NOTE IMDb
7,4/10
12 k
MA NOTE
On suit la vie de cinq familles de Harlem et du Bronx qui tentent d'accéder aux meilleures écoles de la ville de New York, qui est comme jouer à la loterie.On suit la vie de cinq familles de Harlem et du Bronx qui tentent d'accéder aux meilleures écoles de la ville de New York, qui est comme jouer à la loterie.On suit la vie de cinq familles de Harlem et du Bronx qui tentent d'accéder aux meilleures écoles de la ville de New York, qui est comme jouer à la loterie.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 21 victoires et 28 nominations au total
Celeste Bell
- Self
- (as Ms. Celeste Bell)
Adrian M. Fenty
- Self
- (as Adrian Fenty)
Avis à la une
Greetings again from the darkness. The system is broken. I am neither a teacher, Union official or politician ... simply a U.S. citizen who sees a real problem with a public education system that seems to adequately serve very few.
After viewing Davis Guggenheim's documentary, I find it fascinating to read some of the comments made. To my eye, the film does not blame any one group for the problems - though lousy teachers and a misguided union do take some serious criticism. Shouldn't they? The film makes the point that excellent teachers and principals can definitely make a difference. The specific subject families show caring, involved parents and eager to learn children. Of course, not every family or child fits this definition. But shouldn't the system work for the engaged parents and students?
There is no shortage of blame in this game - politicians, unions, teachers, administrators, parents and rowdy kids. Regardless of the situation, it's clear that the overall system is flawed, especially in lower income areas. Do neighborhoods drag the school down or is it vice versa? To me, it doesn't matter. The system should reward the teachers, parents and children who do want to teach and learn.
Regardless of your politics or personal involvement in education, I commend Mr. Guggenheim ("An Inconvenient Truth") and Mr. Gates and Ms. Rhee for rocking the boat ... for getting the questions asked in a public forum. This movie should inspire much debate and discussion - typically the beginning of real improvement and change. Let's hope this is the needed start to finding a better system.
After viewing Davis Guggenheim's documentary, I find it fascinating to read some of the comments made. To my eye, the film does not blame any one group for the problems - though lousy teachers and a misguided union do take some serious criticism. Shouldn't they? The film makes the point that excellent teachers and principals can definitely make a difference. The specific subject families show caring, involved parents and eager to learn children. Of course, not every family or child fits this definition. But shouldn't the system work for the engaged parents and students?
There is no shortage of blame in this game - politicians, unions, teachers, administrators, parents and rowdy kids. Regardless of the situation, it's clear that the overall system is flawed, especially in lower income areas. Do neighborhoods drag the school down or is it vice versa? To me, it doesn't matter. The system should reward the teachers, parents and children who do want to teach and learn.
Regardless of your politics or personal involvement in education, I commend Mr. Guggenheim ("An Inconvenient Truth") and Mr. Gates and Ms. Rhee for rocking the boat ... for getting the questions asked in a public forum. This movie should inspire much debate and discussion - typically the beginning of real improvement and change. Let's hope this is the needed start to finding a better system.
This stirring documentary sends out shock-waves of injustice and even a bit of a sense of futility when it explores the state of America's public schools. Interviews with education specialists, school superintendents and even Bill Gates add up to an impressive assembly of informed adults who know what the problem is, but haven't figured out a way to fix it on a large scale.
Washington, D.C. schools superintendent Michelle Rhee says it well when she summarizes the basic problem: "Public schools fail when children's education becomes about the adults." The adults who fail these children are not limited to public officials and government bureaucrats, though; a large portion of the blame is reserved for ineffective teachers and the teachers' unions who ensure that those teachers receive tenure and cannot be removed from schools. The documentary focuses on five public school children who represent inner-city kids with broken families and day-to-day financial struggles (except for a student of middle-class parents in the Silicon Valley). With that one exception, all are enrolled in failing public elementary schools and have little chance of graduating high school if they move on to the assigned secondary schools in their districts. The tear-jerking climax sees each of the kids attending a lottery drawing for limited spaces at public charter schools and rare, effective public schools within or outside of their district. Witnessing the academic chances for these kids being decided by such a random, impersonal process is heart-breaking and calls into question the very nature of American values like "Protestant work ethic," "equality," "freedom" and "the ability to pull oneself up by one's bootstraps" and make the future brighter.
The language is limited to a few expletives. The film deals with a tangled web of adult issues that make a child's education more difficult, which probably puts it outside the spectrum of interest for most kids under age 12. However, when watched with parents, it could create some valuable family discussions on the importance of education and may even activate a family to become advocates for change. We award "Waiting for Superman" the Dove Family-Approved Seal for audiences over age 12 and praise the filmmakers for presenting many teachable moments.
Washington, D.C. schools superintendent Michelle Rhee says it well when she summarizes the basic problem: "Public schools fail when children's education becomes about the adults." The adults who fail these children are not limited to public officials and government bureaucrats, though; a large portion of the blame is reserved for ineffective teachers and the teachers' unions who ensure that those teachers receive tenure and cannot be removed from schools. The documentary focuses on five public school children who represent inner-city kids with broken families and day-to-day financial struggles (except for a student of middle-class parents in the Silicon Valley). With that one exception, all are enrolled in failing public elementary schools and have little chance of graduating high school if they move on to the assigned secondary schools in their districts. The tear-jerking climax sees each of the kids attending a lottery drawing for limited spaces at public charter schools and rare, effective public schools within or outside of their district. Witnessing the academic chances for these kids being decided by such a random, impersonal process is heart-breaking and calls into question the very nature of American values like "Protestant work ethic," "equality," "freedom" and "the ability to pull oneself up by one's bootstraps" and make the future brighter.
The language is limited to a few expletives. The film deals with a tangled web of adult issues that make a child's education more difficult, which probably puts it outside the spectrum of interest for most kids under age 12. However, when watched with parents, it could create some valuable family discussions on the importance of education and may even activate a family to become advocates for change. We award "Waiting for Superman" the Dove Family-Approved Seal for audiences over age 12 and praise the filmmakers for presenting many teachable moments.
Director Davis Guggenheim waited for Superman as a child, because children like the hope that somebody will come and rescue them and the world. I knocked the U.S. Education system documentary "Waiting for Superman" down two stars for two reasons. One is that they just didn't give me enough hope.
The other main failing of this film, as other reviewers have pointed out, is that he didn't cover all of the many, many reasons for an under-performing education system. Well, he kind of did, but not very clearly. He spent more time on poor teachers and the unions, and many people seem to have come out of thinking that's all he talked about. Contrary to popular reviews, he did make other points. They were just too subtle. I will agree though that he was too heavy-handed with the American Federation of Teachers.
The primary focus of the film is five children each from different parts of the country and each desperate to get into a better school. I think he padded the documentary a bit too much with their situations, and a few too many tear-jerking moments. But when Guggenheim presented me with facts, knowledge and history, "Waiting for Superman" became both informative and emotionally-resonating. And yes, that's what a good documentary is, and that's why it gets 8 stars.
Perhaps "Waiting for Superman" should have been more well-rounded, but I don't think you can present more sides in just a two-hour film. And most important, the sides he did present are accurate, informative, entertaining and well presented. I wish I saw Superman at the end instead of just tears, but I still recommend it.
The other main failing of this film, as other reviewers have pointed out, is that he didn't cover all of the many, many reasons for an under-performing education system. Well, he kind of did, but not very clearly. He spent more time on poor teachers and the unions, and many people seem to have come out of thinking that's all he talked about. Contrary to popular reviews, he did make other points. They were just too subtle. I will agree though that he was too heavy-handed with the American Federation of Teachers.
The primary focus of the film is five children each from different parts of the country and each desperate to get into a better school. I think he padded the documentary a bit too much with their situations, and a few too many tear-jerking moments. But when Guggenheim presented me with facts, knowledge and history, "Waiting for Superman" became both informative and emotionally-resonating. And yes, that's what a good documentary is, and that's why it gets 8 stars.
Perhaps "Waiting for Superman" should have been more well-rounded, but I don't think you can present more sides in just a two-hour film. And most important, the sides he did present are accurate, informative, entertaining and well presented. I wish I saw Superman at the end instead of just tears, but I still recommend it.
Waiting for 'Superman' is a documentary from Davis Guggenheim, the director of 2006's An Inconvenient Truth, that examines the faults and labyrinthine bureaucratics of America's educational government, a government more interested in protecting the jobs and pay salaries of lazy educators in public schools, rather than properly educating the average child.
The film isn't all that shocking. I admire the format, and the presentation of the film, but problems with the education of American children have been a highly publicized matter, especially a few of the points of which Guggenheim presents. At times it even feels like he's stating the obvious, and even repetitious in regards to sub-par school houses he points fingers at.
But the film's strongest impact comes from the case studies of five children, who show strong potential, but their parents struggle to set them up with the necessary education, placing them at the mercy of lotteries that determines the lucky few who get to attend successful charter schools. Their build-up is near impeccable, leading up to the film's emotionally powerful third act. A third act that, afterwards, is complimented perfectly by "Shine", a beautiful end credits song by John Legend, and overall one of the film year's very best original songs.
It isn't perfect, but I'm gonna give Waiting for 'Superman' *** out of ****
The film isn't all that shocking. I admire the format, and the presentation of the film, but problems with the education of American children have been a highly publicized matter, especially a few of the points of which Guggenheim presents. At times it even feels like he's stating the obvious, and even repetitious in regards to sub-par school houses he points fingers at.
But the film's strongest impact comes from the case studies of five children, who show strong potential, but their parents struggle to set them up with the necessary education, placing them at the mercy of lotteries that determines the lucky few who get to attend successful charter schools. Their build-up is near impeccable, leading up to the film's emotionally powerful third act. A third act that, afterwards, is complimented perfectly by "Shine", a beautiful end credits song by John Legend, and overall one of the film year's very best original songs.
It isn't perfect, but I'm gonna give Waiting for 'Superman' *** out of ****
This movie flows in the same vein as the Oprah Winfrey Show, Fox news, CNN, and McDonald's. It's tasty, yet difficult to digest.
There are a few themes strung throughout this noose of a movie. One major theme is: win the lottery and you'll succeed. There are two lotteries in Waiting for Superman. One is the lottery that is played out in the gymnasiums of the schools, with numbered ping-pong balls and kids who make your heart ache. The other lottery is 500 billion dollars, the $$$ of the school system in America.
For students in this movie "win the lottery and you'll succeed" means they have to be lucky, or else the public school system will fail them. This may change though, as superman is on his way. Superman is not in the guise of an administrator or a teacher. Superman is a politician (and his sidekick an entrepreneur). The business of education is a lottery. Billions of dollars are to be had by superman if he and his sidekick can fix the lottery. Students must rely on luck concerning their lottery; yet, superman can supersede luck because he and his partner have a lot of money. But they want more.
The definition of "fix" is different for politicians and businessmen than for regular people. For most, fixing the education system means making it better for the majority of people involved. For superman and his partner, fixing the lottery means using his influence and wealth to enable a tiny percentage of the population to suck money from the education system. If superman fixes the lottery, he is much more likely to 'win' the cash that comes from the business of education in America.
There are many problems with education in North America. Inviting businessmen into the sphere of education in such a manner is not a path to improvement of the majority.
There are a few themes strung throughout this noose of a movie. One major theme is: win the lottery and you'll succeed. There are two lotteries in Waiting for Superman. One is the lottery that is played out in the gymnasiums of the schools, with numbered ping-pong balls and kids who make your heart ache. The other lottery is 500 billion dollars, the $$$ of the school system in America.
For students in this movie "win the lottery and you'll succeed" means they have to be lucky, or else the public school system will fail them. This may change though, as superman is on his way. Superman is not in the guise of an administrator or a teacher. Superman is a politician (and his sidekick an entrepreneur). The business of education is a lottery. Billions of dollars are to be had by superman if he and his sidekick can fix the lottery. Students must rely on luck concerning their lottery; yet, superman can supersede luck because he and his partner have a lot of money. But they want more.
The definition of "fix" is different for politicians and businessmen than for regular people. For most, fixing the education system means making it better for the majority of people involved. For superman and his partner, fixing the lottery means using his influence and wealth to enable a tiny percentage of the population to suck money from the education system. If superman fixes the lottery, he is much more likely to 'win' the cash that comes from the business of education in America.
There are many problems with education in North America. Inviting businessmen into the sphere of education in such a manner is not a path to improvement of the majority.
Le saviez-vous
- AnecdotesThere is a scene in which Bianca, one of the little girls, is reading from a book about someone taking apples and bringing them into the city to sell. The book she is reading is called "The Giving Tree" written by Shel Silverstein.
- Citations
Geoffrey Canada: One of the saddest days of my life was when my mother told me Superman did not exist.
- ConnexionsEdited from Superman (1952)
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- How long is Waiting for Superman?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Waiting for Superman
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 6 417 135 $US
- Week-end de sortie aux États-Unis et au Canada
- 139 033 $US
- 26 sept. 2010
- Montant brut mondial
- 6 433 688 $US
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