Cristeros

"We are now an army, we are an army fighting for Gad and for the church and for absolute freedom." A true story about the Cristeros War (1926-1929) which was a war by the people of Mexico against the atheistic Mexican government led by president Plutarco Elias Calles. Enrique Gorostieta Velarde (Garcia) leads a revolt of Mexican Christians against the government in hopes he can restore Mexico to the faith filled nation it once was. I will start by saying that this is a very good movie and entertaining to watch. I know nothing about the history or how accurate this is but I enjoyed it. The only problem that I had with the movie is that I really felt no connection to any of the characters and when one would get killed or have a serious problem I wasn't invested enough for it to have the impact that it was trying for. That said it doesn't really take away from the enjoyment of the movie but I didn't really feel the emotion that I think the filmmakers were trying for. Garcia is a great choice for this but he seems to play the character he played in "Godfather 3" or the Ocean's movies but a Mexican soldier version and he came off a little too cocky, but like I said I don't know the history and the real guy may have been that way too. It may seem like I'm rambling but the movie was over 2 hours long and it felt it and some parts I found it hard to stay focused on but overall this is a good watch and in my opinion one of the best releases this week. Overall, a good western/war movie that is pretty heavy on the religious issues. I give it a B+.

There's no doubt that the subject matter of "For Greater Glory: The True Story of Cristiada" - the Cristeros War of Mexico in the late 1920s - could make for an interesting and even entertaining movie. But to tell the truth, I felt kind of unsatisfied at the end. One of the most expensive Mexican movies made (though low budget by Hollywood standards), I will say that the movie (for the most part) looks pretty good. But the movie is saddled with a substandard script. The movie is both too long and not long enough. It unfolds at a pretty slow pace, and there are a number of scenes that could have been eliminated. But at the same time, it doesn't go into detail enough on a number of important points. The motivations of the characters are more often than not vague, and there are a number of unanswered questions for those unfamiliar with this part of Mexican history. While I wouldn't call this movie terrible, it is unsatisfying. Though on a positive note, it will probably get you to do some research about this conflict.

"For Greater Glory" is an amazing film. It's an inspiring retelling of the the Cristeros War against the Mexican government for its having outlawed the Catholic Church and its executions and massacres of those who dared to live out their religious freedom.

The cast is top-notch and the direction pretty competent, keeping the story weaved among intimate scenes and battle scenes. Filled with poignant moments of the lives of the protagonists and of those close to them and with the heroic - as well as less than heroic - skirmish scenes.

It's a movie about taking sides courageously, how conflicting this can be in a man's conscience, especially when it involves the spilling of blood. If anything, the personal struggle of many characters getting into this war and carrying it out made the film shine. From the young boy who faced martyrdom for the Catholic faith - Jose Sanchez del Rio, beatified in 2005 - to his uncle, a cowardly mayor too enamored of power to save him.

I cannot help thinking how timely this film is when the Church and Catholics - for now - are again being curtailed in their freedoms by a government with its own agenda, this time the American government trying to limit the Church's ministry and to force Catholics to violate their consciences. Like Calles, Obama has presented the same arguments to justify his unjustifiable actions against the Church, Catholics and their institutions. It's government might over faith, the collective over the individual, an usurpation of the state to serve not the people, but an ideology.

PS: disregard most professional critics' reviews for they seem to have a chip on their shoulder so big that it blinds them to the artistic and cinematographic qualities of this film.

This historical chapter plays close to home as my great-grandfather was morally involved and supported the resistance. He was a founder and active participant of the Knights of Columbus in Mexico City. This society played an active financial role in the rebellion. Our family business was also affected by this persecution in Mexico, as he could not sell his most important products, which at the time were altar candles for the churches. In the early years of this escalating situation, my great grandfather, a deeply religious man and friend of the church, hid at his candle factory, church artwork and religious valuables to keep them from being plundered and destroyed by government officials.

On more than one occasion, based on anonymous tips, government troops personally led by General Plutarco Elías Calles, raided both my great-grandfathers business and his home, looking for firearms and the illegal church valuables that he was hiding. Unable to find anything, the General made my great-grandfather kneel to the ground and shoved his pistol into the back of my great-grandfathers head. Why he never pulled the trigger or why they were never able to find anything either at the candle factory or at his home, was all God's work. At my great-grandfather's home, there were firearms in plain sight standing behind the open doors to the inner rooms… supplied to him by the US Embassy in Mexico City.

This world is really-really small… as fate would have it be, my brother-in-law married the great-granddaughter of General Plutarco Elías Calles… Although my father knows about this, I never mentioned anything to my grandfather about the subject… Thank God nothing more serious ever happened… there are absolutely no ill-feelings between us, and it sure makes a heck-of-a-good family story for generations to come!

I hope you have an opportunity to see the movie, it is an important chapter of Mexican history which has been institutionally hidden for almost 100 years now.

The film hijacks a complex social conflict and turns it into a David and Goliath story of good guys versus bad. In so doing, it whitewashes the historically reactionary role of the Catholic Church in Mexico. One cannot imagine how such an approach would convince or educate any viewer, including those not at all familiar with the history of this conflict. As befits a one-dimensional propaganda film, the performances are mostly flat and cartoonish.

It is ironic that a movie that purports to represent a popular struggle in defense of religion pointedly ignores the main protagonists: the peasants themselves, both as individuals and in their collective action. Throughout the movie, neither the peasant forces, nor the government soldiers that are sent against them are ever depicted as real human beings.

This movie's celebration of faith and charisma—reduced to the cry 'Long Live Christ the King!'—is a crude effort to obscure the underlying class conflicts that gave rise to the real Cristeros, a social movement that is not widely understood .... Victorious in the Mexican Revolution, the Constitutionalist Army, led by Venustiano Carranza, Álvaro Obregón and Calles, had defeated the peasant armies of Pancho Villa and Emiliano Zapata. The new regime was incapable of resolving a central issue over which the Revolution had been fought, the redistribution of land.

The slow and erratic pace of land distribution under Carranza, Obregón and Calles confirmed to the peasantry the military government's timidity in confronting the large and powerful landowners. The immense properties of the church constituted an important source of economic stagnation and social instability. Efforts in the 19th century to force the church to rent out its land to others, let alone to surrender ownership, met with fierce opposition.

According to historian Jesús Silva Herzog the peasantry and the working class confronted a "demonic triumvirate:" the great landowners, the military, and the Church. "Three tragic words define Mexican history: haciendas, sacristy and barracks." Lacking a revolutionary party and isolated from the workers, the rebellion of Mexican peasants was hobbled by the Catholic Church. Desperate peasant and Indians threw themselves into battle during the Cristero War ideologically imprisoned by Catholic dogma.

Had the Cristero War merely pitted the government of President Calles against the Catholic establishment, it is unlikely that the unprecedented brutality—the mass repression of peasants, the burning and looting of their towns—would have taken place. Historically, ruling classes reserve this kind of gross brutality to the rebellion of the most oppressed: peasants, workers or slaves.