Rheingold

Once again we have fatih akin trying to depict immigrant life in germany from the lens of someone who "understands" the struggles and tribulations of worker class families.

It is his n-th attempt of doing so and it is neither getting more original nor any more accurate. What we have instead is a very distorted negative view of immigrants who appear to be weak minded and drawn to crime with the sole personality of being violent. It is outdated stereotypes on screen doing very little to show any relatable personality. After that you can understand that it is a drag to watch and not recommended.

It felt like 3 different movies for me. The movie has so much potential as the actual life of german rapper Xatar is fascinating and eventful. But the movie is just one big macho movie with a lot of basic and predictable dialogues and jokes that hardly hit their mark. Xatar is a refugee who becomes a criminal and then a rapper, but the movie failed to make that connection. The music is alright, the cinematography is great, story and acting is where it's lacking. Sadly some things in the story are left unexplained and other parts seem overly extended. I think for me the movie fell apart, because of Emilio's acting. I could not relate to many of his choices, as he failed to sell me on his attempt to play this bad boy who has supposedly been through some of the worst situations.

It's a poor man's Guy Richie movie in German, with horrible dialogue. The story is interesting, but not well told. A come up story about a German rapper, from the gutter who makes it big. The actually story has so much potential, but so many important points about his interesting life are just being rolled over, while boring dialogue takes president. And who's idea was it to make a biopic about a guy who is know for being unattractive starring Germany's most famous pretty boy? Apparently the script made it obvious that without some clickbait, the movie would not lure people into the cinema. Xatar is Iranian, played by Emilio who is from Serbia. There are so many Kurdish, Arabian, Turkish and Iranian actors in Germany, why always pick the Serbian kid everyone loves to portray them?

Since it's a biopic, we can look past the fact that there is no positive female figure of importance in this entire movie. But what we can not ignore is the horrid casting and writing.

Even though it's a movie, the characters don't fly off the page, they are all super linear. I think the DOP did excellent work, especially for a German production. You can really tell because sometimes the camera and music were the only things that were able to portray feelings in various scenes, when barely anything came from the actors.

I really wanted to love this movie. I was super hyped about the story, but sadly I was mostly disappointed.

Speak about your goals openly, but when it comes to action, be low-key yet proactive. In the movie, you can see the director capturing moments of Xatar practicing and finding his rhythm in rap. In reality, rap and hip-hop often involve freestyling with a sense of rhythm, and it's intriguing how, through intense self-reflection, it creates a form of chaotic yet relatable expression. I wasn't familiar with Xatar before, and I wasn't a fan of the earlier parts of the film, which focused on his involvement in underground gatherings and altercations. Personally, I tend to avoid such confrontations. However, if Xatar truly found self-discovery in prison, it reaffirms the saying that adversity reveals true character. Sometimes, the complexities of social interactions and the pressures of daily life can be quite vexing.