White Irish Drinkers

There were times where this movie was a little bit predictable and a little bit slow, but I still liked it. I especially enjoyed the interaction between Danny and Shauna. It seemed both genuine and touching. Some of the other acting seemed a slightly wooden at times, but when viewed as a whole and not picked apart piece by piece it was still a good movie.

(I wanted to give 9.5 because almost nothing is a 10, but fractions are not allowed ...)

Invited by a friend of a friend, I saw a preview and was prepared to politely praise the film even if I didn't like it. But I was surprised. This film is sincere, unpretentious, extremely well written and well acted. The story captured my interest from beginning to end. High marks go to all of the actors -- Karen Allen, Peter Riegert, Nick Thurston at an existential crossroads, Geoffrey Wigdor as his older brother who is already lost to the streets, and especially Stephen Lang (the baddie from Avatar), a formidable actor who digs his fingers into your heart. I saw grown men in our audience surreptitiously wiping their eyes!

I don't know much about film-making, but I know what holds me. Whatever the makers did, they did right. Good luck!

So few films today provide such a rich and gritty study of both human frailty and human spirit and redemption. White Irish Drinkers is definitely one of them.

I loved it. I saw it last night and I have thought about it several times since - a mark of a good film.

I am going to act like I didn't see it and watch it again with my husband tonight. Don't think you can get a better endorsement than that.

Only very minor issues:

It is a coming of age story. All the characters are tremendously real with Karen Allen the exception. She was too cliché and wasn't able to pull off enough suffering commensurate with what she was actually going through

Ha....can't believe I actually did see a blooper. It is set in 1975 and in the opening credits scenes, there is a picture of a molded white plastic chair...which didn't exist back them. I am surprised no one noticed...especially 3 minutes into the movie.

I was invited to an advanced screening of White Irish Drinkers with no expectations of the film, and I must say I was truly impressed.

From the acting of Steven Lang, who, as always - was extraordinary, to the under-appreciated Karen Allen in one of her best roles. And finally to Nick Thurston who delivered a strong, measured performance that anchors the story.

In addition, Seamus Tierney provided some exceptional cinematography shot on location in Bay Ridge, Brooklyn - rarely seen on film since Saturday Night Fever in 1977, which coincidentally is the roughly the year when Drinkers is set.

But it is the director/writer/producer John Gray who's long career of solid work has served him well in bringing this powerful story to life.

Nick Thurston was brilliant as the young, struggling artist. However, it was the writing that made him, as well as the rest of the film so convincing. As an artist (and teacher of young artists), I was impressed with the authenticity of the dialog, the astonishingly beautiful art direction and all the skilled nuances that brought the Brian Leary character to life.It was a spellbinding, compassionate portrait of a creative soul as much as it was a gritty tale of coming of age. I also found the film visually compelling and powerful-which all points back brilliant writing. Kudos to John Gray. Not for nothing, the closing scenes and the powerful gifts of Stephen Lang were spectacularly effective. I can't remember the last time (if ever) a film made me stand up, cheer and pump my fit at the end! I do hope this film receives the broad audience and recognition it and its creators so richly deserve.