoy this film.
'The Pod Generation' is a film completely unwilling to step out of its own comfort zone. The concept is mildly interesting (for the first 15 minutes) and that's about it. A generous 5/10.
The Pod Generation isn't perfect and the responses have been pretty mediocre and low from the general public and critics but personally, I thought it was decent.
The movie explores an interesting narrative concept about the futuristic world of artificial wombs or pods with some beautiful futuristic production designs and make-up throughout. The camerawork is pretty good with the colorful lightening, settings, designs and special effects helping to add the futuristic setting and environment. With an solid soundtrack and direction as well.
The narrative is interesting and does provide some strong elements about human evolution and technology together. However, some of the narrative themes does feel a little preachy and inconsistent regarding it's message and social commentaries that is is trying to explore. The performances from Emilia Clarke and Chiwetel Ejiofor are pretty great and the two of them have surprisingly pretty good chemistry between on another.
One of the weaker elements are the characters as the characters aren't as fully interesting or engaging to connect with as much. There are some decent dialogue moment as well. Some of the pacing could have been improved.
Overall, it's decent.
The movie explores an interesting narrative concept about the futuristic world of artificial wombs or pods with some beautiful futuristic production designs and make-up throughout. The camerawork is pretty good with the colorful lightening, settings, designs and special effects helping to add the futuristic setting and environment. With an solid soundtrack and direction as well.
The narrative is interesting and does provide some strong elements about human evolution and technology together. However, some of the narrative themes does feel a little preachy and inconsistent regarding it's message and social commentaries that is is trying to explore. The performances from Emilia Clarke and Chiwetel Ejiofor are pretty great and the two of them have surprisingly pretty good chemistry between on another.
One of the weaker elements are the characters as the characters aren't as fully interesting or engaging to connect with as much. There are some decent dialogue moment as well. Some of the pacing could have been improved.
Overall, it's decent.
Le saviez-vous
- AnecdotesAt about the 1:25:44 mark, Rachel is walking through the baby store dream and you can clearly see the three dragon tattoo on Emilia Clarke's right wrist from her Game of Thrones role.
- GaffesArround minute 22, when Rachel is consulting the fees sheet, the 3rd and 4th lines from last, in the boy column, show $5,500 but the real number should be $550.
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- How long is The Pod Generation?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 31 569 $US
- Week-end de sortie aux États-Unis et au Canada
- 19 949 $US
- 13 août 2023
- Montant brut mondial
- 58 309 $US
- Durée1 heure 50 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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