The Pod Generation

Start's off strong and intriguing with dark undertones..... around halfway through the film however, it just suddenly turns silly. The behaviour of the two leads becomes juvenile and slapstick and it goes from alluding to being more of a thriller into a light hearted comedy. It also slows pace massively and the second half is just padded out with nothing really interesting happening and just more of a romance story.

This would have been better suited to an hour long short show, and it ending with a sinister tone. The two leads act well with what they are given. The dreamlike sequences were also overused massively and irrelevant to the story.

I liked the premise of the film and the visuals so it had that going for it. It got the sci-fi aesthetic right at least.

This one kind of stumped me. I'm a fan of Emilia Clarke, I'm always down to watch any new projects of hers...and yet, something about "The Pod Generation" just seemed a little off to me. It was good enough overall, I didn't hate it. But the execution was so-so. Dialogue seemed clunkily-written and the overall pacing was too slow to fit under the traditional sci-fi genre. In fact, I'd classify this as a 'futuristic drama', more than anything. It has its quirks, but I didn't find it a romantic comedy, either. The repetitive dream sequences were thought-provoking but really went nowhere.

Emilia Clarke gives a solid performance despite her character's lack of backstory and depth. I think maybe that's what it's missing...the plot itself has potential but it never quite lives up to it. Mr. Chiwetel also gives a good performance, but there's no soul to this movie...aside from Emilia Clarke's truly radiant smile.

Just a set of confused parents-to-be, trying to sort out the rules and regulations around an AI-assisted "pregnancy" (via a Pod, hence the title). Alas, it was a great premise. As others had said, it would've made a stellar story for the TV show Black Mirror. (I would award automatic bonus points if Emilia and Chiwetel had still appeared!)

In this world where mother nature is transplanted - transferred, replaced, displaced, where surrogates are grafted, you have a partner who's organic, whose whole life is quite botanic, but you take him to a place, where dreams are shafted. Incubation is the option you have chosen, allows you to pursue your work, without demotion, devolution is the way, an evolving science day, although at first, you may just lack, vital devotion. As for concerns, a trip to the all seeing eye - will resolve anxiety and clarify, that you must do as you are told, you must remain part of the fold, this is the way the human race will multiply.

Not as good as it could have been.

I can't remember the last time I watched a movie with as little conflict or drama as 'The Pod Generation'. Did they just think that their concept was so original and interesting that they didn't even need to add a hook of any sort to the script? It's really bizarre to watch. There is nothing at stake in the film. Nothing to look forward to or anticipate or even think about. The film just plods along for 100 minutes of nothingness.

The only thing that saves it from being completely unwatchable is the charisma of its two leads. About all you can really do is sit back and peacefully enjoy their interactions and screen time. If that sounds like a nice time to you, you might just enjoy this film.

'The Pod Generation' is a film completely unwilling to step out of its own comfort zone. The concept is mildly interesting (for the first 15 minutes) and that's about it. A generous 5/10.

It's late 21st century New York City. Humanity is slowly divorcing itself from nature. Alvy Novy (Chiwetel Ejiofor) is studying the unusual field of horticulture. His wife Rachel Novy (Emilia Clarke) is more normal. She gets an opportunity to have a child through the latest version of the pod. It's an artificial form of gestating their baby.

Initially, I'm 50-50 with this premise. Sci-fi often does these big swings and they don't always make sense. I don't completely buy this world. Slowly, the movie gets a bit more quirky and ridiculous. It starts injecting a comedic tone. It's funny but not laugh out loud funny. It's a small sci-fi which is likely to be lost in the mix unless one is searching for some Ejiofor or Emilia Clarke.