Eenie Meanie

I just finished "Eenie Meanie" and I'm left wondering what the point was. The film's script is so incredibly weak that it makes the entire experience feel ponderous and slow. The dialogue is unnatural and tries way too hard to be witty, which just comes off as forced and cringeworthy. I was really looking forward to this, especially after seeing Samara Weaving in the trailer, who is usually amazing. But even she can't save the central relationship between the main character, Edie, and her ex-boyfriend. He's so utterly unlikable and a walking liability that it's impossible to believe why she would go to such lengths for him. It's frustrating to watch and completely undermines her strength.

Is it worth watching? Not really. It's a classic case of a film that has a decent cast and a tired premise, but gets held back by its flimsy plot and sluggish pace.

This movie hits home in so many ways. Samara did a great job as a person that struggles to have control of her life, but can't break free, because loyalty can be a curse.

The car chase scenes were used to not as a main point, but to give a break from some heavy drama, which I appreciated.

Kudos to Marshawn, his acting is improving, keep up the good work, there's lots of room for improvement.

I would have given the movie a 7, but it's pace was good enough that I didn't check my phone/tablet the entire movie, which is very rare for me. So the extra star was for Shawn Simmons' directing and Chris Patterson's editing.

This move is "Meh". It suffered from poor writing and not knowing what it was trying to be. Samara Weaving saved this movie from being tossed in the trash. They had Andy Garcia, & Steve Zahn, & failed to use them. The John (Her Blindspot) character was horrible.

Maybe I'm missing something, or fell asleep and didn't realize it, or just don't get the joke they were telling. So, I'm going to scour the review sights, and put up an episode of "Lunchbreak Reviews" on this! Let me know if you agree, disagree, or want to talk about it on the podcast!

Criminal at the age of 15, Edie has had a turbulent life.. but she got out. In a lapse of judgment, she visits her ex and becomes tangled into doing one more of those "do or die" kind of jobs.

Watched for Samara Weaving's charming performance (as always), but was surprised with a very competent script. It has a lot of setup, and the payoff isn't that grand.. but it is mostly about her character arc and it is satisfying to watch. It is simple and efficient.

Her "ex" character is awful, and unlikeable.. but the actor delivers exactly what is expected of him. Was also a bit surprised at Jermaine Fowler's performance.

I would recommend it every time (as a less flashy Baby Driver), but know that it probably would not work without the leading actress. She's just good.

Once again, Samara Weaving absolutely shines in a middling film that struggles to find its true footing amid abrupt genre shifts. For the most part, the film feels like a silly action comedy with shades of Bonnie and Clyde, but there are scenes in between which indicate that it's also a relationship drama and a heist thriller. Whenever there are veterans like Steve Zahn or Andy Garcia involved, the film puts on a rather serious face. And where I'm most conflicted about Eenie Meanie is in its conclusion -- it does make sense from the perspective and character arc of Edith (Weaving), but it's also likely to leave viewers on a bittersweet note. Weaving looks hot, performs well, and gets full marks here. That's most certainly the oomph factor in a not-bad, but soon-to-be forgotten flick.