The Channel

An action movie , almost the same as "Town " 2010 starring Ben Affleck but not as high class as Town. Actors talk the same as street thugs to show that they are tough . Almost the whole movie has low class action scenes constantly , Robbers come with assault rifles and one of hero police comes with shotgun !!! To fight them . The Director/writer is William Kaufman , the director/writer of Sinners and Saints (2010) which was wonderful movie , I also have watched Hit List by William Kaufman which also was wonderful movie. On the whole the movie theme is action "Town 2010" type movie but as I said not as high class as Town 2010.

Before you step into this cinematic rollercoaster, be aware that "This is an Independent film," meaning it's a gem without the A-list actors or extravagant budget. However, don't let that deter you, because what this movie lacks in star power, it more than compensates with its adrenaline-fueled storyline.

The heart of the film revolves around a group of ex-military mavericks embarking on a high-stakes bank heist. Already on shaky ground due to an informant, their daring plan is fraught with tension and danger from the get-go.

The plot may be straightforward, but it's the characters' backstories that add depth and substance to the narrative. You'll find yourself invested in their struggles, triumphs, and personal demons, creating an emotional connection that keeps you on the edge of your seat.

The film doesn't skimp on action either; expect a barrage of intense gunfights that'll have you gripping the edge of your popcorn bucket. The filmmakers have nailed the selection of firearms, ensuring each confrontation packs a punch and keeps the adrenaline pumping.

And yes, there are a couple of acid bath scenes thrown in for good measure, just in case your heart rate wasn't high enough already!

One of the standout aspects is the drone cinematography, which truly elevates the movie's visual appeal. From breathtaking aerial shots to unique perspectives, the camera work adds a level of artistry that's rarely seen in mainstream action films.

While I caught this gripping spectacle at the theater, I can confidently say it'll be just as thrilling on the small screen. The story and action hold up, making it a definite contender for a thrilling movie night at home.

In conclusion, if you're in the mood for an action-packed joyride that thrives on its thrilling plot, well-portrayed characters, and stellar drone cinematography, this independent gem is a must-watch. So grab your popcorn, buckle up, and get ready to experience an electrifying ride that might just leave you wanting more. I know I'd gladly watch it again on TV.

What a great surprise - i only gave this a chance because Clayne Crawford is in it, terrific edgy actor (the talented one from TV series Lethal Weapon, the wonderful Rectify, and several acclaimed indie movies including The Killing Of Two Lovers and The Integrity Of Joseph Chambers), and was shocked by how good it was. A genuinely tremendous opening set-piece, in which a heist goes wrong, comes pretty close to the wonders of Michael Mann's Heat with an intense and prolonged shootout. The film is beautifully shot, well-acted with muscular and committed direction, tight and straightforward - it may not be Shakespeare, but for action fans it delivers what it promises and more, a gripping, visceral heist movie made with real style and quality. Highly recommended.

The Channel is a low budget film, but one done with style and skill. It's clearly influenced by crime films like Heat and 21 Bridges (the main cop even looks like Chadwick Boseman!), but the plot manages to go to places that those films did not. The result is a movie that feels fresh and thrilling despite wearing its influences on its sleeve.

The film's secret weapon is definitely director William Kaufman, who has made a career of turning out big action on tiny budgets. His signature is creating visceral, realistic-ish gunfights and he doesn't disappoint here. Shootouts that would last 30 seconds in other movies instead go on for 3-5 minutes here and escalate in a pleasing fashion. I wouldn't say The Channel has the best shootouts he's ever made (see The Brave or Daylight's End for that), but this is certainly the best film he's made. It holds up even during the non-action scenes and I found myself invested in the predicament of the main characters.

If you can accept action movies without big studio production values, then The Channel is a good time at the movies.

Never mind the clearly bogus high reviews, and this film is certainly more deserving than the 1/10's, so here's an honest real review; it's a decent and one-time watchable B-Film. The story is nothing new, but has a nice flow and continuity to it, with very little plot and technical issues, and decent action. The 100 min runtime could've used a 10-15 min trim to get rid of some of the filler. Pacing was decent, as was the cinematography and score, especially for a B film. I've never heard of any of the actors, but they performed fairly decent, although the Walter White looking guy and the lead FBI agent Nicoye Banks could've had better casting choices. Nevertheless, it's no 10 and certainly not a 1, but a fair 7/10 for one of the better watchable B films I've seen in a while.